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纯净的电影级音色

Horizen 2.6 最初为作曲家/制作人 Andy Hodgson 的需求而诞生,在音色表现力和工作流程方面堪称真正的突破。Andy 曾参与过无数 Netflix/Amazon 作品,并与 Bryan Adams、Katy Perry 等艺术家合作,他一直梦想拥有一款既能提升专业工作流程又能呈现出惊人音色的合成器。在与资深音频开发者 Lindon Mulcahy-Parker(Channel Robot)一次偶然的会面后,他们发现彼此有着相同的愿景。事实上,Lindon 已在开发最初的概念,这个概念后来就成为了 Horizen。

对于音效设计师和制作人来说都是一种乐趣,Horizen 的 10 声部架构允许将 4 个采样引擎与 4 个双振荡器/波表合成器以及 2 个循环播放器引擎组合在一起。由此产生的声音丰富、极其细腻,拥有罕见的深度。Horizen 可轻松适应任何音乐类型——从摇滚到 EDM、Lofi 及其他各种风格,同时也为游戏和电影制作提供了丰富工具。一款由作曲家为作曲家打造的合成器!

“现在我几乎在所有作品中都在使用 Horizen,并将持续使用。希望其他人也能像我一样被它激发灵感。”——Andy

沉浸在音色中

直观的 XY 控制板设计允许你将 Horizen 的 10 个声音源任意拖放到四个角落。简单的动作和手势即可混合不同声音源,创造出富有创意且令人兴奋的效果。这些 X/Y 手势可以录制,让你可以松开鼠标专注演奏。你甚至可以将手势保存并加载到另一个音色中。

终极控制

Horizen 的核心是调制面板。你可以从 LFO 预设菜单选择,或设计自定义 LFO,然后拖放到乐器中的目标位置。最多可使用 6 个 LFO 调制器,涵盖各种形状和速度,满足各种音效设计需求。单个 LFO 可分配到任意多个目标。2.6 版本新增 LFO 形状滚动显示,可直观查看效果,同时支持深度 CC 控制,可将任意 CC 控制器用于调节 LFO 深度——Andy 专门使用通道触后(CC129),但你可以自由选择。

此外,还提供两个键盘调制器、两个力度调制器,以及 2.6 版本新增的两个 CC 调制器,让你能更精细地掌控音色变化。

每个调制器都允许你绘制自定义曲线,可在不同时间序列上运行。时间可锁定到 DAW 节奏,也可自由运行,甚至可以以单次模式运行。Synth Factory 还提供了一些有趣且实用的曲线供你入门。

复杂演奏的简化

Horizen 提供多种工具,为音色添加即时运动和和声。经典琶音器可设定步数、摆动、同步节奏及八度移动。每步可调整力度、音符长度和音高,并提供 6 种不同播放方向(包括和弦播放)。Horizen 的每个声部可独立路由到一个、两个或不使用琶音器,实现自由与琶音的同时演奏。2.6 版本新增模式生成器,可轻松创建灵活、实用的琶音模式。

在和弦方面,Horizen 配备专用播放器,支持 16 个 MIDI 键,可根据用户定义的根音、12 种流行和弦类型及八度范围播放和弦。增强选项可轻松实现更复杂的和弦结构。

23 种精美声部与母带效果

Lindon 为 23 种内置效果投入了大量时间与精力,效果显而易见。设计理念是通过提供高质量、易于制作的选项,减少对第三方插件的依赖。效果系统全面且丰富,包括专用的 Send 与 Master 效果区。每个 Horizen 声部都有 4 个 Send,可调节每个声部进入 Send 效果槽的量。可快速设置效果序列,并为部分效果提供专用 LFO 以进一步控制。

任意拖放循环

Horizen 的循环播放器允许加载、播放并混合音频文件。可将任意 wav 文件拖入播放器窗口,或在循环浏览器中设置自定义库,让现有循环集合自动加载并可进行处理。音频可循环播放或每次按键触发一次,循环可正向或反向播放,并可跟随键盘音高或保持固定音高。2.6 版本还支持扩展循环显示,更精准设置循环点。

超过 400 个精心设计的预设

提供由 Andy 亲自设计的 400 多个预设,涵盖多种音乐类型与制作场景,核心目标是激发灵感!为便于快速浏览浩瀚库,我们引入了基于标签的检索系统,所有声音、循环和预设均带有精心选择的关键词,可快速定位所需。用户亦可自由添加或移除标签,轻松探索和管理声音,让创意无限流动。

 

有位巫师说:

由于漏洞,离线安装工厂内容无法正常进行。我们写了手动安装指南,但巫师们确信 60% 的人还没完成就会崩溃。

除了这个问题,你还能在产品中发现许多奇怪的内容(文件结构、代码、数据等)。这是另一款由经验不足的开发者使用 HISE 制作的作品 ;(

Pristine Cinematic Sound

Initially born to serve the demands and requirements of composer/producer Andy Hodgson, Horizen 2.6 is a true breakthrough in terms of sonic capability and workflow. Having worked on countless Netflix/Amazon titles and with artists from Bryan Adams to Katie Perry, Andy often dreamed of a synth that would aid his professional workflow while sounding phenomenal. After a chance meeting with veteran audio developer Lindon Mulcahy-Parker of Channel Robot, it was clear they shared the same vision. In fact, Lindon was already working on the original concept that would become Horizen.

