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Infinite Brass
无限的黄铜

is a collection of next-gen virtual brass instruments that let you play any line exactly as it sounds in your head – right on your keyboard with no keyswitching – and render your performance authentically with a fantastic, clean, modern sound in one of 3 different spaces.
是一个新一代的虚拟铜管乐器的集合,让你演奏任何线完全是它的声音在你的脑海中-在你的键盘上,没有键切换-并在3个不同的空间之一以一个梦幻的,干净的,现代的声音真实地呈现你的表演。

Build your own ensembles with 29 individual instruments and 13 different mutes.
用29种乐器和13种不同的哑巴建立自己的合奏团。

Whether you prefer a more centered sound for concert works or a wide sound for film scoring, 58 positions allow you to create any layout you desire.
无论您喜欢音乐会作品的更集中的声音或电影配乐的宽声音,58个位置允许您创建任何您想要的布局。

Infinite Brass comes with 3 standard spaces: the warm Mozarteum, the bombastic Bersa Hall, and the dry Studio.
Infinite Brass有3个标准空间:温暖的莫扎特音乐厅,夸张的Bersa大厅,和干燥的工作室。

The ambiance is generated in real-time through convolution using bespoke impulse responses unique to each position and room, so the ambiance is always 100% reflecting the performance.
通过使用每个位置和房间独特的定制脉冲响应卷积实时生成环境,因此环境总是100%反映性能。

Phase-aligned samples result in no perceived cross-fades between the layers;
相位对齐的样品结果没有感知到层之间的交叉褪色;

the response is smooth, musical, and sounds like the real thing.
反应流畅,乐感十足,听起来像真的一样。

Infinite Brass boasts some of the widest brass instrument ranges on the market and a consistent dynamic range from ppp to fff for all instruments.
无限黄铜拥有一些最广泛的铜管乐器范围在市场上和一致的动态范围从ppp到fff为所有的乐器。

All instruments have playable vibrato, flutter, and growl, even all three at the same time.
所有乐器都有可演奏的颤音、颤振声和咆哮声,甚至可以同时演奏这三种声音。

Infinite Brass was chromatically sampled at 48 kHz/24-bit.
Infinite Brass的采样频率为48 kHz/24位。

In spite of all the listed features, these instruments are some of the lightest you’ll ever use, totaling 14.0 GB with only ~50 MB of RAM used per instrument.
尽管有列出的所有功能,这些仪器是您所使用过的最轻的,总计14.0 GB,每个仪器仅使用约50 MB的RAM。

FULL ARSENAL
完整的阿森纳

From symphonic to big band, you’re all set.
从交响乐到大乐队,你都准备好了。

You get access to 29 instruments – from the soaring sounds of a piccolo trumpet, down to the ground-shaking contrabass tuba and the raspy cimbassi.
你可以接触到29种乐器——从高亢的短笛小号,到震耳欲聋的低音大号和刺耳的西巴西琴。

Create any configuration you want.
创建您想要的任何配置。

Combine different mutes in a line for endless color options.
将不同的静音组合成一条线,可以获得无尽的颜色选择。

What’s new in INFINITE BRASS 1.6?
INFINITE BRASS 1.6有什么新功能?

Another big update for Infinite Brass.
Infinite Brass的另一个大更新。

No new instruments this time, but you’ll find quality-of-life improvements, new workflow compatibility features, sound improvements, new mics, legato improvements, and more.
这次没有新的乐器,但你会发现生活质量的提高,新的工作流兼容功能,声音的改进,新的麦克风,连奏的改进,等等。

New Mics
新的麦克风

Horns now have the instrument mic available for all positions.
喇叭现在有乐器麦克风为所有位置可用。

Instrument mics are phenomenal for adding detail to your horn lines.
乐器麦克风是现象级的为您的喇叭线添加细节。

Even a single one in an entire horn ensemble will be enough to draw attention.
即使是整个圆号乐团中的一个,也足以引起注意。

