Cinesamples Dulcimer and Zither [KONTAKT]

Cinesamples is proud to present our new line of libraries – The WORLD SERIES!
cinesample很自豪地介绍我们的新系列图书馆-世界系列!

The first installment introduces the family of the Dulcimer and Zither, a favored instrument color by composers throughout the ages and around the globe.
第一部分介绍了扬琴和齐特琴家族，扬琴和齐特琴是世界各地作曲家喜爱的乐器颜色。

Recorded at the famous Firehouse Recording Studios in Los Angeles, and mixed by esteemed engineer Tim Starnes, the Dulcimer and Zither library will add stunning brilliance and color to any scoring palette.
在洛杉矶著名的消防站录音工作室录制，由受人尊敬的工程师蒂姆·斯塔恩斯混合，扬琴和齐特琴库将为任何乐谱调色板添加惊人的光彩和色彩。

The Cinesamples WORLD SERIES: Dulcimer & Zither is unmatched in its sound and simplicity due to the choice of instruments and recording technique.
世界系列电影:扬琴和齐特琴是无与伦比的声音和简单由于选择的乐器和录音技术。

The library was designed by composers, for composers, with direct feedback from the film music community during its development.
图书馆是由作曲家设计的，为作曲家而设计，在发展过程中得到了电影音乐界的直接反馈。

The result is a library that is easy to use, composer-friendly, and sounds professionally mixed right out of the box without being too demanding on studio hardware.
其结果是一个易于使用、对作曲家友好的库，并且在不对工作室硬件要求太高的情况下直接将声音专业地混合起来。

The library was meticulously recorded and engineered by Tim Starnes, one of the most seasoned and sought-after music editors and recording engineers within the film scoring business.
这个图书馆是由蒂姆·斯塔恩斯精心录制和设计的，他是电影配乐行业中最老练、最受欢迎的音乐编辑和录音工程师之一。

He has worked with most of the current and former A-list composers of Hollywood.
他曾与好莱坞大多数现在和以前的一流作曲家合作过。

His credits include productions such as King Kong (2005), The Lord of the Rings II & III (2002, 2003), The Aviator (2004), The Departed (2006), Remember Me (2010), Twilight: Eclipse (2010), Hugo (2011), and Extremely Loud and Incredibly Close (2011).
他的作品包括《金刚》(2005)、《指环王2、3》(2002、2003)、《飞行家》(2004)、《无间道风云》(2006)、《记得我》(2010)、《暮光之城:月食》(2010)、《雨果》(2011)和《极响极近》(2011)。

Tim Starnes’ presence at the composition, recording, and mixing phases of the score gave him the unique understanding needed to faithfully emulate the sound of Hollywood.
蒂姆·斯塔恩斯在谱曲、录音和混音阶段的参与，使他具备了忠实模仿好莱坞音乐所需的独特理解能力。

After previous successful collaborations such as “Drums of War,” Cinesamples is proud to once again be fortunate enough to have him as a recording engineer on this library.
在之前成功的合作，如“战争之鼓”，cinesample是自豪的再次有幸有他作为一个录音工程师在这个图书馆。

The studios used for Dulcimer & Zither – Firehouse Recording Studios – offer an equally impressive pedigree, having recorded the music for countless movies, TV shows and industry veterans such as Aretha Franklin, Chick Corea, Herbie Hancock, and Randy Newman, among others.
扬琴和齐特琴使用的工作室——消防站录音棚——提供了同样令人印象深刻的血统，为无数的电影、电视节目和业内资深人士录制音乐，如艾瑞莎·弗兰克林、奇克·科瑞亚、赫比·汉考克和兰迪·纽曼等。

PATCH LIST
补丁列表

01 Dulcimer Hammer
01洋琴锤

02 Dulcimer Felt
02洋琴的感觉

03 Zither
03年琴

04 Ukelin
04 Ukelin

05 FX
05年外汇

ABOUT THE PATCHES
的补丁

All patches generally contain hits and / or plucks recorded at varying dynamics with up to 10 round robins.
所有补丁通常包含以不同的动态记录的命中和/或拔下最多10轮知更鸟。

Depending on the instrument, we recorded samples using different mallets, hammers, bows, plectrums and finger plucks in several mic positions.
根据不同的乐器，我们用不同的木槌、锤子、弓、拨子和手指拨在不同的麦克风位置上记录样本。

Users can choose from 3 microphone positions – Close, Room, and Full Mix which contains a mix of Close/ Room and additional microphones.
用户可以选择3个麦克风位置-关闭，房间，和充分混合，其中包括关闭/房间和额外的麦克风的混合。

We also carefully chose the instruments that were to be recorded in order to ensure the best sound quality.
我们还仔细选择了要录制的乐器，以确保最好的音质。

The most notable choice was the piano dulcimer which was sampled chromatically (10RR) to reproduce the typical stereo image of the instrument.
最值得注意的选择是钢琴扬琴，它被取样成彩色(10RR)以重现该乐器的典型立体图像。

We also auditioned several mallets and made the most useful and artistic choices.
我们还试镜了几个木槌，做出了最有用、最有艺术性的选择。

In addition to general GUI functions such as Delay, Reverb, and Envelope Control, we are also introducing our very own Arpeggiator with this library.
除了一般的GUI功能，如延迟，混响，和信封控制，我们还引入了我们自己的Arpeggiator与这个库。

This feature will give users control over alternate modes of arpeggios, including the ability to sync to the host tempo in the user’s DAW of choice.
这个特性将让用户控制琶音的交替模式，包括在用户选择的DAW中同步到主机节奏的能力。