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这是一款虚拟模拟效果器,灵感来自经典的桶 brigade 延迟(BBD)效果,但加入了现代的功能。我们将这款新插件命名为“Colour Copy”,因为它能够呈现人们仍然钟爱的经典 BBD 单元所带来的色彩,但同时提供更多种类的色彩。Colour Copy 最初是我们在 Repro-1 中构建的小型延迟单元“Lyrebird”,但它的音色实在太好,不得不进一步开发,最终成为一款效果插件。

特性

色彩(Colours) 在开发过程中,我们很快意识到,我们能够捕捉到经典桶 brigade 延迟的整个范围——从低频轰鸣、缓慢演变的延迟,到高频共鸣、尖锐的音色。一个旋钮可以让你在五种精细调节的“色彩”宏之间连续混合。每种色彩的差异可能很微妙,但每种都充满细节。除了频率带宽的明显差异外,每种色彩还带有其独特的噪音和动态特性、随时间衰减的频率变化,以及其他多种特性。饱和度旋钮控制这些特性应该呈现出多么突出的效果,方便你根据混音的需要调整色彩。最后,亮度旋钮可以调节带宽。

灵活性(Flexibility) Colour Copy 能够实现多种不同的延迟效果。延迟时间范围从不到一毫秒到几秒钟,你可以创造从梳状滤波、法兰绒/合唱效果到普通的乒乓延迟和更长的“循环”效果。路由选项让你能够独立混合或交换输入和反馈信号,甚至可以反转反馈相位,创造出延迟时间设置非常短时的相位消除效果。此外,与硬件 BBD 单元不同,Colour Copy 的左右输出“采样点”可以在延迟线路中任意放置。这个特性让你可以将回声独立地“提前”或“延后”,比如创造乒乓效果或“加速”延迟,以及各种立体声合唱或法兰绒效果。你可能没想到会想要三种不同方式来实现乒乓效果!

动画(Animation) Colour Copy 配备了一个立体声 LFO,可以用来调制延迟率、采样点位置或延迟幅度。LFO 的范围从 0.05Hz 到 20Hz(时间从 20秒到50毫秒),可以创造合唱、颤音和颤抖效果。增加调制深度可以得到深度的音高偏移效果。输入信号派生的包络跟随信号可以用来调节 LFO 的频率和深度,为效果添加实时动态。

Colour Copy 配备了必不可少的压缩器,但有一个独特的 twist:你可以选择是将整个延迟输出进行 ducking,还是只对反馈信号进行 ducking。后一种选择保留了第一个延迟信号的原始状态,从而在防止高回馈带来音效混乱的同时,保持了整体的立体声“空间”。

性能控制(Performance Control) 有些人喜欢在 BBD 硬件上演奏,通过旋转速率旋钮来调节回馈音量。我们在这方面对 Colour Copy 做了更进一步的优化,添加了一对创意功能:首先是一个冻结按钮,可以循环延迟缓冲区的内容,任意时间长度;其次是 MIDI 键控制功能,使你可以像使用单声道合成器一样演奏 Colour Copy —— 每提升一个八度,延迟速率翻倍。

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

FeaturesColours

During development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. A single knob lets you continuously blend between the five finely-tuned “colour” macros. The differences may be subtle, but each one is rich in detail. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. Finally, a Brightness knob lets you adjust the bandwidth.

Flexibility

Colour Copy is capable of a huge variety of different delay-based effects. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange/chorus effects to regular ping-pong delays and longer “looper” effects. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. Additionally, unlike hardware BBD units, Colour Copy’s left and right output “taps” can be placed anywhere along the delay lines. This feature lets you move echos independently “forward in time” for e.g. ping-pong or “rushing” delays as well as various stereo chorus or flanger effects. You never knew you’d want three different ways to create a ping-pong effect!

Animation

Colour Copy comes with a stereo lfo that can be used to modulate either the delay rate, the tap positions or the delay amplitude. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the lfo can create chorus, vibrato and tremolo effects. Crank up the modulation depth for deep pitch-shifting. An envelope follow signal derived from the input signal can be used to modulate the lfo frequency and depth, adding realtime dynamics to the effects.

Colour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. This latter option leaves the very first delay unaffected, preserving the overall stereo “space” while preventing the sonic mayhem that high regeneration often causes.

Performance Control

Some people like to perform on their bbd hardware, pitching the regeneration up and down by twisting the rate knob. We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Secondly, midi key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.

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