Three-Body Technology Kirchhoff EQ v1.5.1 / v1.6.0 [WiN, MacOSX]

 
ULTIMATE EQ PLUGIN WITH SUPERB DYNAMIC PROCESSING AND VINTAGE MODELS
具有高超动态处理和复古模型的终极eq插件

Kirchhoff-EQ is an ultimate 32-band parametric EQ plugin built for all critical professional applications.
Kirchhoff-EQ是一个终极32带参数EQ插件，为所有关键的专业应用而建。

It has refined sound quality, analogue-matched curves, 15 filter types with continuously variable shape and 32 vintage EQ types modeled from real-world devices.
它具有精致的音质，模拟匹配的曲线，15种滤波器类型的连续可变形状和32种老式EQ类型的模型从现实世界的设备。

The builtin dynamic processing functions are highly flexible and have ultra-low distorion.
内置的动态处理功能具有高度的灵活性和超低的失真。

All these push Kirchhoff-EQ to a next-generation standard.
所有这些都将Kirchhoff-EQ推向下一代标准。

Equalizers will never be the same again.
均衡器永远不会再一样了。

Ultimate Sound Quality
极致音质

▬ Robust Nyquist-matched Transform
▬鲁棒奈奎斯特匹配变换

Through originally developed “Robust Nyquist-matched Transform”, Kirchhoff-EQ has made digital-domain frequency response more approximate to its analogue counterparts without high frequency cramping as in regular IIR (infinite impulse response) equalizers.
通过最初开发的“鲁棒奈奎斯特匹配变换”，Kirchhoff-EQ使数字域频响更接近于其模拟对应物，而没有常规IIR(无限脉冲响应)均衡器中的高频抽筋。

This technique is applied on all filter types in Kirchhoff-EQ.
该技术应用于Kirchhoff-EQ的所有滤波器类型。

▬ High-Precision Processing
▬高精度加工

64-bits is mandatory and it’s not negotiable.
64位是强制的，没有商量的余地。

The internal processing of Kirchhoff-EQ is always in 64-bits (or 117-bits), regardless of host DAW’s current working precision.
Kirchhoff-EQ的内部处理始终是64位(或117位)，与主机DAW当前的工作精度无关。

Psychoacoustic Adaptive Filter Topologies
心理声学自适应滤波器拓扑

All linear filter structures should have the same sound on paper.
所有线性滤波器结构在纸上应该有相同的声音。

However in real-world application, round-off errors make every filter structure sound differently: some better in low frequencies, some better in high frequencies.
然而，在实际应用中，舍入误差使每个滤波器结构听起来都不同:有些在低频时更好，有些在高频时更好。

A technology called “Psychoacoustic Adaptive Filter Topologies” has been deployed in Kirchhoff-EQ.
一项名为“心理声学自适应滤波器拓扑”的技术已部署在Kirchhoff-EQ中。

Filter structures change themselves to a “best fitting” state along with corresponding band frequency changes, resulting in optimized sound quality in both low and high frequencies.
随着相应频带频率的变化，滤波器结构将自身改变为“最佳拟合”状态，从而在低频和高频都获得优化的音质。

▬ Switchable Ultra-High 117-bits Processing
▬可切换的超高117位处理

Since there’s already 64-bits, why not go further?
既然已经有64位了，为什么不更进一步呢?

Kirchhoff-EQ uses a technique called “Double-Double” to make precision of internal processing reach 117 bits!
Kirchhoff-EQ采用“Double-Double”技术，使内部处理精度达到117位!

This is the first equalizer in the world to reach such precision.
这是世界上第一个达到如此精度的均衡器。

You can switch between 64-bits and 117-bits at any time.
您可以在任何时候在64位和117位之间切换。

It satisfies the most demanding ears.
它能满足最挑剔的耳朵。

* Linear-phase mode always uses 64-bits as it is an FIR(finite impulse response) filter, and does not support 117-bits.
*线性相位模式总是使用64位，因为它是一个FIR(有限脉冲响应)滤波器，不支持117位。

