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Sterling Sound 的高级母带工程师兼合伙人 Chris Gehringer 对我们的 Sontec MES-432D9D 爱不释手,因此当 Rick Carson 找他合作开发签名插件时,他立刻拍板!
这次合作的成果就是 CGII ——一款专为母带处理打造的动态增强终极工具包。
CGII 包含两个彼此互补的动态增强模块、一个全新的 True Peak 限制级、直流阻断器(DC blocking)和抖动(Dither)处理,同时还配备 LUFS 和 True Peak 电平监测,采用复古灯丝管风格的显示界面,并支持最高 16 倍过采样(当然你也可以选择完全关闭——随你喜好)。
整个设计优先考虑音乐性与操作简洁性,可以在不破坏空间感和冲击力的前提下,有效提升响度、厚度与清晰度——这是传统动态处理器往往难以兼顾的。
使用 CGII,你可以让你的母带听起来更响亮,同时保留混音中的清晰度、密度与低频的厚实感。即使你正在处理一个已经很响的混音,CGII 也能再为它增添一丝力量,而不会引入刺耳的失真,也不会让声音变平、低频失去生命力。与此同时,它还能精准控制 True Peak,避免任何采样间溢出(inter-sample overs)。
我们还加入了抖动、DC 阻断滤波器以及完整的 LUFS / True Peak 电平表,让你可以放心将 CGII 放在母带链路的最后一环,作为一站式的最终处理工具。
虽然 CGII 最初的目标是“又响又好听”,但你会发现它在混音和其他处理场景中也表现出色。
使用 Loudness 模块来激发谐波,使用 Density 模块提升泛音氛围和弱音清晰度而不影响瞬态。或者,单独使用极其透明的 True Peak 限制器,将其放在你需要的任何位置。
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Impossibly Loud. Impossibly Good.
Chris Gehringer, Senior Mastering Engineer & Partner of Sterling Sound, was so taken with our Sontec MES-432D9D that when Rick Carson approached him about doing a signature plug-in, he was was ready to go! The result of our collaboration is CGII – a mastering dynamics finishing toolkit.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes).
The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do.
Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.
We’ve also included dither, a DC-block filter and complete LUFS/True Peak metering so that you can place CGII at the end of your master chain as a one-stop shop for final processing.
While CGII’s original spec was to make things good & loud simultaneously, you will find that it is wonderful in a variety places in your mixing and processing chain.
Use the Loudness processor to excite harmonics. Use the Density processor to bring up the bloom and raise low-level clarity without affecting transients. Or simply put the incredibly transparent true-peak lookahead limit any place you need it.
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