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笙是一种自由簧乐器,也是雅乐中使用的三大主要管乐器之一。它由 17 根细长的竹管组成,因为形状酷似“休憩的凤凰”,所以常被这样形容。在古代,笙那流动般的音色被认为象征着天光的照耀。
在完成全球首个全面的笙取样后,Sonica Instruments 荣耀推出 SHO 音色库,加入 Virtuoso Japanese Series 系列。
主要特色
- 无与伦比的录音,完整收录著名笙演奏家石川高的精湛音色与技艺。
- 分别采样所有 15 根管子的单音*与 11 种和弦的各种奏法,使音色库能适用于从雅乐到当代音乐的所有风格。
- 对笙演奏技法进行详细分析后,构建出一个模型,可自由演奏笙特有的音簇(和弦)与单音的任意组合。
- 提供两种键盘模式:包括一管一键的“传统指法模式”,真实再现笙的演奏指法。
- “管指示器”能让演奏者直观查看笙的管子排列并实时监控正在发声的管子。
- 内置笙的传统毕达哥拉斯调律、十二平均律及完全自定义调律,完美覆盖古典与现代音阶。
- 独特的“键触连接”功能,让演奏者在不间断声音的情况下切换丰富的奏法。
- 表情控制可自然连续地调节音色,无分段变化。
- “合奏选择器”可模拟多达三位演奏者的雅乐合奏效果。
- 生动而细腻的声音,以 24bit/96kHz 录制(音色库本身为 24bit/44.1kHz 采样)。
- 多麦克风采样与专用混音器,提供 Direct、Overhead、Room 与 Stereo Mix 四路信号的独立控制。
- 完全支持 NKS,兼容 Kontakt Player。
精细的单管取样
石川高为采样会话亲自演奏笙。他不仅活跃于雅乐团体,也同样精通现代音乐。通过他细腻的演奏,我们解构了笙复杂的结构,并逐一精准采样了每根管子的声音。
音色库收录了多种和弦与单音的奏法:直音(吹音 / 吸音)、颤舌(吹音 / 吸音)、重音、渐强、慢速颤音(吹音 / 吸音)、快速颤音(吹音 / 吸音)。
创新的奏法机制重现笙的独特演奏技巧
我们设计的界面支持 11 种“合竹”和弦(多管同时发声)与“单竹”单音(单管发声)的独立演奏,并提供独立的奏法控制。
“管指示器”能显示笙的传统音名管子排列,并在演奏 11 种和弦时于中央显示传统和弦名称。结合音阶调律设置,演奏者能清晰监控每根管子对应的音高。
提供两种键盘模式:
- 半音模式:键盘按半音阶排列。
- 传统指法模式:15 个白键一一对应 15 根管子,仿佛将双手按在笙的管孔上。这不仅让笙演奏者倍感亲切,也是学习和理解该乐器的理想途径。
再现气息的细腻变化
笙以几乎无尽的连绵音色著称,透过呼吸技巧展现出丰富的奏法。大部分奏法可在延音中自然过渡。为再现这一演奏方式,键触连接功能允许演奏者在保持发声的同时自然切换奏法。
该功能同时给予演奏者对气息强度的完全掌控。
表情控制让键盘的演奏体验接近管乐控制器,即使是基于采样的乐器,也能获得顺滑而动态的呼吸表现。
还可在演奏单音或叠加管子时选择是否启用连奏延音。使用复音连奏能真实还原笙作为多管乐器特有的音色表现。
在雅乐中,每种乐器往往由多人合奏并齐奏,形成厚重的音响。“合奏选择器”提供独奏、双人或三人合奏模式,并可调节主奏与副奏的平衡与空间分布。
多麦克风采样
录音包含三组立体声麦克风位置(Direct、Overhead、Room)以及一个立体声混音信号。可对每一路分别调整音量、声像宽度、声像位置、混响发送与 EQ,并内置高品质卷积混响。并行输出总线可将各麦克风信号单独送入 DAW 轨道,方便细致混音。
加载管理器
可按需加载特定奏法,跳过不必要的采样以优化 Kontakt 的运行性能。
MIDI Groove 浏览器
SHO 内置实用的 Groove 浏览器,可快速查找 MIDI 律动并直接拖拽到 DAW。
可在 KONTAKT / KOMPLETE KONTROL 中直接调整力度、摇摆、速度等参数。
音色库自带 18 个 MIDI 律动,包括传统乐曲与短句,展示乐器的表现力。搭配即将推出的 Groove Inspirations MIDI 包,能扩展至更庞大的乐句库。
支持 NI Kontakt Player v6.6 及以上版本!
The sho is free reed musical instrument and one of the three primary woodwind instruments used in gagaku court orchestra music. Consisting of 17 slender bamboo pipes, it is sometimes said to resemble a resting phoenix because of its shape. In antiquity, the sho’s fluid tonal character was associated with light shining down from the heavens.
After completing the world’s first comprehensive sho sampling, Sonica Instruments is proud to add the SHO library to the Virtuoso Japanese Series.
