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Sumu 在软件合成方面开创了全新的领域，它将加法重合成与频率调制（FM）和矢量场空间化相结合。其由十个模块组成的集合，围绕着一个独特的多通道补丁器设计，提供了其他任何乐器中都无法找到的音乐可能性。

在 Sumu 中，采样的声音被表示为最多 64 个带宽增强的部分集合，每个部分都有一个频率、音量和噪声特性，并且这些特性可以随时间变化。这种声音的表示方式使得各种创意性的变化成为可能，从自然的时间拉伸到异国情调的音色操控。通过中央的多通道补丁器，声音中的每个部分都可以独立地进行操作，感觉更像是在演奏而非编程。选择一些和声并进行频率调制？没问题。根据频率延迟每个部分？也行。

Sumu 使得在空间和时间上进行精确而细致的变化成为可能，也可以进行狂野混乱的变化。你可以拿一个样本，选择几个部分，并将它们放置到声音场中的其他位置，或者将所有的部分都爆炸开来，搅拌成一团多普勒频移的合唱效果，每个部分独自以自己的轨迹旋转。

接着，一股流动的音流传来，当我们聆听时，个别的水滴逐渐被推到一起，形成一个量化的节奏。Sumu 中的脉冲模块是重合成的丰富调制器，或者是一个复杂声音的来源。它提供了节奏与噪声、自然与合成之间的平滑过渡。

为了平衡这些非常现代的数字操作，Sumu 还配备了一个模拟建模滤波器，基于经典的四极 Moog 梯形设计。它可以自激振荡，产生强大的复古声音，或者仅仅将那些尖锐的边缘抚平。

Sumu breaks completely new ground in software synthesis, combining additive resynthesis with FM and vector field spatialization. Its collection of ten modules, designed around a unique multi-channel patcher, offer musical possibilities not found in any other instrument.

In Sumu, sampled sounds are represented as collections of up to 64 bandwidth-enhanced partials, each with a frequency, volume, and noisiness that can change over time. This representation of sound makes all kinds of creative changes possible, from natural-sounding time stretching to exotic timbral manipulations. Using the central multi-channel patcher, each partial in a sound can be manipulated independently in a way that feels more like playing than programming. Pick a few harmonics and frequency-modulate them? No problem. Delay each partial according to its frequency? Sure.

Sumu enables precise and careful changes in space and time, or wild chaotic ones. Take a sample, choose a few partials, and place them somewhere else in the sound field. Or explode everything and stir it into a whirlwind of doppler shifted chorus as each partial zooms around on its own path.

And then a stream comes burbling through, and as we listen, the individual droplets are gradually nudged into line to make a quantized rhythm. The pulses module in Sumu is a rich modulator for resynthesis, or a source of complex sounds all on its own. It offers smooth transitions between rhythm and noise, organic and synthetic.

As a balance to all of this very modern digital manipulation, there’s an analog-modeled filter based on the classic four-pole Moog ladder design. It can self-oscillate for big vintage sounds, or just round off those prickly edges.

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