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均衡器可能是你在混音和母带制作过程中使用最频繁的工具,因此你需要最好的工具。FabFilter Pro-Q 4 以其最高音质、丰富的功能集以及华丽、创新的界面,提供无与伦比的使用便捷性。
Pro-Q 4 在一直以来使 Pro-Q 脱颖而出的强大功能、音质和直观工作流程的基础上,新增了动态频谱处理、统一的多实例控制、直接曲线绘制、模拟风格饱和模式、全新的外观等更多创新功能。
频谱动态处理
将问题解决型 EQ 提升到新的高度,频谱动态处理扩展了 Pro-Q 原有的动态 EQ 模式,能够仅对超出阈值的指定频段应用扩展或压缩,而不会影响其他频段。通过这种处理方式,轻松抑制刺耳和不必要的共振,这种处理方式通常需要专门的插件,但 Pro-Q 4 直接将其作为每个频段的选项,与用户日常依赖的传统动态和静态 EQ 模式一起集成。
实例列表
在项目中运行的任何 Pro-Q 4 插件底部中央的实例列表按钮,打开所有 Pro-Q 4 实例的概览,可以从迷你频谱显示的机架模式放大到完全交互式显示,用户可以像往常一样创建和编辑曲线,包括使用 EQ Sketch。激活自动缩放选项,可以自动聚焦当前鼠标指针所在的实例,并使用过滤、快速跳转、搜索和缩略图功能,轻松在所有 Pro-Q 4 实例之间导航,无论实例数量多少。实例列表在混音时节省了大量时间,并且在全屏模式下带来视觉上的享受。
EQ Sketch
Pro-Q 4 进一步提升了用户体验,推出了一种全新的方式来创建宽泛的滤波器响应曲线:EQ Sketch。只需在主显示屏上拖动鼠标,系统将自动创建一系列滤波器来匹配所绘制的曲线,斜率由用户鼠标的移动速度决定。EQ Sketch 非常适合快速建立一般频率整形的起点,之后可以通过 Pro-Q 4 的常规控制进一步调整和优化,它是工作流的重大提升,尤其与新的实例列表功能配合使用时。
角色模式
Pro-Q 4 新增的角色模式为 Pro-Q 带来了 FabFilter 长期以来以电路建模失真而著称的模拟风味,为轨道和混音注入令人愉悦的模拟色彩。切换到 Subtle 模式,可以实现温和的、程序和频率相关的变压器风格饱和;当需要更明显的管风格饱和时,可以切换到 Warm 模式。默认的 Clean 模式则保持 Pro-Q 原有的透明、无色的音质。
主要特点:
- 专业的母带级 EQ 插件,支持最多 24 个频段,提供广泛的滤波器类型,所有滤波器类型支持 6-96 dB/oct 的斜率,High Cut 和 Low Cut 滤波器支持 Brickwall 斜率。
- 新增:通过 EQ Sketch 直接在显示屏上绘制响应曲线。
- 新增:通过频谱动态处理定位问题频率。
- 新增:通过实例列表在会话中控制所有 Pro-Q 4 实例。
- 新增:通过角色模式为声音增添模拟风格的色彩和温暖感。
- 新增:在插件实例之间复制和粘贴 EQ 曲线。
- 新增:功能强大的预设浏览器,支持标签、收藏、搜索和筛选功能,包含新的工厂预设。
- 新增:分数滤波器斜率设置,例如可以创建 3 dB/oct 的低切滤波器或 14.2 dB/oct 的钟形滤波器。
- 新增:通过全通滤波器类型应用相位调整。
- 新增:直接在 EQ 参数值显示区通过拖动或鼠标滚轮滚动编辑参数。
- 改进:全新的设计,支持 GPU 加速的可调整图形界面和全屏模式。
- 改进:上下文相关的曲线创建预览。
- 改进:动态 EQ 曲线的攻击和释放控制。
- 改进:通过侧链过滤微调动态 EQ 响应。
- 改进:线性相位模式下的精度提升。
- 改进:零延迟和自然相位模式下更好的模拟匹配。
- 每个频段均支持动态 EQ 选项。
- 提供自然、零延迟和线性相位处理模式。
- 每个频段支持立体声、左声道、右声道、中间或侧声道模式。
- 支持环绕声,最多支持 Dolby Atmos 9.1.6,支持灵活的环绕声通道链接。
- EQ 匹配:将一个信号的音调特性施加到另一个信号上。
- 频谱抓取:直接在频谱分析器中抓取并调整滤波器。
- 智能多频段选择和编辑,以及频段独奏模式。
- 强大的实时频谱分析器,支持独立的母带(3/6 dB)和混音(12/30 dB)显示范围。
- 钢琴显示模式将频率刻度切换为音符值。
- 以及所有 FabFilter 常见功能:精确调节的旋钮和控制器、互动 MIDI 学习、撤销/重做和 A/B 切换、智能参数插值平滑过渡、丰富的帮助文件与互动帮助提示、样本精确的自动化、NEON 和 SSE 优化等。
Pro-Q 4 builds on the powerful feature set, sound quality, and intuitive workflow that have always set Pro-Q apart with the addition of dynamic spectral processing, unified multi-instance control, direct curve drawing, analog-style saturation modes, a fresh new look, and much more.
