受电影和古典音乐偶像的启发,这套全面、无禁忌的铜管乐器合集让您可以使用精心策划的合奏、各种规模的传统管弦乐声部以及独奏,所有这些都以流行原声带为基础,同时也涵盖了古典交响乐曲目。Afflatus 第 2 章铜管乐》始终采用普通录音,并配有各种类型的哑音,使铜管乐的创作比以往任何时候都更加容易和令人满意。
经过 5 年的概念性录音和打磨,Afflatus 系列第二章终于面世。Afflatus 第 2 章铜管乐器系列的概念远远超越了该系列的第一部,它是一个全面的铜管乐器集,100% 基于用户反馈和第一章的核心优势,使其成为一个真正的铜管乐器集。
与静态的通用采样不同,Afflatus 第二章捕捉的是音乐表演,它以我们和您最喜爱的一些电影原声带和古典音乐曲目为基础,精选了多个合奏曲。这些高度专业化、极具启发性的样本能立即带来令人满意的效果,超越了传统多采样所能达到的效果。这些经过精心策划的合奏使用了不同的衔接和动态层次进行录制,它们不仅是独门绝技,更是严肃的配乐和音乐制作工具。
从既能演奏雷鸣般的铜管乐墙,又能保持清晰度和有机音色的巨型野蛮人低铜管乐团,到通过马歇尔放大器将自己放大并传回室内的 10 支幻影号角,再到可演奏的、富有表现力的、细腻的铜管膨胀声(天选之人),以及带有电颤琴和萨克斯管的哑音小号(黑色铜管),可用的色彩不胜枚举,需要进行大量的测试,才能将它们所基于的概念发挥到极致。我们可以自豪地说,在 Afflatus 第 2 章铜管乐 1.0 版本中,我们已拥有 9 种不同的合奏,具有多种发音和动态层次。如需了解更多详细信息,请查看我们的内容概览列表。
野蛮人铜管乐器
冰山铜管乐器
幻影铜管乐器
山地酒店常规和杯状静音
恐怖空间
黑色黄铜
天选之子
猎人黄铜
帝国铜管乐 A 和 B
除此以外,第 2 章还提供了一个全面而稳定的铜管乐器采样集,其中包含各种规模的合奏和每个声部的独奏者,并为不同乐器录制了正常音和各种静音(如适用)。最新迭代的复调真实连音和全新的用户界面,让您可以根据自己的喜好定制每个发音和音色。我们特别注重动态层之间的无缝交叉淡入淡出以及循环编辑的紧凑性。每种乐器都有多种不同长度的渐强、滑音、wt/ht颤音和飘音可供选择。
该音色库的编辑方式以可演奏性和性能为关键。只有极少的偏移量(如果有的话)才能达到 100% 的演奏效果。
在 v1.0 版本中包含的声部大小和独奏者:
4 小号
2 小号
独奏圆号
3 小号
小号独奏
3 长号
低音长号独奏
次中音长号独奏
细管低音号独奏
大号独奏
2 大号
低音铜管合奏
与前一章一样,Afflatus Brass 也深入探索未知领域。因此,我们很高兴地宣布,实验性子文件夹也出现在第二章中。这些可玩性极高的补丁以不同寻常的方式进行处理和映射,让您获得超越传统管弦乐视角的铜管乐器音效。
概述:
– 精品铜管乐器合集》始终如一地使用精心挑选的合奏、传统乐段和独奏者进行采样
– 动态范围从 ppp 到 fff,动态层之间可无缝切换
– 在环境优美的中型大厅中录制,有 4 个麦克风位置(近距离、分段、Decca 和大厅)
– 专为铜管合唱创作而设计的复音真实连音,以及暴露的单音真实连音
– 用于快速素描的演奏补丁
– 根据电影配乐和古典交响乐的管弦乐编排的合奏曲
– 连续录制的静音铜管乐器集,提供不同类型静音的各种选项
– 以处理录音为特色的实验部分
– 全新的用户界面,允许自定义每个发音
– 可定制的 “人性化调音 “和 “大厅噪音 “选项
– 速度动态影响器,可对复调连音进行额外控制
– 由 Native Instruments 的免费 Kontakt 播放器提供,与 NKS 兼容
需要免费的 Native Instruments Kontakt Player 6.7.1+ 版本或完整的 Native Instruments Kontakt 6.7.1+ 版本
Inspired by film and classical music icons, this comprehensive and no-holds-barred collection of brass instruments grants you access to curated ensembles, traditional orchestral sections in various sizes along with soloists, all based on popular soundtracks while covering the classical symphonic repertoire, as well. Consistently recorded normale and with various types of mutes, Afflatus Chapter 2 Brass makes it easier and more satisfying to write for orchestral brass than ever before.
