From its broadcast origins to its use on some of the best-selling, most enduring records of all time, the V76 preamp has played a pivotal supporting role in the story of pop music.
从它的广播起源到它在一些最畅销、最经久不衰的唱片上的使用,V76前置放大器在流行音乐的故事中扮演了一个关键的辅助角色。

Loved by the engineers and technicians at Abbey Road, and incorporated into their iconic REDD mixing consoles, the V76 coveted for that “White Album” sound, every major studio in the world wanted a piece of the action, and tens of thousands of Telefunken preamps were created to meet the demand.
被艾比路的工程师和技术人员所喜爱,并被纳入他们标志性的REDD混音控制台,V76渴望“白色专辑”的声音,世界上的每个主要工作室都想分一杯羹,数以万计的Telefunken前置放大器被创造出来以满足需求。

These days, due to scarcity and cost, it’s practically impossible for most musicians and producers to pick up one of these legendary preamps.
如今,由于稀缺性和成本,对于大多数音乐家和制作人来说,选择这些传奇的前置放大器几乎是不可能的。

In the same way Arturia built its reputation on recreating legendary, rare synths and keyboards through advanced modelling, we decided to use our TAE® technology to give everyone the chance to experience that legendary V76 sound.
同样的方式,Arturia通过高级建模重建传奇的、罕见的合成器和键盘,我们决定使用我们的TAE®技术,让每个人都有机会体验传奇的V76声音。

Vintage sound with today’s technology
复古的声音与今天的技术


...

how does a software preamp work?
软件前置放大器是如何工作的?

My audio interface already has preamps, what difference will it make?
我的音频接口已经有了前置放大器,这有什么区别?

Simply put, preamps were originally created to make signals louder.
简单地说,最初创造前置放大器是为了使信号更响亮。

They would take a low-powered audio signal – from a microphone or instrument, for example – and amplify them so that they were the strong enough for mixing, while minimizing any added noise.
他们将低功率的音频信号——比如麦克风或仪器——放大,使其足够强,可以混合,同时最小化任何附加的噪音。

North West German Radio were early pioneers of this technology, creating high quality preamps for broadcasting.
西北德国电台是这项技术的早期先驱,为广播创造了高质量的前置放大器。

Enhancing NWGR’s design, Telefunken produced the V72, which later evolved into the studio-focused V76, and became a staple in studios around the world.
为了加强NWGR的设计,Telefunken生产了V72,后来演变为工作室专用的V76,并成为世界各地工作室的主要产品。

Fast forward 70 years, and the pro audio industry has changed a little.
快进70年,专业音频行业发生了一些变化。

Superbly transparent, low noise, affordable preamps are included in almost every audio interface.
极透明,低噪音,负担得起的前置放大器包括在几乎每一个音频接口。

However, the subtle tonal shift that vintage preamps gave to the audio they treated, especially vacuum-tube designs like the V76, are missing today.
然而,老式前置放大器给音频带来的微妙音调变化,尤其是V76这样的真空管设计,在今天已经消失了。

We wanted to give you the best of both worlds: the ability to color the sound of your modern recorded audio and virtual instruments with the iconic tone of classic studio gear.
我们想给你最好的两个世界:着色的能力,您的现代录音音频和虚拟仪器的声音与经典的演播室设备的标志性的色调。

Adding that “je ne sais quoi”
加上“我什么都不知道”

It’s difficult to let new producers and mix engineers know just how important the subtle sound-shaping power of preamps are, we’re talking about something understated.
很难让新的制作人和混音工程师知道前置放大器微妙的声音塑造能力有多重要,我们谈论的是一些低调的东西。

It’s not a flashy synth or an extreme audio-mangling plug-in.
它不是一个华丽的合成人或一个极端的音频破坏插件。

At their core, all of our preamp plugins provide 2 main benefits:A link to the past
在他们的核心,我们所有的前置放大器插件提供了两个主要的好处:一个连接到过去

There’s something quite magical about hearing classic songs.
听经典歌曲有一种神奇的感觉。

If you let your mind drift, you’re transported to a totally different time: different fashion, different politics, different tastes, different lives.
如果你让你的思维游离,你会被带到一个完全不同的时代:不同的时尚,不同的政治,不同的品味,不同的生活。

If you’re after “that” 60’s sound, you can’t go far wrong with V76-Pre.
如果你追求的是60年代的那种声音,那么V76-Pre绝对不会错。

Added to individual tracks in your song, you can get that tonal push and lush soft-clipping that comes with valve-driven vintage electronics.
添加到你的歌中的单独的轨道,你可以得到与阀门驱动的老式电子产品带来的调性推动和繁茂的软剪辑。

Mixing confidence
混合的信心

Load up V76-Pre as an “insert” effect on a channel, dial in an appropriate preset, and most of the hard work has been taken care of.
将V76-Pre加载为通道上的“插入”效果,拨入适当的预设,大部分艰难的工作已经被解决了。

You’ll now be mixing with the sound of a classic analog console, with the parameters set up by a top sound designer.
您现在将与经典模拟控制台的声音混合,由顶级声音设计师设置的参数。

Now you’re free to get creative, safe in the knowledge that you have over half a century of legendary pro audio heritage supporting you.
现在你可以自由发挥创意了,因为你有超过半个世纪的传奇专业音频遗产支持你。

Its rich tone and huge creative potential made it an integral part of Abbey Road’s setup at arguably the most pivotal point in their history.
它丰富的音色和巨大的创作潜力使它成为艾比路在历史上最关键的时刻不可或缺的一部分。