▬ Filter Types
▬过滤类型

15 Unique Filter Types
15种独特的过滤器类型

low pass, high pass, band pass: continuously variable from 0 dB/oct to 96 dB/oct;
低通、高通、带通:0 dB/oct至96 dB/oct连续变化;

bell, notch: continuously variable from 12 dB/oct to 96 dB/oct;
钟形，缺口:12 dB/oct至96 dB/oct连续变化;

low shelf, high shelf, tilt shelf: continuously variable from 6 dB/oct to 96 dB/oct;
低架、高架、倾斜架:6 dB/oct至96 dB/oct连续变化;

flat tilt and flat top;
平倾斜、平顶;

sword: has sharper slope than bell, specifically designed to “dig” out resonances.
剑:比钟的坡度更陡，专门用来“挖”出共鸣。

brickwall low pass, brickwall high pass, allpass low and allpass high.
砖墙低传，砖墙高传，全传低传，全传高传。

▬ Continuously variable slopes Filters
▬连续可变斜率滤波器

The slope of most filter types can be continuously changed from 0 dB/oct, 6 dB/oct or 12 dB/oct up to 96 dB/oct.
大多数滤波器类型的斜率可以从0 dB/oct, 6 dB/oct或12 dB/oct连续变化到96 dB/oct。

Would you like to try a 8.125 dB/oct highpass?
你想试试8.125 dB/oct的高通吗?

32 Filter Types Modeled from Historic Vintage EQs!
32过滤器类型从历史上的复古方程式建模!

Get vintage and modern at same time!
同时获得复古和现代!

We modeled 9 vintage EQ hardware units as a total of 32 EQ types implemented in Kirchhoff-EQ.
我们建模了9个老式的EQ硬件单元，作为在Kirchhoff-EQ中实现的总共32种EQ类型。

Benefit from Robust Nyquist-Matched Transform, every EQ type precisely matches the original hardware and won’t cramp near Nyquist frequency.
得益于鲁棒奈奎斯特匹配变换，每种EQ类型都精确匹配原始硬件，不会在奈奎斯特频率附近抽筋。

For a further step, unlike the original hardware that only allows to choose between several frequency positions, we modified the DSP model to make adjustable frequency points for all these types!
更进一步，与原始硬件只允许在几个频率位置之间进行选择不同，我们修改了DSP模型，使所有这些类型的频率点都可以调节!

Every type in these models can be used together with regular EQ types or other modeled types, and can be applied with dynamic functions (except lowpass and highpass types).
这些模型中的每种类型都可以与常规的EQ类型或其他建模类型一起使用，并且可以与动态函数一起应用(低通和高通类型除外)。

This brings you more freedom and convenient operations.
这给您带来了更多的自由和方便的操作。

* No non-linear behaviors were modeled.
*没有非线性行为建模。

All vintage filter types only contain ideal linear parts of their physical model.
所有老式过滤器类型只包含其物理模型的理想线性部分。

▬ Zero-Latency/Analogue/Linear/Mixed Phase Modes
▬零延迟/模拟/线性/混合相位模式

The phase mode of Kirchhoff-EQ is switchable between zero-latency mode, analogue mode, linear phase mode and mixed phase mode, in order to meet all your phase relationship needs.
Kirchhoff-EQ的相位模式可在零延迟模式、模拟模式、线性相位模式和混合相位模式之间切换，以满足您的所有相位关系需求。

* No matter which phase mode currently in, if dynamic functions is turned on for a filter band, it will work on minimum-phase mode (won’t affect other bands).
*无论当前处于哪种相位模式，如果为某个滤波器频段开启动态功能，则该滤波器将在最小相位模式下工作(不会影响其他频段)。

▬ Mixed Phase Mode
▬混合相位模式

The zero-latency and linear phase modes have a very different sound.
零延迟和线性相位模式有非常不同的声音。

Kirchhoff-EQ provides a mixed mode that uses zero-latency when the band frequency point is low, and uses linear phase when it is high.
Kirchhoff-EQ提供了一种混合模式，在频带频率点低时使用零延迟，在频带频率点高时使用线性相位。

Each band could be changed smoothly between minimum and linear phase mode according to their frequency.
每个波段可以根据其频率在最小相位模式和线性相位模式之间平滑切换。

* There is no noticeable crossover between filter types while in mixed phase mode, transition is seamless.
*在混合相位模式下，滤波器类型之间没有明显的交叉，过渡是无缝的。

▬ Flexible Dynamic EQ Functions
▬灵活的动态EQ功能

Dynamic functions in Kirchhoff-EQ are not just a bonus, they provide the richest functions you have ever seen.
Kirchhoff-EQ中的动态函数不仅仅是一种奖励，它们提供了您所见过的最丰富的函数。

Enabling you to achieve unlimited possibilities of dynamic EQ functions.
使您实现动态EQ功能的无限可能性。

