ChineeKong V3: Enter the Rhythm of China
ChineeKong V3:进入中国节奏

ChineeKong V3 is a sample-based Chinese percussion VSTi that comes with over 850 mb of professionally recorded sample content and brings you the most authentic percussion sound originated from various parts of China.
ChineeKong V3是一款基于样本的中国打击乐VSTi,拥有超过8.5 mb的专业录音样本内容,为您带来来自中国各地最真实的打击乐声音。

A sound that most of the Western world haven’t heard of before, until now.

ChineeKong V3+ is comprised of six main categories: Luo(Gongs), NaoBo(Cymbals), GuZu(Drum sets), BanBang(Wood Percussion), ZhongLing(Bells), and QiTa(MISC), divided into a total number of 50 subsets.
“ChineeKong V3+”由锣、铙、鼓、板梆、钟、曲六大类组成,共50个子集。

These instruments are being used widely in today’s Chinese pop music and film scores.

Unusual Source for Unusual Ideas

Modern musicians have always been searching for the next NEW sound to spice up the next big hit.

Tired of the samey.

usual beat everyone is making?

Kong Audio’s ChineeKong V3 IS the answer to the quest.
Kong Audio的ChineeKong V3就是这个问题的答案。

With the rare and exotic acoustic percussion samples, ChineeKong V3 can add an atmospheric touch to film score compositions, yet still fits well in the pop music when necessary.
ChineeKong V3以罕见的、异国情调的声学打击乐样本,为电影配乐增添了一种大气感,但必要时也能与流行音乐相契合。

ChineeKong V3 also provides inspiring, refreshing materials for modern offbeat experimental musicians.
ChineeKong V3还为现代另类实验音乐家提供了鼓舞人心、令人耳目一新的素材。

It’s a percussion-fest.

It’s a wild dream come true.

YangQin: The Acclaimed, Uplifting, Silky Dulcimer

YangQin is a relatively new member of the Chinese instrument family.

It was not until the late Ming Dynasty (mid-17th century) that YangQin started to show up in China.

It is well-known that dulcimer was originated from the Persian civilization, but since YangQin’s sound character fitted so well to the taste of Chinese mentalite, it soon spread widely, especially in the southern China.

Kong Audio faithfully captured and recreated YangQin for modern Chinese composers’ unfulfilled needs.
Kong Audio忠实地捕捉和再现了杨琴,满足了现代中国作曲家未被满足的需求。