Despite being known as the go-to microphone preamp for radio broadcast and studio use, and first-choice mastering amplifier, working V76 units are hard to come by.
尽管被称为用于无线电广播和工作室使用的麦克风前置放大器,和首选的母级放大器,工作的V76单元是很难得到的。

Fortunately for us, we were able to start and end our quest for ultimate tube-tone in France.
幸运的是,我们能够在法国开始并结束我们对终极管音的探索。

At Question De Son, a highly-esteemed recording studio in Paris’ 10th arrondissement, we were able to study an original, sequential pair of V76/80 preamps.
在巴黎第十区一家备受尊敬的录音棚Question De Son,我们得以研究一对V76/80前置放大器的原始序列。

Models 4754 had 4755 have been in active service for 70 years, and made the perfect subjects for our study.
4754型和4755型已服役70年,是我们研究的理想对象。

We didn’t just want to create a carbon copy, but rather give you the best elements of Telefunken’s sonic signature.
我们不只是想做一个复写版,而是想给你电信公司最好的声音签名元素。

For example, made the gain controls continuous for more precise control, removed the seldom-used “broadcast utility” 3kHz low-pass switch, and refined the boost and cut range of the V612 EQ, giving you studio tools that are more usable for the modern musician.
例如,使增益控制连续更精确的控制,删除了很少使用的“广播效用”3kHz低通开关,并细化了V612 EQ的boost和cut range,为您提供了更适合现代音乐家的工作室工具。

Thanks to the tireless efforts of Arturia’s research, modelling, and development teams, you too can include the tone of the fabled V76 preamp and V612 equalizer into your DAW setup.
感谢Arturia的研究、建模和开发团队的不懈努力,您也可以将传说中的V76前置放大器和V612均衡器的音调包含到您的DAW设置中。

Take a closer look
仔细看看

The V76-Pre combines the finest German-designed preamp and EQ of the era into one amazing vintage channel strip plugin.
V76-Pre结合了最好的德国设计的前置放大器和时代的EQ到一个惊人的老式通道条插件。

Let’s take a look at what makes it such a joy to use.
让我们来看看是什么让它使用起来如此愉悦。

Modified V612 2-band Equalizer
修改V612 2波段均衡器

V76-Pre’s equalizer is modelled on a rare, modified Telefunken V612, giving you access to a musically-placed high shelf and low shelf.
V76-Pre的均衡器是基于一个罕见的,改进的Telefunken V612,给你一个音乐放置的高架子和低架子。

These can both be cut or boosted by 10dB for subtle balancing of your signal.
这些都可以减少或提高10dB,以微妙的平衡你的信号。

V76 Input Gain
V76输入增益

The main control of the preamp, letting you increase the strength of the incoming signal, passing it through the virtual circuitry and vacuum tube.
前置放大器的主要控制,让你增加传入信号的强度,使它通过虚拟电路和真空管。

It starts to impart more of its tonal flavor the hotter the signal gets, until it starts to break up with harmonically rich soft-clipping.
信号越热,它就开始传递更多的音调味道,直到它开始与和谐丰富的软剪辑分开。

Multi-mode Low-Pass Filter
多模低通滤波器

The included low-pass lets you remove low bass frequencies at 80Hz, roll off the high-energy low end at 300Hz, or use both together to create a more dramatic effect.
包含的低通可以让您删除80Hz的低低音频率,滚掉高能低端300Hz,或使用两者一起创建一个更戏剧性的效果。

The low-pass can also be bypassed, leaving your signal unfiltered.
低通也可以被绕过,使你的信号不被过滤。

Output Trim
产量减少

Simple, but always useful.
简单,但总是有用的。

The output trim lets you adjust the “master volume” of the output by 24dB without changing its tone.
输出装饰让你调整输出的“主音量”24分贝,而不改变其色调。

Mid/Side mode
中期/端模式

Absent from the Telefunken original, V76-Pre lets you use advanced mid/side techniques without external processing or convertors, meaning your audio will sound amazing in both mono and stereo.
没有Telefunken原始,V76-Pre让您使用先进的中/侧技术,无需外部处理或转换器,这意味着您的音频将在单声道和立体声听起来令人惊叹。

Release Notes – 1.1.0.388
发布说明- 1.1.0.388

New Features:
新特性:

NKS compatibility
NKS兼容性

Control knob with mouse scroll
控制旋钮与鼠标滚动

Added maximize height button
增加了最大高度按钮

Minor browser improvements
次要浏览器改进

Bugfixes FX Collection:
修正FX系列:

No more crash on old CPUs
旧的cpu不再崩溃

No more crash when removing the plugin from a track in FL Studio 20 on macOs
在macOs上从FL Studio 20的轨道中删除插件时不再崩溃

Favorites are now recalled correctly
收藏夹现在被正确召回

Cubase bypass function now works properly
立方体旁路功能现在正常工作

Faders and encoders now stop moving after your release them in Reason
推子和编码器现在停止移动后,你释放他们在理性

No more delay when moving a linked parameter
移动链接参数时不再有延迟

VU meter calibration is now properly recalled in DAWs
VU仪表校准现在在DAWs中被正确召回

No more issue when automating toggle parameters in AAX
在AAX中自动切换参数时没有更多的问题

Simpler crack = faster loading time compared to Hexwars release
与Hexwars版本相比,更简单的裂缝=更快的加载时间

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