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One of the most prolific figures in synthesizer history is the maverick engineer and designer Tom Oberheim.
在合成器历史上最多产的人物之一是特立独行的工程师和设计师汤姆·奥伯海姆。

His efforts can be heard across hundreds of albums, decades of pioneering instrument designs, and experienced through conveniences we take for granted on a daily basis including preset memory and MIDI.
他的努力可以在数百张专辑中听到,几十年的先驱乐器设计,并经历了便利,我们认为理所当然的日常基础上,包括预先设置的记忆和MIDI。

His influence is as great as any and his designs have stood the test of time better than most, with models in production today that have changed little in over 40 years.
他的影响力不亚于任何人,他的设计比大多数人都更经得起时间的考验,如今生产的车型在40多年来几乎没有什么变化。

The sound of his instruments is distinct and inherently musical, with a character that’s often described as “lush” and “massive”, and rightly so.
他的乐器的声音是独特的,具有内在的音乐性,经常被描述为“丰富的”和“巨大的”,这是正确的。

Creating a suite of instruments that does justice to this legacy presented the greatest challenge of all;
创造一套能够公正对待这一遗产的工具是最大的挑战;

too much good stuff.
好东西太多了。

We started with a list of our favorite synths, and after tracking them down (not an easy thing in some cases!) we spent hundreds of hours exploring their unique sonic qualities and hand-crafting new sounds for you to experience.
我们从一个我们最喜欢的合成物列表开始,在追踪它们(在某些情况下不是一件容易的事情!)之后,我们花了数百个小时探索它们独特的声音质量和手工制作的新声音,让你体验。

The result is 1,468 presets built on 49,252 samples, all recorded from the actual hardware instruments – giving you the very best of what these instruments have to offer in the convenience of modern software.
结果是1468预设建立在49,252个样本,所有记录从实际的硬件仪器-给你最好的这些仪器提供在现代软件的便利。

All sounds in OB Legacy are fully editable and come neatly wrapped in hardware-inspired interfaces, giving you the real feel of the synths as you tweak and perform.
OB Legacy中的所有声音都是完全可编辑的,并被巧妙地包装在硬件启发的界面中,在您调整和执行时,给您真实的合成感觉。

Included presets cover the full gamut of types and styles, including plenty of bread and butter patches, vintage classics and modern staples.
包括预设涵盖了所有类型和风格,包括大量的面包和黄油补丁,复古经典和现代主食。

Quickly browse through categories, audition presets, then edit, layer and even completely transform sounds to suite your needs, all with the genuine warmth, character and grit of real analog circuits.
快速浏览类别,听觉预设,然后编辑,层,甚至完全转换的声音,以满足您的需求,所有真正的温暖,字符和粒度的真实模拟电路。

XP-12
XP-12

The eXpanse
宽阔的

Taking advantage of one of the most versatile analog architectures ever produced, with all-analog voices outfitted with extensive digital controls including 5 LFOs, 15 VCAs, 5 EGs and CV/Gate integration, the Xpander rivals fully modular systems in its flexibility.
Xpander采用了有史以来最通用的模拟体系结构之一,全模拟声音配备了广泛的数字控制,包括5个LFOs, 15个vca, 5个EGs和CV/Gate集成,Xpander在灵活性方面可与完全模块化系统相媲美。

Extensive programming revealed a wondrous collection of sounds from emblematic vintage stacks and savage basses to analog FM tones and hyper-modulated atmospheres.
广泛的编程揭示了一个奇妙的声音收集从标志性的复古堆栈和野蛮的低音模拟FM音调和超调制的气氛。

M-6k
M-6k

Analog Matrix
模拟矩阵

Upgrading the voice architecture with DCO’s gave the Matrix-6 and Matrix-1000 a more refined and more consistent sound while its resonant low-pass filter and robust digital modulation system provided serious sonic range and flexibility.
用DCO升级语音架构,使Matrix-6和Matrix-1000的声音更加精致和一致,而其共振低通滤波器和稳健的数字调制系统提供了严重的声音范围和灵活性。

Explore the intricate and warm timbres of these 6-voice analog gems through a robust and intuitive interface loaded with essential sounds, effects and dual arpeggiators.
探索复杂和温暖的音色这些6个声音模拟宝石通过一个强大和直观的界面加载基本的声音,效果和双琶音。

UV-XXX
UV-XXX

Velvet Kings
天鹅绒的国王

A massive collection of sounds from the first wave of OB synths, including the OB-X, OB-Xa and OB-SX.
从OB合成器的第一波大量收集的声音,包括OB- x, OB- xa和OB- sx。

Fat, layered analog basses, creamy leads, heavenly pads, rich brass and evolving textures are all here, oozing with as much meaty vintage grit as we could squeeze out of these machines.
厚实、分层的模拟低音、奶油状的引线、天堂般的衬垫、丰富的黄铜和不断变化的纹理都在这里,渗出了我们能从这些机器中挤出的尽可能多的老式粗砂。

A dual-layer architecture lets you easily stack, mix and tweak patches for beyond-thick, classic ’80s analog like you’ve never heard it before.
双层架构可以让你轻松地堆叠,混合和调整补丁,超越厚,经典的80年代模拟,你从来没有听过。

Six-12
Six-12

New-Breed Creatives
新一代创意人员

Two offshoot synths made with wildly different perspectives are combined for brilliant results, one a modern analog 6-voice from 2016, the other a virtual analog 12-voice from 2000.
两种具有不同视角的合成物结合在一起产生了出色的效果,一种是2016年的现代模拟6-voice,另一种是2000年的虚拟模拟12-voice。

Deep sound design was done on both machines while running them through our collection of outboard processors, producing a library of sounds with a sense of familiarity but also a new character and bite that’s all their own.
我们在两台机器上都进行了深度声音设计,同时通过我们的外部处理器来运行它们,产生了一个熟悉的声音库,但也产生了一个全新的角色和咬人的声音。

UV-1
UV-1

SEM Power
扫描电镜的权力

Starting with a classic OB-1 from 1978, the SEM’s powerful analog engine was pushed and tweaked to create a mass of patches that resonate with a distinctive vintage monosynth growl.
从1978年的经典OB-1开始,SEM的强大的模拟引擎被推动和调整,以创造一个独特的老式单合成咆哮的大量补丁共鸣。

Additional layers were recorded through our collection of vintage and modern analog effect pedals creating entirely new sounds that can easily be mixed in when you want to crank the analog mayhem up into speaker-shredding territory.
额外的层记录通过我们收集的复古和现代模拟效果踏板创造全新的声音,可以很容易地混合在你想要把模拟混乱到扬声器粉碎的领域。

UVSR-2
UVSR-2

The Princess
公主

Single rack-unit synths weren’t rare in the ’90s but none had teeth like the MSR-2.
单机架合成物在90年代并不少见,但没有一个能像MSR-2那样出色。

A legitimate wolf in sheep’s clothing, we took this 16-voice, 16-part multitimbral analog sleeper and created some wildly rich and complex sounds.
一个真正的披着羊皮的狼,我们用了这个16个声音,16个部分的多音质模拟睡眠器,创造了一些极其丰富和复杂的声音。

A little cleaner than UV-1 and UV-XXX, this synth sheds it’s vintage roots for high-resolution analog oscillators with an almost digital-like quality.
比UV-1和UV-XXX干净一点,这合成器摆脱了它的复古根高分辨率模拟振荡器与几乎数字般的质量。

Experience the sounds of an American legend and add some of the most innovative and powerful analog synths ever designed to your collection.
体验美国传奇的声音,并添加一些最创新和强大的模拟合成器设计到您的收藏。

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