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有力、响亮、极具破坏性且充满乐趣!
Talkback Limiter 是一种咄咄逼人的限制器。经过精心模拟,它保留了原设备的特色和攻击性,这使其在处理鼓声时非常受欢迎。我们还增加了额外的控制选项,使其更加灵活多变。
顶级制作人的秘密武器
最初用于一款经典的英式录音控制台中,Talkback Limiter 是整个80年代鼓声的标志性音色,至今仍在很多唱片中占有重要位置。
它最初的设计目的是保护控制室的扬声器和工作人员免受录音室通讯系统中过大噪音的影响,但这种粗暴、强力的限制器非常适合为任何具有瞬态的信号添加巨大冲击力。
灵活且可调
我们的 Talkback Limiter 功能扩展,使其比原版更加多样化,不仅仅适用于鼓。它能为低音轨道添加弹性和活力,突出吉他的攻击感和细节,还能为人声增加一种胆量十足的质感。
Korneff Audio Talkback Limiter 还增加了“Other Side”控制,让你能够进一步调整插件的细节。简而言之,你对这个插件的控制比当年工程师对原始设备的控制要多得多。
100:1的压缩比——绝对的“砖墙”
将 LISTEN 1 调低阈值,启动100:1压缩比的FET式压缩电路。攻击速度非常快,但又足够缓慢,保证这是你用过的最具冲击力的压缩器。它能为任何东西增加咬劲,甚至能让奶奶的教堂合唱听起来像Vinnie Paul的鼓独奏。
30dB增益!惊人!
将输入级别从 LINE 切换到 MIC,可以增加30dB的增益,为最安静的信号带来丰富的谐波饱和和失真。说真的,这玩意儿可以让一只虫子的打喷嚏听起来像金属核歌手的呐喊。点击 ANALOG,可以强调我们为插件模拟的原模拟设备的非线性频率响应。
控制混乱
我们的 Talkback Limiter 不仅限于处理鼓声。WET/DRY 控制可以将压缩信号大幅减弱,让你精确调整最终混音中你想听到的冲击力和个性。你会发现 Talkback Limiter 在各种应用中都能为多种乐器添加微妙的冲击感和存在感。当然,你也可以用它来彻底“压碎”音频信号。
可调节
我们的 Talkback Limiter 还提供了额外的“Other Side”控制,让你进一步调整失真特性和压缩曲线。还有一个可调节的低通滤波器,可以平滑高频,或者彻底破坏它,创造出低保真的效果。此外,可调的过采样功能能让你在插件繁重的录音/混音环境中有效管理CPU的使用。
The Talkback Limiter is an aggressive, in your face limiter. Carefully modeled from the real thing, our Talkback Limiter has the character and anti-social tendencies that made it so popular for drums. We’ve added additional controls to make it much more versatile.
Secret Weapon of Top Producers
First utilized in a vintage British recording console, the Talkback Limiter was THE sound of drums throughout the 80’s, and is still a major component on records today.
Originally designed to protect control room speakers and personnel from loud noises over the studio communications system, this down and dirty, heavy-handed limiter is perfect for adding huge amounts of punch to any signal with a transient.
Flexible and Tweakable
Our Talkback Limiter has expanded functionality to make it more versatile than the original, and useful on more than just drums. It adds pop and tickle to bass tracks, brings out attack and details on guitars, and adds a gutsy quality to vocal tracks.
The Korneff Audio Talkback Limiter has addition “Other Side” controls to let you further tweak the plugin. The bottom line is you have a lot more control of this plugin than engineers had over the original console based unit.
100:1 ratio – talk about a brick wall
Turn LISTEN 1 to lower the threshold and kick in an FET style compression circuit at a 100:1 ratio. Attack is very fast, but just slow enough to make this the punchiest compressor you’ll ever use. It adds bite to ANYTHING. Makes grandma’s church choir sound like a Vinnie Paul drum solo.
30dB of gain! Yikes!
Switch the input level from LINE to MIC to add 30dB of gain, and loads of harmonically rich saturation and distortion to even the quietest signal. Seriously, this thing will make the sneeze of a bug sound like the scream of a metal core singer. Click on ANALOG to accentuate the non-linearities in the frequency response of the analog unit we modeled for the plugin.
Control the Mayhem
Our Talkback Limiter can be used for more than just drums. The WET/DRY control lets you back the compressed signal way down, so you can precisely adjust how much punch and character you hear in the final mix. You’ll end up using the Talkback Limiter to to add a subtle punch and presence to all sorts of instruments in many different applications. And, of course, you’ll use it to crush the hell out of things.
Tweakable
Our Talkback Limiter has addition “Other Side” controls to let you further tweak the distortion characteristics and compression curves. There’s also an adjustable Low Pass filter that can smooth out the top end, or completely mangle it for a low fi effect. And adjustable oversampling lets you manage your CPU usage in a plugin heavy recording/mixing situation.