After 5 years of conceptual recordings and polishing, Chapter 2 of the Afflatus Series is finally here. Pushing the concept far beyond the first installment of the series, Afflatus Chapter 2 Brass is a comprehensive no-holds-barred collection of brass instruments based 100% on user feedback and the core strengths of the first chapter, making it a true workhorse collection of brass instruments.
Capturing conducted musical performances as opposed to static generic samples, Afflatus Chapter 2 features several curated ensembles based on some of our and your favourite film soundtracks and pieces from the classical repertoire. These highly specialized and inspiring patches deliver instantly gratifying results beyond what traditional multisamples are capable of achieving. Recorded with different articulations and dynamic layers, these curated ensembles are far more than one-trick ponies; they are serious scoring and music production tools.
From a gigantic Barbarian Low Brass Ensemble able to perform thunderous walls of brass while still maintaining clarity and an organic sound, to 10 Phantom Horns amplifying themselves through Marshall Amps back into the room into playable, expressive and delicate brass swells (The Chosen One), as well as muted trumpets with vibraphone and saxophones (Noir Brass), the available colours are numerous and required an extensive amount of test sessions to get the best out of the concepts they are based on. We are proud to say that we have 9 different curated ensembles with multiple articulations as well as dynamic layers in the 1.0 release of Afflatus Chapter 2 Brass. For more in depth information, please check out our Content Overview List.
Barbarian Brass
Iceberg Brass
Phantom Brass
Mountain Hotel Normale and Cup Muted
Space Horror
Noir Brass
The Chosen One
Hunter Brass
Imperial Brass A and B
On top of that, Chapter 2 also comes as a comprehensive and consistently sampled workhorse brass collection containing various ensemble sizes and soloists of every section recorded normale and with various mutes (where applicable) for the different instruments. Featuring the latest iterations of our acclaimed polyphonic true legato and a brand new user interface allowing you to customize each articulation and the sound to your liking. Special attention was given towards seamless crossfading between dynamic layers and tightness in the round robin editing. The top dynamic is a blasting fff, while the lowest dynamic is a soft pp. A wide selection of different lengths for marcato playing as well as playable sfz crescendo, slides, wt/ht trills, flutter are available for each instrument performed normale and with mutes where possible.
The library was edited in such a way that playability and performance was key. There are only minimal offsets – if any – needed to get the performance 100% tight.
Included Section Sizes and Soloists in the v1.0 Release:
4 Horns
2 Horns
Solo Horn
3 Trumpets
Solo Trumpet
3 Trombones
Solo Bass Trombone
Solo Tenor Trombone
Solo Cimbasso
Solo Tuba
2 Tubas
Low Brass Ensemble
As with the previous chapter, Afflatus Brass dives deep into the unknown, too. Therefore, we are happy to say that the experimental subfolder is also present in Chapter 2. These highly playable patches are processed and mapped in unusual ways and allow you to get sounds beyond the traditional orchestral perspective on brass instruments.
Overview:
– Boutique Brass Collection consistently sampled with curated ensembles, traditional sections and soloists
– Dynamic Range from ppp to fff with seamless crossfading between dynamic layers
– Recorded in an ambient medium-sized hall with 4 mic positions (Close, Section, Decca and Hall)
– Polyphonic True Legato tailored towards choral brass writing as well as exposed monophonic True Legato
– Performance Patches for quick sketching
– Curated Ensembles based on orchestrations from film scores and the classical symphonic repetoire
– Consistently recorded collection of muted brass with various options for different types of mutes
– Experimental Sections featuring processed recordings
– Brand new User Interface allowing for the customization of each individual articulation
– Customizable “Tuning Humanize” and “Hall Noise” Options
– Velocity Dynamic Influencer for extra control on polyphonic legato voicings
– Powered by Native Instruments’ free Kontakt Player and NKS compatible
Requires free Native Instruments Kontakt Player Version 6.7.1+ or full Native Instruments Kontakt Version 6.7.1+