Previously only present in the soloist position (where it replaced the standard Close mic in terms of distance), you can now switch between Close and Inst mics with a single click in the interface.
以前只出现在独奏的位置(在那里它取代了标准的关闭麦克风的距离),你现在可以在关闭和Inst麦克风之间切换,只需在界面上单击一次。

It will even work while Mixed Mic is enabled, as the instrument will swap to a different set of mic mixes.
它甚至会工作,而混合麦克风是启用的,因为乐器将交换到不同的麦克混合集。

Low Brass Refresh
低铜刷新

With pretty much every other instrument getting a touch-up at some point, now is the time to tighten up the ‘bones.
随着几乎所有其他乐器都在某个时刻进行润色,现在是时候绷紧“骨头”了。

Along with tone adjustments, trombones now have less low-mid build-in in the room.
随着音色的调整,长号现在在房间里有更少的中低内置。

This low-mid stuff makes it sound full but it will easily clog up your mix if you’re not careful, so I would find myself in a situation where I needed it to cleaner, but couldn’t do anything without negatively impacting the overall tone of the instruments, and based on your feedback, you felt the same.
这种中低的声音听起来很饱满,但如果你不小心,它很容易堵塞你的混音,所以我发现自己处于这样一种情况:我需要清理它,但却无法在不影响乐器整体音调的情况下做任何事,基于你的反馈,你也有同样的感受。

So now if you want to add it back in, just drop an external reverb, EQ out the highs, and dial it in.
所以现在如果你想把它放回去,只要放一个外部混响,EQ掉高音,然后拨进去。

The pitch behavior engine has also been updated, so trombones will act more believably in the lowest parts of their range.
音高行为引擎也已更新,所以长号将更可信的行动在最低的部分,他们的范围。

This, in turn, massively improves the sound of a low brass ensemble playing in unison.
这反过来又极大地改善了低音铜管乐器合奏时的声音。

You’ll hear this in trumpets and horns, too.
你也会在小号和圆号中听到这个。

Improvements and Bugfixes
改进和修正

1.6 includes a legato update for all instruments.
1.6包括了所有乐器的连奏更新。

Based on user feedback, legato has been streamlined to create a better user experience, and it will sound better when it comes to horns and trombones.
基于用户反馈,连奏已经被简化,以创建更好的用户体验,当涉及到喇叭和长号时,它将听起来更好。

The Pitch Bend range is now unlocked.
俯仰弯曲范围现在解锁。

Do note that the instruments are still sample-based, so you’ll get deteriorating quality as you bend more.
请注意,仪器仍然是基于样本的,所以你会得到恶化的质量,当你弯曲更多。

The samples are stereo by default.
默认情况下,示例是立体的。

This was done to somewhat counter the static nature of impulse responses.
这样做是为了在某种程度上对抗脉冲响应的静态性质。

Mono Compatibility will switch the instrument to single-channel mode, increasing correlation when using close mics, in exchange for a slightly more static stereo image.
单声道兼容将仪器切换到单通道模式,增加相关性时,使用近麦克,以交换稍微更静态的立体声图像。

Close mic panning will now more consistently follow the instrument position.
近距离麦克风平移现在会更一致地跟随乐器的位置。

Trumpets also received improvements to their stereo image, resulting in more clarity.
小号的立体图像也得到了改进,清晰度更高。

Two of the bug fixes worth highlighting are note-off handling, which will reduce the chance of hanging notes occurring on playback stop, and the phasing fix.
值得强调的两个bug修复是注释删除处理,这将减少播放停止时挂起注释的机会,以及分阶段修复。

With 1.5, some users have experienced completely random phasing issues, and that’s now been taken care of.
在1.5版本中,有些用户会遇到完全随机的分期问题,现在已经解决了。

Released previous version contains resaved files requiring KONTAKT v6.7.1.
发布的上一个版本包含重新保存的文件,需要KONTAKT v6.7.1。

Now you can download release contains original files.
现在您可以下载包含原始文件的发行版。

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