Fracture Sounds Singing Bowl v1.0 [KONTAKT]

 
A deep sampled Tibetan bowl for Kontakt 5, featuring two articulations: hits and sustains.
Kontakt 5的深度采样西藏碗，有两种发音:击打和持续。

The instrument was sampled with a multitude of dynamic layers and round robins, and packaged in an easy-to-use Kontakt instrument.
该仪器采用多种动态层和圆形知更鸟进行采样，并封装在一个易于使用的Kontakt仪器中。

This library features a deeply sampled Tibetan Singing Bowl, recorded in close stereo, and mapped across a playable range of four octaves.
这个图书馆的特点是一个深度采样的西藏歌唱碗，录制在近立体声，并映射在四个八度的可播放范围。

Two articulations were captured – sustains (created by moving the wooden mallet in a circular motion around the rim of the bowl) and hits.
两个关节被捕捉-支撑(通过围绕碗的边缘以圆周运动移动木槌产生)和击中。

Both these articulations were recorded with a multitude of dynamic layers, which allows for very delicate and realistic playing.
这两个关节都被记录了大量的动态层，这允许非常精致和现实的演奏。

The instrument was programmed with ease of use in mind.
这台仪器的程序设计考虑到易于使用。

Simply move the mod wheel while playing sustains to smoothly morph between different dynamic levels.
简单地移动mod轮，而玩持续平稳地变化不同的动态水平。

When performing a real singing bowl, changes in dynamics are often very slow, since the bowl takes time to vibrate and resonate.
当表演一个真正的歌唱碗时，动力学的变化通常是非常缓慢的，因为碗需要时间来振动和共振。

Setting the ‘speed’ control to a low value will simulate this, by gradually fading between the dynamic layers.
将“速度”控制设置为一个较低的值将通过在动态层之间逐渐淡出来模拟这一点。

Another characteristic of a real singing bowl is the sound of the mallet occasionally scraping against the bowl due to friction.
真正的歌唱碗的另一个特点是木槌偶尔会因为摩擦而刮擦碗的声音。

Use the ‘Rust’ control to add additional scraping noise to the sustains.
使用“锈蚀”控制添加额外的刮擦噪音的支柱。