This amazing plugin pays tribute to the tape delays that changed the way music sounded forever.
这个神奇的插件向磁带延迟致敬,它永远改变了音乐听起来的方式。

From the early EchoSonic pioneered by Ray Butts, Mike Battle’s Echoplex, to Ikutaro Kakehashi’s masterful Echo Chamber series, tape delays gave guitarists and organ players a new, exciting tool to use on stage and in the studio.
从Ray Butts开创的早期EchoSonic, Mike Battle的Echoplex,到Ikutaro Kakehashi的精湛的Echo Chamber系列,磁带延迟给吉它手和管风琴手在舞台和录音室使用一个新的,令人兴奋的工具。

Hearing this fluttering golden tone, it wasn’t long before studios, recording engineers, and producers wanted to make it part of their signature sounds.
听到这种飘动的金色音调,不久工作室、录音工程师和制作人就想把它变成他们标志性声音的一部分。

In 1974, the music world was taken by storm, or rather, by space.
1974年,音乐界被风暴席卷,或者更确切地说,被太空所席卷。

An updated version of Kakehashi’s design, this time using standard 1/4″ tape in a continuous, loose loop, and no reels, became the go-to favorite for musicians and producers.
Kakehashi设计的一个更新版本,这次使用标准的1/4英寸的带子在一个连续的、松散的循环中,没有卷轴,成为音乐家和制作人的最爱。

Finally, floaty, magic echo in a self-contained, reliable unit.
最后,在一个独立可靠的单元中,漂浮的魔法回声。

It didn’t just sound great, it was versatile too.
它不仅听起来很棒,而且用途广泛。

It had multiple delay patterns to create different rhythmic feels, EQ control to hone the delay’s tone, an integrated spring reverb, and – most famously of all – adjustable tape speed, letting it create otherworldly, haunting pitch changes in the delay.
它有多种延迟模式来创造不同的节奏感,EQ控制来打磨延迟的音调,一个集成的弹簧混响,以及——最著名的——可调节的磁带速度,让它在延迟中创造超凡脱俗的、令人难忘的音调变化。

Through the magic of our advanced TAE® modelling technology, we are able to perfectly emulate this groundbreaking delay as a plug-in.
通过我们先进的TAE®建模技术的魔力,我们能够完美地模拟这种突破性的延迟作为一个插件。

All of this magic, all of these quirks, and all of this legendary tone are recreated in Arturia Delay TAPE-201.
所有这些魔法,所有这些怪癖,所有这些传奇的音调都在Arturia Delay TAPE-201中重现。

The holy grail of tape delays, the iconic silver, black, and green-fronted echo unit was loved by countless musicians from all genres and styles.
作为磁带延迟的圣杯,标志性的银色、黑色和绿色前置回声单元受到了来自各种流派和风格的无数音乐家的喜爱。

Alternative and indie legends like Radiohead, Sonic Youth, and Bon Iver loved its pitch-warping power.
像Radiohead、Sonic Youth和Bon Iver这样的另类和独立传奇人物都喜欢它的音高扭曲力。

It fleshed out the guitar tone of everyone from The Shadows to Randy Rhoads.
它充实了从影子乐队到兰迪·罗兹的所有人的吉他音调。

Electronic pioneers Vangelis, Boards Of Canada, Leftfield, and Jean-Michel Jarre adored its spatial width and thick, saturated tone.
电子先驱Vangelis, Boards Of Canada, Leftfield和Jean-Michel Jarre都很喜欢它的空间宽度和厚重的饱和色调。

Dub legend Lee “Scratch” Perry and synth hero Brian Eno made its ghostly, analog decay part of their signature sounds.
Dub传奇Lee“Scratch”Perry和合成器英雄Brian Eno将其幽灵般的模拟衰变作为他们标志性声音的一部分。

A list of famous spacey tape delay users would be impossibly long, but it would be a “who’s who” of influential music legends.
一份著名的太空磁带延迟用户名单可能会长得令人难以置信,但它将是一份有影响力的音乐传奇人物的“名人录”。

Some notes about the plugins – testing in Ableton Live 10 some of the VST3 plugins crash when you delete them from a track, this is a problem for legit users too.
关于插件的一些注意事项——在Ableton Live 10中测试一些VST3插件时,当你从轨道中删除它们时,它们会崩溃,这对合法用户也是一个问题。

VST and AU are not affected despite the AU wrapping the VST3 plugin – more reason to just switch to AU full time so you can use Live 10.1.4 too.
VST和AU不受影响,尽管AU包装了VST3插件-更多的理由只是切换到AU全职,这样你也可以使用Live 10.1.4。

AAX is working as it is wrapping the VST3 in Library/Arturia/PRODUCT NAME.
AAX正在工作,因为它将VST3包装在Library/Arturia/PRODUCT NAME中。

Do not remove Arturia Software Center.
不要删除Arturia软件中心。

Make sure to read instructions carefully – CASHMERE
一定要仔细阅读说明-羊绒

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