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汉斯·季默（Hans Zimmer）是他这一代最成功、最具影响力且高产的电影配乐作曲家之一。他赢得了无数奖项（包括一座奥斯卡奖和数不清的学院奖提名）。他的配乐为一代又一代极为成功的电影提供了声音支持，这些电影获得了数十亿美元票房、无数奖项以及评论界的广泛好评。汉斯不仅定义了一种作曲风格，更定义了一种制作方法和声音创新理念，深深影响了一代又一代作曲家。

Spitfire Audio 非常荣幸地呈现由汉斯·季默及其“钻石级”团队——包括多位格莱美奖得主的工程师、音乐家和技术人员——亲自参与制作的一系列产品。尽管汉斯·季默的声音创作风格常被模仿甚至复制，我们很自豪地向全球推出这位先锋大师对于“电影打击乐制作方法”的权威诠释。这不是模仿或合成，而是一场真实的重现——同样的录音棚、同样的音乐家、同样的乐器、同样的信号链，再加上汉斯亲自监督下，长达十年的经验积累、技术创新与精细打磨。你将体验到极致的细节、对完美的追求，以及无与伦比的自由度与可调节性，这正是世界级声音工匠应有的水准。

HZ01 LONDON ENSEMBLES

HZ01 压缩后内容超过 200GB（原始混音与编辑后的 WAV 数据超 600GB）

录音于伦敦 Air Studios，信号链无与伦比：使用了 96 支珍稀麦克风，接入 Neve Montserrat 前置放大器，通过全球最大的 Neve 88R 调音台（在每一个动态层次上都精细调增以确保最佳信号质量），采用双信号链录入 HDX 与 Prism 转换器，运行于 192kHz。仅这次录音就产生了超过 30TB 的原始素材。

“London Ensembles”录音会聚了汉斯·季默亲自挑选的精英打击乐手，演奏内容浓缩了其十余年来在音乐探索与创新上的精华。这不是对《角斗士》《黑鹰坠落》《黑暗骑士》《盗梦空间》等电影中技巧的仿制，而是一次忠实的还原。

本音源库包含由格莱美与奥斯卡奖得主——Alan Meyerson、Steve Lipsom、Junkie XL、Geoff Foster 及汉斯·季默本人——混音的立体声与 5.1 环绕声麦克风位置（详见下文）：

当你开始演奏这些音色时，那种体验就像坐进一辆刚刚交付的新款阿斯顿·马丁，甚至可以反复更换涂装与内饰，以满足你无限的个性化设定。

我们录制了以下打击乐器及演奏法，每种都包含多达 9 个轮播（Round Robin）层与 6 个动态层，全部录于 Air Studios，采用世界顶级麦克风、最优质的 Neve 前置放大器，通过 Neve 88R 控台接入 Prism AD 转换器，以 196kHz、32 位浮点格式采样录入（我们已转换至 24bit 48kHz 格式）。

HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation. Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations). HZ’s scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim. Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers.

Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excrutiating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths.

HZ01 LONDON ENSEMBLES

HZ01 will be north of 200GB of compressed content (from over 600GB of mixed and edited WAV data)

Recorded at Air Studios via an unsurpassable signal chain. 96 rarefied microphones, into Neve Montserrat pre-amps, the world’s biggest Neve 88R desk (which was exhaustively re-gained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k. Well over 30 TB of raw material from these sessions alone.

The London Ensembles sessions feature the cream of Hans Zimmer’s hand picked percussion corps playing a distillation of a decade’s worth of musical experimentation and innovation. This is not an imitation of techniques explored in films including Gladiator, Black Hawk Down, The Dark Knight and Inception. It is a truthful recreation.

The library consists of microphone positions (as detailed below) mixed in stereo and 5.1 by Grammy and Oscar winning engineers: Alan Meyerson, Steve Lipsom, Junkie XL, Geoff Foster and Hans Zimmer himself:

When you plug in and play this material you will experience a feeling not dissimilar to strapping into a freshly delivered Aston Martin albeit with a choice of livery and paint work that you can repeatedly interchange and customise to your heart’s content.

We have recorded the following drums and articulations each with up to 9 round robins and 6 dynamic layers per hit, at Air Studios through the finest microphones, the finest Neve pre-amps into the Neve 88R desk via prism AD converters at 196k 32 bit floating point (which we have SRC’d to 24bit 48k).

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