This amazing plugin pays tribute to the tape delays that changed the way music sounded forever.

From the early EchoSonic pioneered by Ray Butts, Mike Battle’s Echoplex, to Ikutaro Kakehashi’s masterful Echo Chamber series, tape delays gave guitarists and organ players a new, exciting tool to use on stage and in the studio.
从Ray Butts开创的早期EchoSonic, Mike Battle的Echoplex,到Ikutaro Kakehashi的精湛的Echo Chamber系列,磁带延迟给吉它手和管风琴手在舞台和录音室使用一个新的,令人兴奋的工具。

Hearing this fluttering golden tone, it wasn’t long before studios, recording engineers, and producers wanted to make it part of their signature sounds.

In 1974, the music world was taken by storm, or rather, by space.

An updated version of Kakehashi’s design, this time using standard 1/4″ tape in a continuous, loose loop, and no reels, became the go-to favorite for musicians and producers.

Finally, floaty, magic echo in a self-contained, reliable unit.

It didn’t just sound great, it was versatile too.

It had multiple delay patterns to create different rhythmic feels, EQ control to hone the delay’s tone, an integrated spring reverb, and – most famously of all – adjustable tape speed, letting it create otherworldly, haunting pitch changes in the delay.

Through the magic of our advanced TAE® modelling technology, we are able to perfectly emulate this groundbreaking delay as a plug-in.

All of this magic, all of these quirks, and all of this legendary tone are recreated in Arturia Delay TAPE-201.
所有这些魔法,所有这些怪癖,所有这些传奇的音调都在Arturia Delay TAPE-201中重现。

The holy grail of tape delays, the iconic silver, black, and green-fronted echo unit was loved by countless musicians from all genres and styles.

Alternative and indie legends like Radiohead, Sonic Youth, and Bon Iver loved its pitch-warping power.
像Radiohead、Sonic Youth和Bon Iver这样的另类和独立传奇人物都喜欢它的音高扭曲力。

It fleshed out the guitar tone of everyone from The Shadows to Randy Rhoads.

Electronic pioneers Vangelis, Boards Of Canada, Leftfield, and Jean-Michel Jarre adored its spatial width and thick, saturated tone.
电子先驱Vangelis, Boards Of Canada, Leftfield和Jean-Michel Jarre都很喜欢它的空间宽度和厚重的饱和色调。

Dub legend Lee “Scratch” Perry and synth hero Brian Eno made its ghostly, analog decay part of their signature sounds.
Dub传奇Lee“Scratch”Perry和合成器英雄Brian Eno将其幽灵般的模拟衰变作为他们标志性声音的一部分。

A list of famous spacey tape delay users would be impossibly long, but it would be a “who’s who” of influential music legends.

Some notes about the plugins – testing in Ableton Live 10 some of the VST3 plugins crash when you delete them from a track, this is a problem for legit users too.
关于插件的一些注意事项——在Ableton Live 10中测试一些VST3插件时,当你从轨道中删除它们时,它们会崩溃,这对合法用户也是一个问题。

VST and AU are not affected despite the AU wrapping the VST3 plugin – more reason to just switch to AU full time so you can use Live 10.1.4 too.
VST和AU不受影响,尽管AU包装了VST3插件-更多的理由只是切换到AU全职,这样你也可以使用Live 10.1.4。

AAX is working as it is wrapping the VST3 in Library/Arturia/PRODUCT NAME.
AAX正在工作,因为它将VST3包装在Library/Arturia/PRODUCT NAME中。

Do not remove Arturia Software Center.

Make sure to read instructions carefully – CASHMERE