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Just like for the VTines and the B-5 Organ, we combined synthesis techniques and sampling to achieve a high level of playability and tweaking while maintaining a realistic sound.
就像对于VTines和B-5风琴,我们结合合成技术和采样来实现高水平的可玩性和调整,同时保持一个真实的声音。

This allows the VReeds to weight only 70Mb and to really sound like a Wurlitzer© Electric Piano with all of its imperfections while having a fully continuous response (if you’re not convinced, listen to the 127 velocity example in our video) as well as a highly tweakable sound.
这允许vreed的重量只有70Mb,并真正听起来像Wurlitzer©电子钢琴的所有缺陷,而有一个完全连续的响应(如果你不相信,听127速度的例子,在我们的视频)以及一个高度可调整的声音。

There are a few Wurlitzer Electric Pianos, but the most famous ones are the 200 and the 200A.
Wurlitzer有一些电子钢琴,但最著名的是200和200A。

There are subtle differences between the two models mainly due to the thickness of the Reeds and the amplifier circuit.
这两种型号之间有细微的差别,主要是由于簧片和放大电路的厚度。

Instead of choosing one, we decided to sample the two models and offer you the choice from the interface.
我们没有选择其中一个,而是决定对这两个模型进行抽样,并从界面中提供选择。

VReeds is based on real samples of two Wurlitzer models, a 200 and a 200A.
vreed基于两款Wurlitzer型号的真实样本,一款是200型,一款是200A型。

They were both fully restored with original and well adjusted Reeds, and had a precise action that allowed for a perfect sampling while keeping all of the vintage Wurlitzer sound characteristics.
他们都完全恢复了原始和调整良好的芦苇,并有一个精确的行动,允许一个完美的采样,同时保持所有的vintage Wurlitzer的声音特征。

Our modeling method gives you access to a 100% continuous response, a very small sized library (70Mb for both models) and a very high tweakability.
我们的建模方法允许您访问100%连续的响应,非常小的库(两个模型都有70Mb)和非常高的可调整性。

It also ensures that the staccatos and releases that make up for half of the realism sound perfect, not like a fadeout, not too loud, just perfect.
它还确保了作为现实主义一半的断奏和释放听起来完美,不像淡出,不太响亮,只是完美。

This release requires R2R Falcon
这个版本需要R2R Falcon

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