唢呐音源 Kong Audio Suona [KONTAKT]

A hybrid crossover of brass and woodwind
铜管乐器和木管乐器的混合体

Suona is rather unique.
唢呐是相当独特的。

It is sort of a crossover between brass and woodwind.
这是铜管乐器和木管乐器的一种交叉。

The sound of Suona is energetic, unapologetically harsh, abrasively brash, and proud-to-be-so-loud, blasting out everythings in sight.
唢呐的声音是充满活力的，毫不掩饰地刺耳，刺耳而傲慢的，骄傲地如此大声，把视线中的一切都轰出去。

The sound is simply wild.
这声音简直太狂野了。

Suona is believed to be derived from the Persian Zurna and slowly adopted by the Chinese in the course of history.
唢呐被认为是源自波斯唢呐，在历史过程中慢慢被中国人所采用。

By the time of the Ming Dynasty (14th – 17th century), Suona is documented as a prevalent instrument in China.
到了明代(14 – 17世纪)，唢呐被记载为中国流行的乐器。

Today, Suona is still widely used at the local grassroot events such as weddings or religious festivals, especially in the rural area.
时至今日，唢呐仍广泛用于当地基层的婚礼、宗教节日等活动中，特别是在农村地区。

Some modified versions of Suona are now the official instruments of large traditional Chinese orchestras.
一些改良版的唢呐现已成为中国大型传统管弦乐队的官方乐器。

Extraordinary Playability
非凡的可玩性

ChineeSuona contains two different Suonas: a Big Suona in G (note range: D4-E6), a Small Suona in D (note range: A3-B5), with various types of legato, tremolo, trills and staccato, rolls and vibes playing styles.
中国唢呐包含G大调(音域D4-E6)和D小调(音域A3-B5)两种不同的唢呐，有各种类型的连奏、颤音、颤音与断奏、滚音与振音演奏风格。

Like all other Chinee Series instruments, the live playability of ChineeSuona is, again, the focus of the design.
像所有其他的中国系列乐器一样，中国唢呐的现场可演奏性也是设计的重点。