A joy for sound designers and producers alike, Horizon’s 10-voice architecture allows for combining 4 sample engines with 4 voice dual OSC/wavetable synths plus 2 loop player engines. The resulting sounds are lush, extremely detailed and with a depth not often heard. Horizen will effortlessly fit to any genre – from Rock to EDM to Lofi and everything in between, it also offers a LOT for those working in Game/Film. A synth made by composers for composers!

“I now use Horizen in almost ALL of my productions and will do so going forwards. I hope others find it as inspiring as I do” – Andy

Lose Yourself in Sound

The deep yet intuitive XY pad design lets you drag & drop any of Hoizen’s 10 sound sources to any of its corners. Simple movements and gestures allow you to blend the different sources together with creative and exciting results. These X/Y gestures can be recorded so you can take your hand off the mouse and focus on performing. You can even save and load gestures into another patch should you wish.

Ultimate Control

At the heart of Horizen you’ll find its Modulation panel. Simply choose from the LFO preset menu or design your very own before dragging to designated targets around the instrument. Up to 6 LFO modulators can be used, covering a wide range of shapes/speeds that support any sound design need. A single LFO can be assigned to as many targets as you like. As of 2.6 you also get a scrolling display of the LFO shape, so you can visualise the effect it will have, and depth CC control, that allows you to assign any CC controller to affect the depth to the LFO – Andy uses channel aftertouch (CC129) amongst exclusively but its up to you.

You’ll also find two Key modulators to be used alongside two Velocity modulators, and as of 2.6 two CC modulators, so you can refine your control even further… if you so wish.

Each modulator allows you to create fantastic user-drawn shapes to be run over various time sequences. You can lock time to the DAW tempo, run free or even make your modulation run in oneshot mode. The Synth Factory has included some interesting and useful shapes to get you started.

Complex Performances Simplified

Horizen offers several tools to add instant movement and harmony to your sounds. A classic arp is on hand which allows you to define its number of steps, adjust swing, tempo sync and octave movement. The velocity, note length and pitch can be adjusted per step and playback is offered in 6 different directions (including chord playback). Each of the voices in HoriZEN can be routed to one, both or none of the arps, allowing for voices that can play freely and arpeggiated at the same time. As of v2.6 you now have a Pattern Generator to allow you to build easy, flexible and most importantly usable arp patterns.

And speaking of Chords, Horizen has you covered with a dedicated player featuring sixteen MIDI keys. It’s set up to play back one of a wide range of chords based on a user-defined root note, one of 12 popular chord types and the octave range. The augmentation options easily facilitate more complicated chord structures.

23 Glorious Voice & Master Effects

A huge amount of time and dedication was spent by Lindon on the 23 onboard effects and the results speak for themselves. The idea was to eliminate or reduce dependency on ‘better’ 3rd- party plugins by offering a range of high quality, producer-friendly options within Horizen. The effects system is both comprehensive and extensive, with a dedicated Send and Master Effects section. Each Horizen voice has 4 dedicated Sends to the 4 Send Effect Slots, and these Sends are targets so you can modulate the amount of each voice going into each send effect slot. It’s quick and easy to set up your own sequence of effects and where appropriate effects have dedicated LFOs for further control.

Drag & Drop Loops From Anywhere

Horizen’s Loop players allow you to load, play and blend your very own audio files. Simply drag & drop wav files from anywhere directly into the Player window, or even set your own user defined library within the Loop Browser. The latter will ensure your existing loop collections are automatically loaded and ready to be processed with the tools available. Audio can be played as a loop (hence the voice name) or as a one-shot per note press. You can have the loop play forwards or reverse and pitch-track the keyboard or play a constant pitch, and as of 2.6 you can expand the loop display to set your loop points even more accurately.

Over 400 Beautifully Crafted Presets

You’ll find over 400 presets designed by Andy himself. While they fit a multitude of genres and production scenarios the driving force behind them all was to inspire! To help you navigate a vast library with ease, we’ve introduced a tag-based retrieval engine for sounds, loops, and presets. Each sound and preset comes pre-tagged with carefully chosen keywords, ensuring you can quickly find exactly what you need. Plus, you have the flexibility to add or remove tags to suit your personal workflow. Effortlessly explore and organize your sounds with Horizen’s intuitive tagging system, and let your creativity flow without limits.

 

A witch said,

Due to the bug, offline Factory Content installation does not work. We wrote

the instruction to perform the manual installation but we witches are sure

that 60% of people would vomit before completing.

Apart from that issue, you can find lots of strange things in this product

(file structure, code, data etc). Another HISE work by inexperienced dev ;(

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