Soundiron Waterharp v2.0 [KONTAKT]

 
The Soundiron Waterharp is a deeply multi-sampled percussion and effects instrument library that captures the heart and soul of the waterphone.
Soundiron水竖琴是一个深度多采样的打击乐器和效果乐器库，抓住了水电话的心脏和灵魂。

This unique instrument concept was originally developed by Richard Waters in the late 1960s.
这种独特的乐器概念最初是由Richard Waters在20世纪60年代末开发的。

Waterphones – also commonly known as Water Harps – are found in all shapes and sizes, but they generally follow the same basic design: a brass vessel with a hollow brass water chamber and a long neck.
水琴——通常也被称为水琴——有各种形状和大小，但它们基本上都遵循相同的基本设计:一个黄铜容器，有一个空心的黄铜水腔和一个长颈。

The top side of the chamber is adorned with vertical brass tines or bars.
房间的顶部装饰着垂直的黄铜尖或栏杆。

It is played by strumming, striking and bowing these tines, which resonate together creating darkly harmonic or dissonant tones and textures.
它是弹奏，敲击和弓这些尖，这些共振在一起创造黑暗和谐或不和谐的音调和纹理。

The tines are cut to specific lengths and arranged to create scales as they wind around the body of the waterphone.
尖状物被切割成特定的长度，当它们缠绕在水电话的身体上时，排列成鳞片。

Adding water to the chamber and changing the position of the waterphone drastically changes the pitch and harmonics that are produced when the instrument is played.
向腔内加水和改变水听器的位置可以极大地改变乐器演奏时产生的音高和谐波。

The water chamber itself can also be played as a percussion instrument.
水室本身也可以作为打击乐器演奏。

Overall, the waterphone can be considered as both a tuned and un-tuned percussion instrument, but is most often used in suspense and horror soundtracks and sound design as a dramatic sound effect tool.
总的来说，水电话可以被认为是一种调音和未调音的打击乐器，但它最常被用于悬疑和恐怖的配乐和音效设计中，作为一种戏剧性的音效工具。

We played it with lots of different mallets, sticks, metal rods, fingers and palms, bows and even voices to explore every nuance and hidden musical potential of this instrument.
我们用不同的木槌、棍子、金属棒、手指和手掌、弓甚至声音来演奏它，探索这个乐器的每一个细微差别和隐藏的音乐潜力。

We recorded it both empty and full of water.
我们记录了里面有水也有空。

We even recorded it from the inside out using hydrophones (underwater microphones), while being cooked over open flame and while filled with machine screws.
我们甚至用水听器(水下麦克风)从里到外录制了它，同时在明火上烤着，同时装满了机器螺丝。

And finally, we created a wide selection of ambient soundscapes, pads, drones, ambiences and atmospheres using the recordings and all manner of creative sound design techniques to take this library to the next level.
最后，我们创造了广泛选择的环境音景，垫，无人机，氛围和氛围使用录音和所有方式的创造性声音设计技术，把这个图书馆到下一个水平。

CONTENTS:
内容:

Bowing (no water) Slow, Medium, Fast FX
弓(无水)慢，中，快的特效

Bowing sweep (water) Slow, Medium, Fast FX
弓扫(水)慢，中，快的FX

Bowing 2-note legato
鞠躬2-note连奏的

Bowing Sustain (with and without water)
弓支(有水或无水)

Bowing Staccato
鞠躬断续的

Bowing FX grinding w/ tine buzz (with and without water)
弯曲FX磨削带/齿嗡嗡(有和没有水)

Bowing FX w/ magnets
弯曲FX w/磁铁

Bowing FX w/ hydrophone (underwater mic)
水下听音器(水下麦克风)

Bowing FX w/vocals
鞠躬FX w /人声

Bowing FX boiling at four different temperature levels
弯曲FX在四个不同的温度水平沸腾

Mallet Rubber (6-7 velocity layers – 6 round robin) at +16 tines
锤形橡胶(6-7速度层- 6轮循环)+16尖

Mallet Metal (6-7 velocity layers – 6 round robin) at +8 tines
金属锤(6-7速度层- 6轮循环)+8尖

Hand Played “Metal Tabla” (10 velocity layers – 10 round robin) bottom and top
手演奏“金属手鼓”(10个速度层- 10轮)底部和顶部

Wooden Mallet (6-7 velocity layers – 6 round robin) at +20 tines
木槌(6-7速度层- 6轮循环)+20尖

Hydro Mallets (6 round robin) at +20 tines
水锤(6轮)+20尖

Rubber, Metal and Wooden Mallet Sweeps (Slow, Medium, Fast)
橡胶，金属和木槌清扫(慢，中，快)

Hydro-Vocal drones, phrases and more…
Hydro-Vocal无人机，短语和更多…

Custom ambiences, including patches by Steven Tavaglione (Ambient music on Wall-E, American Beauty and more)
定制氛围，包括史蒂文·塔瓦格里奥尼的补丁(《机器人总动员》、《美国丽人》等的环境音乐)

Waterharp 2.0 includes automatable Attack, Release, Edge, Filter, Vibrato and Convolution reverb with 30+ custom halls, rooms and special FX impulses.
水竖琴2.0包括自动攻击，释放，边缘，过滤器，振动和卷积混响30+自定义大厅，房间和特殊的FX脉冲。

We’ve optimized presets to put each category right at your fingertips, with easy articulation menu loading.
我们已经优化预设，把每个类别在你的指尖，与容易的清晰度菜单加载。

We’ve also rolled our Arpeggiator system into every tuned and strike percussion preset, with plenty of mode, sequencing and time signature options.
我们还将Arpeggiator系统整合到每一个调谐和打击打击乐预设中，拥有大量的模式、顺序和时间签名选项。

The effects presets now feature dynamic waveform display, with real-time playback and offset cursor.
效果预置现在具有动态波形显示，实时播放和偏移光标。

We’ve also added a new range of deep ambiences, synths and sound-designed atmospheres, all hand-crafted from the original instrument source.
我们还添加了一个新的范围的深氛围，合成器和声音设计的氛围，所有手工从原始的乐器源。