VSL Studio Bosendorfer Upright Additional for Synchron Pianos

立式设计，三角钢琴般的宏大音色

Bösendorfer Grand Upright 130 融合了近两个世纪三角钢琴制造经验的精华。尽管在外形上它是一台立式钢琴，却能带来令人惊喜的细腻音色变化与强劲低频，同时依然保持纯净、通透的钢琴本色，不会像音乐会三角钢琴那样因庞大的琴体而附加更为宽广的音色染色。

• 现代经典之作
• 每一个音符都拥有出色的清晰度
• 宽广的动态范围
• 音色饱满，低频浑厚有力
• 提供 8 种麦克风位置，带来高度灵活的音色与音质变化
• 于 Synchron Stage Vienna 的 Stage B 录制
• 先进的 Release 采样技术（Advanced Release Sample Technology）
• 预设主音色：Concert、Intimate、Player、Pop、Ambience、Vintage

传奇般纯净而丰厚的 Bösendorfer 音色，源自维也纳钢琴制造传统及其复杂精密的结构设计。Bösendorfer 在制琴时使用超过 80% 的天然风干共振云杉木，这一比例高于任何其他制造商。每当琴键被按下，内部整合的云杉木部件便会参与振动，从声学原理上形成一个类似小提琴的完整共鸣体。其精准的机械结构可在保持最大可控性的同时，实现最佳的能量传递。而精心手工绕制的低音琴弦——以钢芯为基础，并缠绕一层或两层铜丝——同样为其温暖而浑厚的音色贡献良多。

麦克风位置

为了在 Synchron Stage Vienna 的 Stage B 中完整捕捉这台非凡钢琴的声音，录音团队使用了多组高端麦克风阵列，为你塑造个性化音色提供了极其丰富的选择。

Standard Library：
• Close 1 – 电容（Schoeps 2 MK4 ORTF）
• Main/Room Mic – Decca Tree 立体声（Neumann KM 133）
• Mid 2（Schoeps KFM6，位于钢琴上方）
• Main/Room Mic – Decca Tree 单声道（Neumann KM 133）

Full Library：
• Close 1 – 电容（Schoeps 2 MK4 ORTF）
• Close 2 – 铝带（Royer SF24 Blumlein）
• Close 3 – 大振膜电容（Neumann 2 TLM 170 心形指向）
• Mid 1（Sennheiser MKH 40 ORTF，位于钢琴后方）
• Mid 2（Schoeps KFM6，位于钢琴上方）
• Main/Room Mic – Decca Tree 立体声（Neumann KM 133）
• Main/Room Mic – Decca Tree 单声道（Neumann KM 133）
• Main Surround – 立体声（Neumann KM 184）

即使你并未使用环绕声系统，通过在立体声混音中加入房间与环绕麦克风信号，Full Library 依然可以为你带来更多环境变化与更深的空间层次感。

Standard = 立体声
Full = 立体声 + 额外麦克风信号

需求：VSL Studio Bosendorfer Upright Stereo（用于 Synchron Pianos）

Upright Design, Grand Sound
The Bösendorfer Grand Upright 130 incorporates the experience of almost two centuries of grand piano making. Although physically an upright piano, the instrument surprises with subtle nuances and a powerful bass, and yet with a pure and pristine piano sound, without the broader tonal colors usually added by the large body of a concert grand.

• A modern classic
• Stellar clarity in each note
• Wide dynamic range
• Rich tone with a powerful bass
• Versatility in sound and timbre with eight microphone positions
• Recorded at Stage B of Synchron Stage Vienna
• Advanced Release Sample Technology
• Pre-configured Main Presets: Concert, Intimate, Player, Pop, Ambience, Vintage

The legendary pure and rich Bösendorfer sound is based on the Viennese tradition of piano making with its complex construction. Bösendorfer uses more than 80% naturally dried resonant spruce wood to build an instrument – more than any other manufacturer. When a note is played, the integrated spruce components become acoustically active, forming a complete resonating body similar in principle to a violin. Its precise mechanics offer optimum power transmission with maximum controllability. The carefully hand-spun bass strings – steel core strings with one or two layers of copper – also contribute to its warm and sonorous sound.

Microphone Positions
In order to capture this marvelous instrument in Stage B of Synchron Stage Vienna, the team of recording engineers used multiple high-end microphone arrays, affording an abundance of options for creating your individual sound.

Standard Library:
• Close 1 – Condenser (Schoeps 2 MK4 ORTF)
• Main/Room Mic – Decca Tree Stereo (Neumann KM 133)
• Mid 2 (Schoeps KFM6 over the piano)
• Main/Room Mic – Decca Tree Mono (Neumann KM 133)
Full Library:
• Close 1 – Condenser (Schoeps 2 MK4 ORTF)
• Close 2 – Ribbon (Royer SF24 Blumlein)
• Close 3 – Condenser Large Diaphragm (Neumann 2 TLM 170 Cardioids)
• Mid 1 (Sennheiser MKH 40 ORTF behind the piano)
• Mid 2 (Schoeps KFM6 over the piano)
• Main/Room Mic – Decca Tree Stereo (Neumann KM 133)
• Main/Room Mic – Decca Tree Mono (Neumann KM 133)
• Main Surround – Stereo (Neumann KM 184)

Even if you’re not using a surround setup, you get more ambience variations and spatial depth out of the Full Library by adding the room and surround microphones’ signals to your stereo mix.