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BOSENDORFER 290
BOSENDORFER 290

Far mellower than the Steinway D, the Bosendorfer 290 excels in both light & bouncy and legato & sustained passages.
比施坦威D柔和得多的Bosendorfer 290在轻快、有弹性和连奏和持续的乐段上都表现出色。

Rather than aspiring to the grandeur of its brighter rival, it prides itself on buttery smooth performances.
它并没有追求竞争对手的辉煌,而是以其流畅的表现为傲。

When you engage the sustain pedal, this smoothness increases tenfold and lends this Bosendorfer the power and richness of an entire orchestra.
当你踩下维持踏板时,这种平稳性会增加十倍,让这只博森多夫拥有整个管弦乐队的力量和丰富。

A LEGENDARY COLLECTION
一个传奇的集合

Pianos was created with a singular goal: to fully capture every sonic detail possible from 4 of the most sought-after grand pianos in the world by any means necessary.
钢琴是创造了一个单一的目标:充分捕捉每一个声音的细节可能从4最受欢迎的大钢琴在世界上任何必要的手段。

With 3 individual mic positions, 8 separate articulations, and up to 18 velocities per note for each articulation, the detail and stereo image of every piano is highly customizable to your exact performance and mixing needs out of the box.
3个独立的麦克风位置,8个独立的关节,和高达18速度每个音符的每个关节,每架钢琴的细节和立体图像是高度定制的,以您的精确的表演和混合的需要。

You can easily mix multiple mic positions and simulate the damping effects of a real grand piano lid for each instrument, giving you full performance flexibility.
您可以轻松地混合多个麦克风位置,并模拟每个乐器的真实三角钢琴盖的阻尼效果,给您充分的性能灵活性。

UNPARALLELED REALISM
无与伦比的现实主义

Listen to any of the audio demos of Pianos, and you’ll find it difficult to believe the performances weren’t recorded live in a concert hall.
听《钢琴》的任何一个音频演示,你会发现很难相信这些表演不是在音乐厅现场录制的。

Every piano (Steinway, Bösendorfer, Bechstein and Yamaha) has enough fine detail to suit everything from quiet, subdued passages to virtuoso performances–and you can push their dynamic range as hard as you need to, effortlessly jumping between pianissimo and fortissimo as desired.
每一架钢琴(施坦威(Steinway), Bösendorfer, Bechstein和雅马哈(Yamaha))都有足够的细节来适应一切,从安静、柔和的乐章到大师般的表演——你可以尽可能努力地扩展它们的动态范围,在最弱和最强之间轻松地跳跃,如你所愿。

Pianos seamlessly transitions between 7 different articulations: sustain, sustain with pedal, repetitions, repetitions with pedal, soft pedal, soft pedal with sustain pedal, and staccato, with individual release trails.
钢琴在7个不同的关节间无缝过渡:维持,用踏板维持,重复,用踏板重复,软踏板,软踏板用维持踏板,断奏,有独立的释放轨迹。

– Created by award-winning sounds producers Doug Rogers and Nick Phoenix
-由屡获殊荣的声音制作人道格·罗杰斯和尼克·菲尼克斯创作

– Includes the same impulse responses used to record Symphonic Orchestra and Symphonic Choirs, allowing all 3 to blend easily and seamlessly
-包括同样的脉冲反应,用于记录交响乐团和交响合唱团,允许所有3轻松和无缝地融合

– Close mic recordings engineered by Ken Scott (Elton John, Supertramp, David Bowie, The Beatles)
-由肯·斯科特(艾尔顿·约翰,超级流浪汉,大卫·鲍伊,披头士)设计的近距离麦克风录音

– Recorded in a specially-prepared piano environment with vintage Neumann microphones, Meitner AD converters and a classic 8078 Neve console
-录制在一个特别准备的钢琴环境与复古的诺伊曼麦克风,迈特纳AD转换器和经典8078 Neve控制台

v1.0.2 Changes:
v1.0.2变化:

Noises in Bosi and Steinway close mics removed.
在波西和施坦威关闭麦克风的噪音被移除。

Clicks in Bosi close mics removed.
移除Bosi闭合麦克风中的点击。

Rumble and hiss in Bechstein removed.
贝施泰因的隆隆声和嘶嘶声消失了。

Steinway keyrange volumes improved.
施坦威琴键音量提高。

Steinway soft pedal samples improved.
施坦威软踏板样品改进。

You need R2R PLAY/OPUS release to use this library (as a witch has said…)
你需要R2R PLAY/OPUS版本来使用这个库(就像一个女巫说的…)

Read the included txt file in the DECiBEL dir for install instructions.
阅读包含的txt文件在分贝目录安装说明。

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