Spectral Dynamics
Taking problem-solving EQ to new heights, Spectral Dynamics extends Pro-Q’s existing Dynamic EQ mode with the ability to apply expansion or compression to only those frequencies within a specified band that exceed the threshold, leaving all other frequencies unaffected. Making light work of suppressing harshness and unwanted resonances, this form of processing has always required a dedicated plug-in, but Pro-Q 4 simply integrates it as another per-band option alongside the conventional dynamic and static EQ modes users already rely on
every day.
Instance List
The new Instance List button at the bottom center of any Pro-Q 4 running in a project opens an overview of all Pro-Q 4 instances, zoomable from a rack of miniaturized spectrum displays all the way up to fully-interactive displays in which curves can be created and edited as usual — including with EQ Sketch. Activate the Auto-Zoom option to automatically focus on the instance currently under the mouse pointer, and use the Filter, Quick Jump, Search, and Minimap features to easily navigate between all Pro-Q 4 instances, no matter how numerous. The Instance List will save a ton of time when mixing, and is a feast for the eyes in Full Screen mode.
EQ Sketch
Pro-Q 4 further improves on the user experience with a whole new way to create broad-strokes filter response curves: EQ Sketch. Simply drag the mouse across the main display to instantiate a series of filters set up to match any curve drawn, with slopes defined by the steepness of the user’s mouse movements. Ideal for quickly establishing general frequency-shaping starting points to be tweaked and honed using Pro-Q 4’s regular controls, EQ Sketch is a serious workflow booster — particularly when used in conjunction with the new Instance List.
Character modes
Pro-Q 4’s new Character modes bring the authentic circuit-modelled distortion for which FabFilter has long been known to Pro-Q, imbuing tracks and mixes with ear-pleasing analog flavor. Switch to the Subtle mode for gentle program- and frequency-dependent, transformer-style saturation, or the Warm mode when more obvious tube- style saturation is called for. The default Clean mode, meanwhile, retains Pro-Q’s original transparent, uncolored sound.
→ Key features:
• Professional mastering-grade EQ plug-in with up to 24 bands, a huge range of filter types, 6-96 dB/oct slopes for all filter types, plus Brickwall slopes for the High Cut and Low Cut filters
• New: Draw response curves directly into the display with EQ Sketch
• New: Target problem frequencies with Spectral Dynamics
• New: Control all Pro-Q 4 instances in a session from a single interface with the Instance List
• New: Bring analog-modelled color and warmth to sounds with Character modes
• New: Copy and Paste EQ curves between plug-in instances
• New: Full-featured preset browser, with tags, favorites, search and filter functions, plus new factory presets
• New: Fractional filter slope settings, so, for example, 3 dB/oct Low Cut or 14.2 dB/oct Bell filters can now be created
• New: Apply phase adjustments with the All Pass filter type
• New: Parameter editing directly in the EQ parameter value display via dragging or mouse wheel scrolling
• Improved: Fresh new design, with resizable GPU-accelerated graphical interface and full-screen mode
• Improved: Context-sensitive curve creation previews
• Improved: Attack and Release controls for Dynamic EQ curves
• Improved: Fine-tune Dynamic EQ response with sidechain filtering
• Improved: Greater precision for Linear Phase mode
• Improved: Better analog matching in Zero Latency and Natural Phase modes
• Dynamic EQ option for every band
• Natural, Zero Latency, and Linear Phase processing modes
• Per-band Stereo, Left, Right, Mid, or Side mode
• Surround support, supporting up to Dolby Atmos 9.1.6 with flexible surround channel linking
• EQ Match for imposing the tonal characteristics of one signal on another
• Spectrum Grab: grab and adjust filters directly in the spectrum analyzer
• Intelligent multiband selection and editing, and band solo mode
• Powerful real-time spectrum analyzer with separate mastering (3/6 dB) and mixing (12/30 dB) display ranges
• Piano Display switches the frequency scale to musical note values
• Plus: All the usual FabFilter features: perfectly fine-tuned knobs and controllers, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, NEON and SSE optimization, and more