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Ohmicide[S] 王者归来
失真宏图典藏库

✓ 经典款:模拟各种模拟放大方式,从吉他音箱到调音台和唱机。

✓ 前卫款:让合成器主音以剃刀般锋利的立方或 V 形失真尖叫。

✓ 奇异款:时间冻结、贞操带、海蜇般效果 = 无尽可能。

✓ 可随时切换 Standard、XXX(更接近模拟的表现)或 ODD(美味的“损坏感”)。

✓ 111 种算法(37 类型 × 3 模式),UI 内置自说明。

塑形·纹理化
✓ 独特的双旋钮向上压缩/扩展器,掌控动态……

✓ ……当失真介入时,展现声音中所有隐藏的纹理。

✓ 针对每种失真类型的专属调制控制。

✓ 每类失真提供 3 种偏置行为,包括我们标志性的 ODD 模式及其粗粝扫频。

理性·非理性
✓ 噪声可设门限……或直接把信号门掉。

✓ 滤掉频率,或让它们尖叫。

✓ 切断反馈,或让它自由游走。

✓ 保持单声道,或转向立体声。

声音外科
✓ 按频率将信号分频处理——或让它们并行。

✓ 始终保留一个低频 X 段,可单独处理。

✓ 前后分段,让串行失真操作妙趣横生。

现场轻松操控 · Macros²
✓ 每个预设提供 4 个控制器,几乎能做任何事情,甚至超出想象。

✓ 无限映射,控制范围可设双端点,还能调整响应曲线……

✓ ……听起来很玄,直到你发现:当增益旋钮接近最大时,它们能自动削掉一点高频。此时你会到处用它们。

调制?当然
✓ 可调制任意音频参数。

✓ 可用各种可想象的调制方式。

✓ 还能调制调制本身。

✓ 你知道吗?包络跟随器与 ADSR 能彻底改变失真的玩法。

Ohmicide[S] The king is backThe Grand Library of Distortions

✓ Classics: emulate all sorts of analog amplification, from guitar amp to consoles and turntables.

✓ Edgy: make your synth leads scream with razor-sharp cubic or v-shaped distortions.

✓ Wacky: time freeze, chastity belts and a jellyfish = endless possibilities.

✓ Switch at will between Standard, XXX (even more analog-like behavior) or ODD (deliciously broken).

✓ 111 algorithms (37 types x 3 modes) self-documented within the UI.

Shape. Texturize.

✓ Unique two-knob upward compressor/expander to control dynamics…

✓ … and expose all the hidden textures of your sound once fed through distortion

✓ Type-specific mod controls per distortion

✓ Bias with 3 distinct behaviors per family, including our signature ODD mode and its gritty sweeps

Be reasonable. Be unreasonable.

✓ Gate the noise… or gate the signal.

✓ Filter out frequencies. Or make them scream.

✓ Cut the feedback. Or let it roam free.

✓ Stick to mono. Or to stereo.

Sound surgery

✓ Split the signal in bands by frequency – or make them parallel.

✓ Conveniently always keep a low end X band available to be treated separately.

✓ Pre and post bands to allow for serial distortions shenanigans.

Easy live with Macros²

✓ 4 controllers per preset that can do everything you can think of and then some

✓ Unlimited mapping, control ranges on both ends as well as response curve…

✓ …sounds esoteric until you realise you can set them to skim off a bit the high when the gain knob is close to the max. Then you’re using them everywhere.

Modulation? Yes.

✓ Modulate every audio parameter.

✓ With every conceivable modulation.

✓ Modulate the modulations.

✓ Did you know? Envelope follower and ADSR completely change the distortion game

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