All filter types (except low/high pass, band pass and notch), even these vintage-modeled ones, can be applied with dynamic functions.
所有滤波器类型(除了低/高通，带通和缺口)，甚至这些老式模型，都可以应用动态函数。

▬ Harmonic Shifted Envelope
▬谐波位移包络

All dynamic EQ have odd- and non-integral harmonics, that’s the laws of physics.
所有的动态均衡器都有奇次和非整次谐波，这就是物理定律。

By using advanced DSP techniques, Kirchhoff-EQ now “shifts” most energy of odd-harmonics into even-harmonics, creating an ultra-low noise floor and enhanced sound.
通过使用先进的DSP技术，Kirchhoff-EQ现在将奇谐波的大部分能量“转换”为偶谐波，创造了超低噪声底和增强的声音。

Now you can use dynamic functions with freedom without worrying about smashing your sounds.
现在你可以自由地使用动态函数，而不用担心破坏你的声音。

▬ Two-Way Threshold
▬双向阈值

You can now control how dynamics react to the portion of the signal above/below threshold concurrently.
现在，您可以同时控制动态如何对高于/低于阈值的部分信号作出反应。

In Kirchhoff-EQ, the “Above” stage works as a compressor or upward-expander, and the “Below” stage works as an expander or upward-compressor.
在Kirchhoff-EQ中，“上面”级作为压缩机或向上膨胀器，“下面”级作为膨胀器或向上压缩机。

For example, you can raise the signal below the threshold AND compress the signal above the threshold to “stabilize” a band.
例如，您可以将信号提高到阈值以下，并将信号压缩到阈值以上以“稳定”一个频带。

▬ Detect/Relative Envelope Detection
▬检测/相对包络检测

Let us imagine a simple case: we are playing an audio clip in which sounds around 1khz are 9 dB.
让我们想象一个简单的例子:我们正在播放一段音频剪辑，其中1khz左右的声音是9 dB。

You may think “The 1khz range is over powering, We should reduce at 1khz.”
你可能会想“1khz的范围太大了，我们应该降低到1khz。”

But we should also consider the overall level.
但也要考虑整体水平。

If the whole audio is 30 dB, you would not feel that 1khz is too much, instead you may feel it’s not enough.
如果整个音频是30分贝，你不会觉得1khz太多，相反，你可能会觉得不够。

The better criteria to determine whether a band’s volume is high or low is its relative portion in overall volume envelope, instead of only its absolute dB value.
决定一个波段的音量是高还是低的更好标准是它在整个音量包络中的相对比例，而不仅仅是它的绝对dB值。

Thereby we introduce “Detect/Relative Envelope Detection” in Kirchhoff-EQ.
因此，我们在Kirchhoff-EQ中引入了“检测/相对包络检测”。

The dynamics are affected by both current frequency band and relative portion to a “Relative” band.
动态受当前频带和“相对”频带的相对部分的影响。

The contribution of Relative Envelope Detection to dynamics is also adjustable: when set to 0%, it degrades as a normal dynamic EQ;
相对包络检测对动态的贡献也是可调的:当设置为0%时，它会退化为正常的动态EQ;

and when set to 100%, the amount of dynamics is fully calculated from the relative portion.
当设置为100%时，动态量完全从相对部分计算。

The “detect” band is set according to the frequency and Q of the band by default, “Relative” is the whole audio envelope by default.
“detect”频段默认是根据频段的频率和Q设置的，“Relative”默认是整个音频包络。

But they can be set freely.
但是它们可以自由设置。

The detecting band and relative band have a freely adjustable frequency point and Q value.
检测频带和相对频带具有可自由调节的频率点和Q值。

Or enable “S.C.
或者启用“S.C.”

” mode to use “Detect” or “Relative” with a sidechain signal.
模式下使用带有侧链信号的“Detect”或“Relative”。

▬ Onsets Detection Mix
▬启动检测混合

By turning on “Onsets” mix, the envelope detector reacts more specifically to transients inside of the envelope.
通过打开“启动”混合，包络检测器对包络内的瞬态反应更具体。

So you can fine-tune the tone of transients.
所以你可以微调瞬变音的基调。

For better adjustability, you can “mix” envelope detector and onsets detector.
为了获得更好的可调整性，您可以“混合”信封检测器和启动检测器。

For example, you can compress the high frequencies just a little bit whilst compressing the sudden increase of high frequencies more aggressively.
例如，你可以稍微压缩一下高频，同时更积极地压缩高频的突然增加。