SAMPLING MEETS MODELING, AGAIN
采样与建模再次相遇
We have been planning a horns project for awhile, (our first recordings were back in 2012) but many things prevented us from doing it until now – namely the fact that we wanted to avoid the need for too many keyswitches, in favor of being able to just control the air flow.
我们已经计划一个角项目一段时间,(我们的第一个记录是在2012年),但很多事情阻止我们这样做直到现在——也就是我们想要避免的需要太多的按键开关,赞成能够控制气流。
Thanks to our recent work on a hybrid technology blending samples and modeling, we were able to overcome both of these problems and take advantage of having the best of both worlds: impeccable authentic sounding horns with a simple, powerful way of playing them.
感谢我们最近在混合技术上的工作,混合样品和建模,我们能够克服这两个问题,并利用这两个世界的最好:完美的真实的发声喇叭与一个简单,强大的方式演奏他们。
Following the original approach of Dr. Giorgio Tommasini and Samplemodeling on harmonic alignment, we developed our own approach and called it HAT (Harmonic Alignment Technology).
遵循Giorgio Tommasini博士的原始方法和谐波对准的采样建模,我们开发了自己的方法,并称之为HAT(谐波对准技术)。
This technology allows us to accurately reproduce the timbre evolution from very soft to very loud playing.
这项技术可以让我们准确地再现音色从非常柔和到非常响亮的演奏过程。
We found a way to combine both technologies by using samples as the sound source, while the rest utilises modeling techniques.
我们找到了一种结合两种技术的方法,即使用样本作为声源,而其余的则使用建模技术。
This allows V Horns to weigh just around 90Mb per instrument (retina graphics and presets included), to truly sound like a real live Horn instrument being recorded with all of its imperfections, as well as having fully continuous response with incredible playability.
这使得V Horns的重量大约90Mb每个乐器(包括视网膜图像和预设),真正听起来像一个真正的活的号角乐器被记录的所有不完美,以及具有令人难以置信的可玩性完全连续的反应。
And we are confident in saying that to our ears, and hopefully yours too, VHorns is the most realistic and easy-to-use VST available today.
我们有信心对我们的耳朵说,希望也对你的耳朵说,VHorns是当今可用的最现实和最容易使用的VST。
Here are a few performances from real musicians and what we recreated using VHorns (and used for our demos).
这里有一些来自真正的音乐家的表演,以及我们使用VHorns(并用于我们的演示)重新创造的。