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HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation.
汉斯·季默是当代最成功、最具影响力和最多产的电影作曲家之一。

Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations).
赢得了无数奖项(包括一个奥斯卡奖,但却尴尬地获得了奥斯卡提名)。

HZ’s scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim.
HZ的配乐强调了这一代电影的巨大成功,这些电影获得了数十亿美元的收入、无数的奖项和评论界的赞誉。

Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers.
汉斯不仅定义了一种作曲风格,而且还定义了影响了一代作曲家的制作方法和声音创新。

Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians.
Spitfire Audio非常高兴和荣幸地向大家展示由Hans Zimmer和他的钻石级团队制作的一系列产品,这些团队由格莱美获奖的工程师、音乐家和技术人员组成。

Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production.
Hans Zimmer的风格方法的声音创作经常被复制或模仿,我们很自豪地向世界呈现HZ的权威采取他的开创性方法的电影打击乐生产。

Herein lies not an emulation or synthesis of his approach, but a recreation.
这里不是模仿或综合他的方法,而是一种娱乐。

The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself.
同样的工作室,音乐家,乐器,信号链和才华横溢的工程师,与十年的经验,创新和完善坐在一起,由汉斯自己监督每一个细节。

The same excrutiating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths.
同样的对细节的极度关注,完美,但最重要的是无尽的调整能力和自定义选择,你会期待最伟大的音响师。

HZ01 LONDON ENSEMBLES
伦敦HZ01集合体

HZ01 will be north of 200GB of compressed content (from over 600GB of mixed and edited WAV data)
HZ01将超过200GB的压缩内容(从超过600GB的混合和编辑WAV数据)

Recorded at Air Studios via an unsurpassable signal chain.
通过无与伦比的信号链在空中录音室录制。

96 rarefied microphones, into Neve Montserrat pre-amps, the world’s biggest Neve 88R desk (which was exhaustively re-gained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k.
96个精细化麦克风,通过双链连接HDX和运行在192k的Prism转换器,进入Neve Montserrat前置放大器,世界上最大的Neve 88R办公桌(在每个动态层竭尽全力重新获得最佳信号质量)。

Well over 30 TB of raw material from these sessions alone.
光是这些环节就有超过30 TB的原材料。

The London Ensembles sessions feature the cream of Hans Zimmer’s hand picked percussion corps playing a distillation of a decade’s worth of musical experimentation and innovation.
伦敦乐团的会议以汉斯·季默亲手挑选的打击乐团的精华为特色,他们的演奏是十年来音乐实验和创新的精华。

This is not an imitation of techniques explored in films including Gladiator, Black Hawk Down, The Dark Knight and Inception.
这并不是模仿《角斗士》、《黑鹰降落》、《黑暗骑士》和《盗梦空间》等电影中探索的技术。

It is a truthful recreation.
这是真实的再现。

The library consists of microphone positions (as detailed below) mixed in stereo and 5.1 by Grammy and Oscar winning engineers: Alan Meyerson, Steve Lipsom, Junkie XL, Geoff Foster and Hans Zimmer himself:
该库由麦克风位置(如下所述)混合立体声和5.1由格莱美和奥斯卡获奖工程师:Alan Meyerson, Steve Lipsom, Junkie XL, Geoff Foster和Hans Zimmer自己:

When you plug in and play this material you will experience a feeling not dissimilar to strapping into a freshly delivered Aston Martin albeit with a choice of livery and paint work that you can repeatedly interchange and customise to your heart’s content.
当你插入并播放这种材料时,你将体验到一种与捆绑在一辆新交付的阿斯顿·马丁(Aston Martin)上没有什么不同的感觉,尽管有选择的制服和油漆工作,你可以反复交换和定制到你的心的内容。

We have recorded the following drums and articulations each with up to 9 round robins and 6 dynamic layers per hit, at Air Studios through the finest microphones, the finest Neve pre-amps into the Neve 88R desk via prism AD converters at 196k 32 bit floating point (which we have SRC’d to 24bit 48k).
我们记录了以下鼓和连接每个高达9轮知更鸟和6动态层/冲击,在空气工作室通过最好的麦克风,最好的冰原前置到冰原88 r桌子通过棱镜AD转换器在196 k 32位浮点(我们有SRC 24位48 k)。

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