Sonokinetic Fe Iron and Metal Elements [KONTAKT]

This new addition to our percussion line-up complements the powerful toms and drums percussion of H.I.P.P. and Felt Force One with a veritable scrapheap of metal and iron objects and instruments.
这个新的添加到我们的打击乐器阵容补充了强有力的鼓和鼓打击的h.i.p.p和感觉的力量一名副其实的金属和铁的对象和乐器废料堆。

From clinging and clanging to smashing and booming, this collection covers a lot of sonic ground.
从执着和铿锵到粉碎和蓬勃，这个集合涵盖了很多的声音地面。

Without compromise and fully dedicated to capturing the specific sound of these metal and iron soundscapes, we set out to create an all-new exciting collection of performed percussion and multi sampled sessions.
没有妥协，完全致力于捕捉这些金属和铁音景的特定声音，我们着手创建一个全新的令人兴奋的打击乐器演奏和多采样会话集合。

As usual, we coupled this with an intuitive yet stylish UI to give you full access to this vast source of Sonokinetic marked samples.
像往常一样，我们将这与一个直观而时尚的UI，让你完全访问这个巨大的Sonokinetic标记样本的来源。

This sampleset consists of a slew of inspired ‘live’ performances by an amazing percussionist, extended with deep sampled instruments like TamTam, Anvils, Cymbals and thundersheets.
这个样本集由一个惊人的打击乐手的大量的灵感’现场’表演，扩展了深采样的乐器，如TamTam, Anvils，铙钹和雷震片。

Other less conventional ‘musical instruments’ like Car doors, oil drums, little metal scrap, and all kinds of iron objects found on junk yards (and carefully selected for sonic character) complement this collection we proudly call: “Fe”.
其他不太传统的“乐器”，如车门，油桶，小金属废料，以及在垃圾堆场找到的各种铁器(经过精心挑选的声音角色)补充了这个我们自豪地称之为“Fe”的集合。

A live performance always beats a computer generated percussion track.
现场表演总是胜过计算机生成的打击音乐。

This is why we hired one of the best percussion players available and locked him in the studio on several occasions, spanning several weeks (cause sometimes some muscle recovery was needed).
这就是为什么我们雇佣了一个最好的打击乐器演奏者，并把他锁在工作室的几个场合，跨度几个星期(因为有时需要一些肌肉恢复)。

Banging on a car door and oil drums with sawn-off broomsticks, attacking different pieces of heavy metal with big hammers, and of course playing more conventional percussion instruments and cymbals with regular drum sticks, felt tips (several KIA along the way) and brushes, we produced a multitude of sounds,
用锯掉的扫帚敲打车门和油桶，用大锤子敲打不同的重金属，当然还有更传统的打击乐器和钹，用常规的鼓棒，毛毡尖(几个KIA)和刷子，我们产生了许多声音，

sure to meet your every iron-loving need.
一定要满足你对铁的所有需求。

A real challenge which took a lot of resources, dedication and blisters to complete, we’re proud to announce this collection as a new standard for non-standard percussion libraries.
一个真正的挑战，这需要大量的资源，奉献和水泡完成，我们很自豪地宣布这个集合作为一个新的标准非标准打击图书馆。

Also unique to this library is the addition of non standard time signatures, all performances (except Heavy Iron Hammered, for practical reasons) are provided in 3/4, 4/4, 5/4, 6/8 and 7/8 time signatures, for all your soundtracking needs and an occasional inspirational boost!
这个库的独特之处还在于添加了非标准时间签名，所有的表演(除了Heavy Iron锤，出于实际原因)都提供了3/4,4/4,5/4,6/8和7/8时间签名，为所有您的音标需求和偶尔的灵感提升!

Whether your next project needs the clanging thud stemming from the blacksmith’s anvil or the deafening drones of the largest available Orchestral Tam Tam, we’ve got you covered with this one.
无论你的下一个项目需要从铁匠的铁砧或震耳欲聋的雄蜂最大的管弦Tam Tam，我们已经覆盖了这一个。

This instrument combines performance loops and multi samples all in one interface, making it an essential element in your cinematic scoring template.
这个工具结合了性能循环和多个样本，所有在一个界面，使它成为一个基本元素在您的电影评分模板。

Filling the backlines and accompanying your drums and ‘wooden’ percussion tracks with the sparkle and clangs they need to make them stand out and impact audiences in an epic way.
填充后台，伴随着你的鼓和“木制”打击乐器的火花和铿锵声，他们需要让他们脱颖而出，并以史诗般的方式影响观众。

Performance percussion has been around since the dawn of sampling and is one of the most accepted loop-based materials for composers.
演奏打击乐已经出现在采样的黎明，是作曲家最接受的基于循环的材料之一。

In August 2010 we got in touch with renowned composer Michael Wandmacher* who had a request for sampled performed metallic elements that you would think would be available but, upon research showed to be lacking from the samplefield in this particular form.
2010年8月，我们与著名作曲家Michael Wandmacher*取得了联系，他向我们提出了取样金属元素的要求，你可能认为这是可行的，但研究表明，这种特殊形式的取样领域缺乏。

We decided to team up for preproduction and get a content description together for this kind of sampled percussion.
我们决定团队为预生产和得到一个内容描述一起为这种采样打击乐。

“Fe” is flexible and versatile.
“Fe”是灵活多变的。

Drop it into your ready-made DAW score and it fits right in.
把它放入你的现成的DAW分数中，它正好适合。

