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《FAB FOUR》是一款受披头士乐队声音启发的虚拟乐器,使用了与披头士创作音乐时相同类型的历史时期乐器和稀有的EMI录音设备。

《FAB FOUR》声音工程师 KEN SCOTT 曾参与制作五张披头士专辑,包括《A Hard Day’s Night》、《Help》、《Rubber Soul》、《Magical Mystery Tour》(担任工程师)和《The Beatles》(担任工程师)——也被称为“白色专辑”。鼓手 DENNY SEIWELL 和吉他手 LAURENCE JUBER 都曾是保罗·麦卡特尼与翅膀乐队的成员。

快速事实

  • 由 DOUG ROGERS 制作
  • 由 KEN SCOTT(披头士/大卫·鲍伊/艾尔顿·约翰/超脱乐队等)工程设计
  • 包含真实稀有的历史时期吉他(木吉他和电吉他)、贝斯、鼓、键盘、弦乐和其他杂项乐器
  • 录制所有乐器使用了相同类型的麦克风(Neumann/AKG/Cole/STC)
  • 使用了与电吉他配套的同类历史时期的放大器——Fender Tan Showman (1963)、Fender Bassman (1963)、Vox AC30 (1963)、Vox AC50 (1965)、Vox Defiant (1966)、Vox 730 (1966)、Vox 7120 (1966)、Fender Showman (1967)、Fender DeLuxe (1967)
  • 使用了同类型的历史时期录音台和前置放大器,包括非常稀有的EMI REDD电子管录音台、EMI TG12345录音台(与录制《Abbey Road》和 Pink Floyd的《Dark Side of the Moon》所用录音台相同的类型)和EMI REDD47前置放大器,录制所有乐器
  • 使用了相同类型的限幅器(Fairchild)和压缩器(稀有的EMI RS124改装的Altec)进行动态控制
  • 使用了相同类型的 Studer J-37 电子管四轨录音机录制所有内容

FAB FOUR is a virtual instrument inspired by the sounds of the Beatles, using the same kind of period instruments and authentic rare EMI recording equipment the Beatles used to create their music.

FAB FOUR sound engineer KEN SCOTT worked on five Beatles albums, including “A Hard Days Night”, “Help”, “Rubber Soul”, “Magical Mystery Tour” (engineer), and “The Beatles” (engineer) – also known as the “White Album”. Drummer DENNY SEIWELL and Guitarist LAURENCE JUBER were both members of Paul McCartney and Wings.

QUICK FACTS

* Produced by DOUG ROGERS

* Engineered by KEN SCOTT (Beatles/David Bowie/Elton John/Supertramp etc.)

* Includes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc instruments

* The same kind of microphones were used to record all instruments (Neumann/AKG/Cole/STC)

* The same kind of period amplifiers – Fender Tan Showman (1963), Fender Bassman (1963), Vox AC30 (1963), Vox AC50 (1965), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Showman (1967), Fender DeLuxe (1967) – were used with the electric guitars

* The same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk (the same kind of desk used to record “Abbey Road” and Pink Floyd’s “Dark Side of the Moon”), and EMI REDD47 preamps, were used to record all instruments

* The same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control

* The same kind of Studer J-37 tube 4-track was used to record everything

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