Spitfire Audio Joey Santiago [KONTAKT]

 
A Monstrous Sonic Plough.
一个巨大的声波犁。

In keeping with Spitfire’s Signature range we’re proud to present a true trailblazer, a guitar innovator and prolific composer in his own right.
在保持喷火的签名范围，我们很自豪地提出一个真正的开拓者，一个吉他创新者和多产作曲家在他自己的权利。

Creating a library of beautifully distorted filth for us all to gorge on.
创造了一个美丽扭曲的垃圾图书馆，供我们所有人狼吞虎咽。

You are not just playing Joey’s guitars and his pedals, via his amps.
你不只是在用乔伊的电吉他和踏板演奏。

You are actually playing Joey, playing his guitars and pedals via his amps.
你其实是在扮演乔伊，用他的音箱弹他的吉他和踏板。

Recorded in LA, re-amped in London and mutated in Edinburgh this library is a well travelled treasure chest of the coolest sounds you’re likely to find in a sample library.
在洛杉矶录制，在伦敦重新放大，在爱丁堡突变，这个图书馆是一个旅行的宝库，最酷的声音，你可能会在样本图书馆找到。

Why?
为什么?

Well instead of trying to be cool (an inherently uncool action) why not simply engage the skills of someone who exudes it?
那么，与其试图变得酷(一种本质上不酷的行为)，为什么不简单地利用那些散发酷的人的技能呢?

Joey Santiago contains a variety of multi sampled instruments recorded and performed by the man himself through his favoured guitars, his fabled board and his much toured amp rig.
乔伊圣地亚哥包含了多种多样的采样乐器记录和表演的人自己通过他最喜欢的吉他，他的传奇董事会和他的巡回放大器钻机。

We then re-amped the whole thing back in London’s super cool Pool Studios.
然后我们在伦敦超酷的泳池工作室重新放大了整个画面。

In addition to the multi sampled virtual instruments we also captured hours of Joey shredding, gating, twisting and distorting into the raw materials for new sonic adventures.
除了多采样的虚拟乐器，我们还捕捉了几个小时的乔伊撕碎，门，扭曲和扭曲成新的声音冒险的原材料。

Finally, this raw material was taken to Christian Henson’s new ‘warp room’ on the edge of an extinct volcano in Scotland for further sound bending.
最后，这些原材料被带到克里斯蒂安·汉森(Christian Henson)位于苏格兰一座死火山边缘的新“扭曲室”，以进一步弯曲声音。

Pick the amps you wish to use, and use our popular “Mercury Synth” and eDNA engine to take our work and make it your own.
选择您希望使用的放大器，并使用我们流行的“水星Synth”和eDNA引擎采取我们的工作，使它自己。

Once done, happily tell people you have Joey Santiago from the Pixies on your track.
一旦完成，高兴地告诉人们你有来自Pixies的Joey Santiago在你的轨道上。

We hope this library appeals to a variety of users, rock, pop, EDM-ers, but also TV, Film and Games composers wanting to utilise the “real deal” on their work.
我们希望这个图书馆能够吸引各种各样的用户，摇滚，流行，电火花，还有电视，电影和游戏作曲家想要在他们的工作中使用“真正的交易”。

Following on from working with rock god drummers Chad Smith (Red Hot Chili Peppers), Matt Sorum (Guns n Roses) and Roger Taylor (Queen) it was only time to move on to guitars.
在与摇滚之神鼓手查德·史密斯(《红辣椒》)、马特·索伦(《枪花》)和罗杰·泰勒(《皇后乐队》)合作之后，是时候转向吉他了。

So it only seemed fitting to go to one of the most inventive and influential guitarists of a generation, and a composer in his own right who knows what goes into creating virtual magic – The Pixies’ Joey Santiago.
因此，这似乎只适合那个年代最具创造力和影响力的吉他手之一，以及一个知道如何创造虚拟魔法的作曲家——Pixies的乔伊·圣地亚哥。

Santiago has described his guitar technique as “angular and bent”, MTV’s Laurel Bowman commented that Santiago’s “sonic plough was the key element in the Pixies’ monstrous presence”
圣地亚哥形容他的吉他技术是“有棱角的和弯曲的”，MTV的劳蕾尔·鲍曼评论道，圣地亚哥的“声波犁头是小精灵们怪异存在的关键因素”。

Spitfire decamped to a vibey little space in East LA, rigged up 6 amps, Joey’s extraordinary pedal board via the finest valve and ribbon mics, into a rare vintage Neve console.
喷火战斗机在洛杉矶东部的一个小空间里安装了6个安培，乔伊非同寻常的踏板板通过最好的阀门和带麦克风，装进了一个稀有的老式Neve控制台。

The brief was not necessarily define a ‘virtual’ guitar (although there are multi sampled instruments herein), but to create an environment where Joey’s rich arsenal of sounds could flow forth.
这篇简短的文章并不一定要定义“虚拟”吉他(尽管这里有多种采样乐器)，而是要创造一个Joey丰富的声音库可以流动的环境。

To follow in the excellent footsteps of Leo Abraham’s Enigma 1 & 2 in making a library that exudes cool, and which takes risks not many other sample libraries would dare to.
跟随利奥·亚伯拉罕的Enigma 1和2的优秀脚步，打造一个散发着酷感的图书馆，并承担其他许多样本图书馆不敢承担的风险。

Features
特性

6 different signals to choose from;
6种不同的信号可供选择;

4 amplified signals including Joey’s own Marshall JCM800, Fender Vibrolux, and a Selmar and 2 different room perspectives.
4个放大信号，包括乔伊自己的马歇尔JCM800，芬达振动，塞尔玛和2个不同的房间视角。

‘Individual Plucks’ – All sounds played by Joey himself, through a selection of hand picked pedals.
“个人采摘”-所有的声音都由乔伊自己演奏，通过精选的手挑选踏板。

18 different presets that give you they real Santiago guitar sounds.
18种不同的预设，给你真正的圣地亚哥吉他声音。

‘Santiago Sounds’ – 35 different sounds created by the man himself through his vast collection of pedals all in the Mercury engine to add additional FX options.
“圣地亚哥声音”- 35个不同的声音，由他自己通过他的大量收集的踏板在水星引擎，以增加额外的FX选项。

‘Gigantic Mutations’ – 49 loops crafted from various sections of Joeys playing, housed and warped within Spitfire’s eDNA engine.
“巨大的突变”——49个由乔伊玩耍的不同部分组成的循环，被安装在喷火的eDNA引擎中并扭曲。

‘Radiant Pads’ – 150 sounds curated into 125 different presets, with a metallic edge.
“辐射垫”- 150种声音组合成125种不同的预设，带有金属边缘。

All in Spitfire’s eDNA engine.
都在喷火的eDNA引擎里。