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认识 Macros²

宏参数(Macros)在音频领域并不新鲜——它们本质上是“元参数”,用于驱动一个或多个其他参数。它们的主要用途通常是帮助你在音色预设中快速找到最值得调节的部分。

Macros² 将这一概念彻底拓展。通过赋予预设创建者对 映射范围、响应曲线以及多参数分配 的完全控制,它们变成了直观的音乐化控制器,让演奏者能够立即理解并使用,从而开启全新的现场表现维度。

延迟界的瑞士军刀光剑

无论你想要追寻过去几十年里哪一种经典延迟音色,Ohmboyz Infinity 都能满足:它能做 Tap Delay、模拟风格延迟、数字延迟,还能在反馈环路中加入滤波、混响、移频、失真,以及超乎想象的调制。

如果你更倾向于创新,它同样会带你进入一场旅程:不断变化的节奏与音色模式、诡谲的声景、刮碟与弯音效果、无尽的电子音乐变化……Ohmboyz Infinity 打开了一片声音探索的天地,并将给予你源源不断的回报。

Meet the Macros²

Macros are nothing new in the world of audio – they are simply “meta” parameter that drives one or more other. Their main use is generally to clarify for you what parameters you’ll find useful to tweak in a patch. But Macros² change that scope dramatically. By giving full control to preset creator on things like mapping range, response curve and multiple parameters assignation, they become intuitive controls for the musician that makes immediate sense musically and open a brave new world of live expression.

The Swiss Army Lightsaber of Delays

No matter what classic delay sounds of the last decades you’re after, Ohmboyz Infinity is providing. It does tap delays, it does analog like delays, digital delays, it has filter in the feedback loop, reverb, frequency shifter, distortion and more modulation than you can imagine.

And if you’d rather go for innovation, you’re in for a ride. Ever changing rhythms & tones patterns, scary sonic landscapes, scratch and bends, endless electronica variation, Ohmboyz Infinity opens a world of audio exploration that will reward your effort.

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