Selecting the best suitable performances based on time signature and speed, you’ll be adding the power of metals with intuitive ease.
基于时间特征和速度选择最佳合适的性能，您将添加金属的力量与直观的轻松。

We wish you the best inspiration and creativity.
我们希望你有最好的灵感和创造力。

With warm regards,
用温暖的问候,

The Sonokinetic Fe Production Team
声动铁生产团队

Monolith patch spanning:
庞然大物补丁跨越:

10 Main categories
10大类

Anvil
铁砧

BellTree
BellTree

Oil Drum
油桶

Car parts
汽车零部件

Scrap
废

TamTam
TamTam

Heavy Iron
沉重的铁

Cymbals
钹

Weird Cymbal
奇怪的铙钹

Various
各种各样的

Time signature selector and automatic BPM group selecting (HOST slave)
时间签名选择器和自动BPM组选择(主机从)

Sound control panel: EQ, Reverb, Pan and Volume
声音控制面板:EQ，混响，平移和音量

Performance loops & Multi samples grouping
性能循环&多样本分组

4 round robin settings per multi sampled key
4轮询每个多采样密钥的设置

Kontakt 4 & 5 patches + aif accessible pool
Kontakt 4 & 5补丁+ aif可访问池

2400+ samples.
2400 +样品。

(about 2,2 GB sample content)
(约2.2 GB样品含量)

Royalty and copyright free content license.
版税和版权免费内容许可。

Project Infinity Reference manual (pdf).
项目无限参考手册(pdf)。

Artwork : “Fe” dvd cover.
艺术品:“Fe”dvd封面。

Designed by Pavel Fuksa
由Pavel Fuksa设计

Video tutorial
视频教程

Patch auditing.
补丁审计。

Various patches briefly reviewed
简要回顾各种修补程序

Technical tour: GUI walkthrough
技术指南:GUI演练

Instrument patches can be selected by clicking their button.
通过点击仪表补丁按钮，可以选择仪表补丁。

By default we saved the instrument to load the “Oil Drum” patch.
默认情况下，我们保存了加载“油桶”补丁的仪器。

It purges only the samples that are needed for the instrument you like to use.
它只净化你喜欢使用的仪器所需要的样品。

When an instrument patch is selected it shows the time signatures available for that particularly group.
当选择一个仪器补丁时，它会显示该特定组可用的时间签名。

Fe will automatically select the correct time according to your host set BPM.
Fe会根据您的主机设置的BPM自动选择正确的时间。

Performance samples (loops) are time stretched to the set speed in your host (DAW).
性能样本(循环)是将时间扩展到主机(DAW)中设置的速度。

Time:
时间:

Fe provides the most commonly used time signatures for your scoring.
Fe提供了最常用的计分时间签名。

When pressed it selects the available group for that instrument in the set speed.
当按下时，它会以设定的速度为该仪器选择可用的组。

“Multi” loads the multi sampled instruments.
“多”加载多采样仪器。

Each instrument is provided with 4 round robin settings per key.
每个乐器都提供了4轮robin设置每个键。

FE DISPLAY: This section displays BPM (set by host) and the selected time signature.
FE显示:显示BPM(由主机设置)和选中的时间签名。

KEYBOARD RANGE:
键盘范围:

Performance loops are spread over one octave.
性能循环分布在一个八度。

Multi samples have a varying wider spread.
多个样本的分布范围各不相同。

Some instrument patches come in different performances.
一些仪器补丁有不同的性能。

For instance, “Heavy Iron” has a key switch to toggle between a performance played with sticks or hammers
例如，“Heavy Iron”有一个按键开关，可以在用棍子或锤子演奏的表演之间切换

Purge: By default Fe is set to “Purge” enable.
Purge:默认情况下Fe设置为“Purge”启用。

If you wish to load all available samples for all groups deactivate this function.
如果希望加载所有组的所有可用示例，请禁用此功能。

It will load approximately 3,8 GB of samples.
它将装载大约3,8 GB的样本。

If enabled only the instrument patches that are selected are loaded into memory.
如果启用，则只将选中的工具补丁加载到内存中。

All instruments have a limited amount of ram usage between 200 to 400 MB per patch.
所有工具每个补丁的ram使用量都是有限的，在200到400 MB之间。

Releases: By default Fe is set to “Releases” enable.
释放:默认情况下Fe被设置为“释放”启用。

This function lets you toggle on and off the release sounds that are automated in each instrument.
这个功能可以让你开关的释放声音是自动在每个乐器。

When triggered it will play the release sound.
当触发时，它将播放释放声音。

Sound Control
声音控制

Fe works pretty straight forward.
Fe的作用非常直接。

Providing you with an onboard EQ, Rev and Pan control.
为您提供一个板载EQ，转速和平移控制。

Less is more;
少即是多;

and for the “Fe” percussion sets we selected a three band EQ, A linear reverb environment control and pan functions to position the recording in the correct stereo image.
而对于“Fe”打击乐组，我们选择了一个三波段的EQ，一个线性混响环境控制和平移功能，以在正确的立体声图像中定位录音。

Sonokinetic dedicates its formats to a select few formats.
Sonokinetic将其格式奉献给一些选择的格式。

We take high standards in selecting what sampling software engines to program for and base these investments on usability , flexibility , stability and effective use of computing power.
我们在选择采样软件引擎时采用高标准，并将这些投资建立在可用性、灵活性、稳定性和计算能力的有效利用上。

We are constant looking to evolve and ways to invest in more users friendly ways to make our libraries accessible for production and performing.
我们一直在寻求发展和投资于更用户友好的方式，使我们的库可用于生产和执行。