Main Features– Peerless recordings of the impeccable sound and technique of famed sho performer Ko Ishikawa.
– Single tones of all 15 pipes* and 11 chords sampled separately in every articulation, making the library applicable to all musical styles from gagaku to contemporary music.
– A detailed analysis of sho playing techniques led to an instrument model that allows playing any combination of the sho’s distinctive tone clusters (chords) and single tones.
– Two key modes, including a traditional fingering mode that replicates actual sho fingering with one key per pipe.
– Pipe Indicator lets the performer see the pipe arrangement of the sho and monitor the current pipes being played.
– Comes with traditional sho Pythagorean tuning, equal temperament tuning, and fully customizable tunings, for seamless coverage of both classical and contemporary scale tones.
– Unique Key Trigger Connection function lets the performer move through a colorful assortment of articulations without ever interrupting the sound.
– Expression control adjusts tone color naturally and continuously without gradations.
– Ensemble selector simulates gagaku ensemble performances with up to three performers.
– The library’s lively yet subtle sounds sampled in full 24-bit 96 kHz fidelity (the library itself contains 24-bit 44.1 kHz samples).
– Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix.
– NKS ready and Kontakt Player compatible.Carefully captured the sound of each individual pipe.
Ko Ishikawa played the sho for the sampling sessions. Although he performs with a gagaku group, he is equally well versed in contemporary music. Through his exquisite playing, we deconstructed the instrument’s complex structure and carefully captured the sound of each individual pipe.
The library contains many articulations recorded with both chord tones and single tones: Straight (exhaled tone / inhaled tone), Flutter (exhaled tone / inhaled tone), Sforzando, Crescendo, Tremolo Slow (exhaled tone / inhaled tone), and Tremolo Fast (exhaled tone / inhaled tone).
Innovative articulation mechanism recreates the instrument’s unique playing techniques
We designed the Sho interface to enable independent performance of 11 aitake tone clusters(chords), in which multiple pipes are played simultaneously, and itchiku single tones, in which just one pipe is played at a time. The interface also includes independent articulation control.
The Pipe Indicator lets the performer see the pipe arrangement of the sho and monitor the current pipes being played. The pipes are labeled with their traditional note names. When one of the eleven chords is played, the traditional chord name appears in the center. And because the Pipe Indicator works in conjunction with the Scale Tuning boxes (described below), it is very useful for monitoring the note of each pipe with notes on the keyboard.
The library comes with two key modes: The Chromatic mode maps the keys to the chromatic scale, and the Trad. Fingering mode maps one white key to one pipe in a way that recreates the feel of real sho fingerings. In the Trad. Fingering mode, placing the fingers of both hands on the 15 white keys is like covering the holes on the 15 pipes. This arrangement not only lets sho performers feel at home with the library; it is also a great aid to learning and understanding the instrument.
Expressing even the sound of one’s breath
The sho is known for its seemingly endless flowing tones modified by breathing techniques that produce a wealth of articulations. Most articulations blend from one to another while sustaining the sound. Designed specifically to recreate this playing technique, the Key Trigger Connection lets the performer change between any articulations smoothly and naturally just by hitting the assigned keys while playing.
This control gives the performer full flexibility over breath strength.
The expression control makes playing a keyboard feel like a wind controller, giving you access to smooth, dynamic breath expressions despite being sample based.
You can enable or disable legato sustain when transitioning from pipe to pipe while playing single tones or when playing additional pipes to add more tones. Using polyphonic legato recreates the distinctive tonal behavior of the sho, a multi-pipe instrument.
Gagaku court music is performed with multiple performers on each instrument playing in a thick-sounding unison. The Ensemble selector lets you choose from a solo performer or a two-performer or three-performer ensemble. Additional controls adjust the balance between the soloist and the other performers and the spread of their positioning.
Multi-microphone samples
Samples were recorded in three stereo microphone positions – Direct, Overhead, and Room – plus a Stereo Mix. Full mixing control is available, with individual Volume, Stereo Width, Pan, Reverb Send, and EQ adjustments for each channel. SHO also comes with a quality convolution reverb for excellent in-instrument sound creation. The parallel output bus sends the microphone channels to individual DAW tracks for finer mixing sessions.
With the load manager, the performer can load just the desired articulations. Skipping unnecessary samples can obtain better performance from the Kontakt engine.
MIDI Groove Browser
SHO features the incredibly useful Groove Browser, that lets you quickly find MIDI grooves and drag & drop grooves directly into your DAW.
You can adjust the grooves’ velocity, swing, playback tempo, and other parameters directly from KONTAKT / KOMPLETE KONTROL.
The library comes standard with 18 MIDI grooves, including traditional songs and short phrases that showcase what the instrument is capable of. When combined with the soon-to-be-released Groove Inspirations MIDI pack, the Groove Browser gives you access to an extensive phrase bank.
Works with NI Kontakt Player v6.6 and higher!
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