Cinesamples CineHarpsichord [KONTAKT]

CineHarpsichord is a modern adaptation of a Franco-Flemish 1624 Iohannes Rückers Colmar harpsichord sampled by hand at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles, California.
cineharpsicord是一款现代改编自1624年的法国-佛兰德斯john hannes Rückers Colmar大键琴，在加州洛杉矶索尼电影工作室的米高梅乐谱台手工采样。

With four stops and three distinct sonic characters, CineHarpsichord will be suitable for use in scoring and classical applications.
cineharpsicord有四个停顿和三个不同的音色特征，适合在乐谱和古典应用中使用。

There are 3 patches of the harpsichord, each is based on its own mix:
大键琴有3个补丁，每一个都是基于自己的混合:

01 CineHarpsichord
01 CineHarpsichord

02 Baroque
02巴洛克风格

03 Vintage
03古董

The main mix, 01 CineHarpsichord, includes FULL, CLOSE, ROOM, and SURROUND mixes similiar to our other libraries.
主要的组合，01 cineharpsicord，包括FULL, CLOSE, ROOM，和SURROUND，类似于我们的其他库。

Use the mix presets on the left for a variety of mix perspectives from Tim’s Mix (the main mix), Dry and Close, Orch Left and Right, and a custom mix you can save.
使用混合预设在左边的各种混合透视图，从蒂姆的混合(主要的混合)，干和关闭，Orch左和右，和一个定制的混合，你可以保存。

Because the harpsichord is such a percussive instrument, we delayed the close microphones to time-align with the room and surround microphones to prevent that typical flamming effect.
因为大键琴是一种打击乐器，所以我们推迟了近距离的麦克风以与房间的时间一致，并推迟了环绕麦克风以防止典型的火焰效果。

That delay is applied within the FULL mix as well as the CLOSE mix.
该延迟适用于FULL混合和CLOSE混合。

The 02 Baroque mix is very specific in every aspect – perspective, image, and tonal shape.
02巴洛克混合是非常具体的在每个方面-透视，形象，和色调形状。

Therefore, one stereo fader is all that is needed.
因此，一个立体声渐变是所有需要的。

This is a more ambient mix with a touch of the close microphones without the time-aligned delay in order to provide a more silky, distant feel.
这是一个更环境的混合触摸近麦克风没有时间校准延迟，以提供更丝滑，遥远的感觉。

The 03 Vintage mix is also very specific in every aspect and thus, only one stereo fader is needed.
03 Vintage mix在每个方面也非常具体，因此，只有一个立体声推杆是需要的。

This mix favors a closer perspective with tape emulation and discrete out-board analog treatment including a Chandler EQ and tube harmonic distortion.
这种混合有利于磁带仿真和离散的外板模拟处理，包括钱德勒均衡器和管谐波失真更近的视角。

The Perspective Fader
角度渐变

CineHarpsichord includes our new Perspective Mode feature which allows for changes through microphone positions.
cineharpsicord包括我们新的透视模式功能，允许通过麦克风位置的变化。

When you activate Perspective Mode, a slider appears that gives a smooth crossfade between the microphone perspectives.
当您激活透视模式时，将出现一个滑块，在麦克风透视图之间提供平滑的交叉渐变。

The slider is automatically mapped to the Mod Wheel, giving instant control of the relative depth of CineHarpsichord.
滑块会自动映射到Mod Wheel，即时控制cineharpsicord的相对深度。

Disposition
性格

The disposition of a harpsichord is the set of choirs of strings it contains.
大键琴的配置是它所包含的一组弦乐唱诗班。

The modern adaptation of a Franco-Flemish 1624 Iohannes Rückers Colmar harpsichord we sampled had multiple choirs of strings accessible by switching stops.
我们取样的1624年法国-佛兰芒版约翰内斯Rückers科尔马大键琴的现代改编有多个唱诗班的弦通过切换停止。

These included two sets of 8-foot strings, one set of 4-foot strings, and a buff stop (lute stop) – a stop that pressed pieces of soft leather against the first 8-foot set of strings to produce a muted, pizzicato tone.
其中包括两组8英尺长的琴弦，一组4英尺长的琴弦，以及一个琵琶停音(琵琶停音)——将柔软的皮革片压在第一组8英尺长的琴弦上，产生柔和的拨奏音调。

Single: 1×8′
单:1×8的

Double: 2×8′
双:2×8的

Triple: 2×8′ + 1×4′
三倍:2×8′ + 1×4′

Buff: 1×8′
迷:1×8的

On the Triple stop, lower velocities reveal a slight time difference between the choirs of strings.
在三站，较低的速度揭示轻微的时间差之间的弦乐唱诗班。

This is due to the physical mechanism plucking the lower choir of strings before the upper choir.
这是由于物理机制在上层合唱团之前拨动下层合唱团的弦。

During normal playing, they sound at the same time.
在正常播放时，它们是同时发出声音的。

Round Robin Borrowing
轮循借款

The RR Borrow knob employes surrounding notes as additional round robins.
RR借款旋钮雇用周围的票据作为额外的轮知更鸟。

A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 24 round robins per note.
数值为6的结果是+/-一个借调的三音，每个音符提供24轮额外的轮调。

A value of zero plays two round robins per dynamic level.
值为0时，每个动态关卡将经历2轮循环。

Higher values result in more round robins and more tonal variation.
数值越高，知更鸟的数量就越多，音调的变化也就越多。

Release Volume
释放量

This knob offers control over the volume of the release samples.
这个旋钮提供了控制释放样品的体积。

Note: this will affect the ambience of the instrument.
注意:这会影响乐器的气氛。

Dynamics
动力学

Normally there is very little dynamic variation on a harpsichord.
通常羽管键琴的动态变化很小。

However, the dynamics control allows for a certain range of variation.
然而，动态控制允许一定范围的变化。

Requires Kontakt 5.6.8 and above
要求接触5.6.8及以上