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认识这款乐器。 在我们推动音乐向前发展的探索中,”Crescent” 是我们最新的尝试,旨在将音乐和乐器更贴近您——作曲家。

“Crescent” 由一个按新月形(半圆形)排列的大提琴四重奏组成,这就是整个声音之旅的起点。

凭借我们的录音和混音技术,我们创建了一个可以让听众沉浸其中的音色库,带来前所未有的体验。我们有信心地说,这样的音色库在其他地方是找不到的。

由于沉浸感有许多层次,我们混音的方式可以让您充分感受到大提琴,无论是完全被大提琴包围,还是在您面前有一个小型大提琴组(以及所有中间状态)。

谈到沉浸感,我们指的是任何扬声器阵列,无论您使用耳机、立体声扬声器,还是环绕声甚至杜比全景声系统,您都会感受到大提琴的环绕。

现在让我们谈谈真正的声场定位——”Crescent” 是唯一一款可以让您自由地将乐段放置在您周围任意位置的弦乐音色库,而不需要硬性声道定位——提供完全真实的结果以满足您的需求:听众右侧的大提琴组?完成!中心的大提琴组?完成!身后的大提琴组?没问题!真正的声场定位完全淘汰了立体声硬性声道定位,当您希望以任何方式组织您的弦乐组时,硬性声道定位的效果并不理想。不管您使用立体声还是环绕声阵列,真正的声场定位的结果都是完全真实的,超越了旧的立体声硬性声道定位。

最后,我们全新设计了一种多声部连奏,非常适合现场演奏的作曲家——您不再需要在数字音频工作站中创建四个轨道然后被鼠标束缚——使用”Crescent”,您只需坐在您的MIDI控制器前,演奏完整的多声部连奏,切换连奏类型,切换演奏技巧,使用任意数量的声音,而无需看电脑。

乐器

有没有比大提琴更美妙的乐器?当然,有四把大提琴!更好的是,它们环绕在听众周围——一种通过乐器全音域(以及更多)的声音拥抱,完美地覆盖您的音乐旅程。从甜美的持续音到Sul Tasto、Sul Ponticello甚至更多实验性的持续音类型,您应有尽有!

下一代多声部连奏

从零开始为音乐家设计和编写,我们自豪地推出最新的多声部连奏,一种旨在让您摆脱鼠标和数字音频工作站束缚的新方法。我们的多声部连奏适应您的演奏风格,并始终了解您的预期间隔——即使您重叠了声音!

此外,您可以即时切换连奏风格和连奏技巧,而无需离开MIDI控制器!

无论您使用1、2、4、8或任意数量的声音,我们的多声部连奏始终了解您的声音运动。

持续音

  • 持续音(p, m, f)
  • 持续平音(p, f)
  • 弱音(p, m, f)
  • 泛音(m)
  • Sul Tasto(p, f)
  • Sul Ponticello(p, f)
  • 泛音
  • 颤音
  • 颤音 Sul Ponticello
  • 特殊持续音
  • 长弧(p>m>p)
  • 短弧(p>m>p)
  • 强奏
  • 渐强
  • 渐弱
  • 半音上滑(m, f)
  • 半音下滑(m, f)
  • 全音上滑(m, f)
  • 全音下滑(m, f)
  • 马卡托
  • 调音持续音
  • 自由动态持续音
  • 失谐持续音

短音

  • 拨弦(p, m, f)CC1或力度,RR3
  • Bartok 拨弦(f)CC1或力度,RR3
  • 跳弓(p, m, f)CC1或力度,RR3
  • Saltando(p, m, f)CC1或力度,RR3
  • Col Legno(m)CC1或力度,RR3

连奏(慢速和快速滑奏)

  • 持续音(p, m, f)
  • 弱音(p, m, f)
  • 泛音(m)
  • Sul Tasto(p, f)
  • 马卡托
  • Sul Ponticello(p, f)
  • 颤音
  • 颤音 Sul Ponticello

杂项

  • 大调扫弦
  • 小调扫弦
  • 弦泛音
  • 其他特效

声音位置(单声道)

  • 位置1
  • 位置2
  • 位置3
  • 位置4

立体声混音(生产准备)

沉浸式(全息声)

  • 180°,半环绕
  • 180°存在感,半环绕
  • 360°,全环绕
  • 360°存在感,全环绕
  • 观众方向

需要 NI Kontakt FULL v6.2.1+!

Meet the instrument.

In our search for push music forward, ‘Crescent’ is our latest bet in our philosophy of bringing music and instruments closer to YOU, the composer.

‘Crescent’ consists of a Cellos Quartet on a ‘crescent moon’ formation (semi circle), and this is where the whole sonic trip starts.

Thanks to our recording and mixing techniques, we’ve managed to create a library that will immerse your listeners in a next-level experience. With confidence, we can say there’s nothing like this around, anywhere.

And because immersion has many levels, we have mixed this library so that you can feel the most of it, whether you want to be completely surrounded by Cellos, to having a small Cellos section in front of you (with all the in-betweens!).

And when we talk immersion, we are talking of any speaker array, you will feel the Cellos embracing you whether you’re using headphones, stereo speakers, all the way up to Surround or even Dolby Atmos setups.

Now let’s talk about TRUE PANNING – ‘Crescent’ is the only strings library that allows you to freely place your sections anywhere around you, without having to hard pan anything – complete real results that fit your needs: A Cellos section on the right of the listener? Done! A Cellos section in the centre? Done! A Cellos section behind? Sure! True Panning completely phases out the stereo hard-panning that provides sub-standard results when it comes to having your strings sections organised in any fashion you might want. Regardless of you using Stereo or Surround arrays, True Panning’s results are completely real and override the old stereo hard-panning.

Finally, we have completely re-designed a polyphonic legato that will work perfect for those composers who play music live – no longer will you need to create 4 tracks on the DAW and then be enslaved by the mouse – with ‘Crescent’ you can simply sit on your MIDI Controller, and play complete polyphonic legato, switch legato types, switch articulations, use as many voices as you want, and never have to look at the computer.

The Instruments

Is there a more beautifully-sounding instrument than a Cello? Sure, four Cellos! And even better, all around the listener – a sonic embrace though the whole range of the instrument (and more) that will cover your music journey to perfection. From sweet sustains all the way to Sul Tasto, Sul Ponticello and even more experimental sustain types, you have it all!

Next-gen Polyphonic Legato

Created from the ground up, designed and coded by and for musicians, we’re proud to introduce our newest polyphonic legato, a new take focused towards freeing you from being a slave to the Mouse and the DAW. Our Polyphonic legato adapts to your playing style and is always aware of your intended interval – even if you overlap voices!

Additionally, you can switch legato styles and legato Articulations on-the-fly, never having to leave your MIDI controller!

No matter if you are using 1, 2, 4, 8 or as many voices as you want, our Polyphonic Legato is always aware of your voice movement.

Sustains

Sustain (p, m, f)
Sustain Flat (p, f)
Con Sordino (p, m, f)
Flautando (m)
Sul Tasto (p, f)
Sul Ponticello (p, f)
Harmonics
Tremolo
Tremolo Sul Ponticello
Special SustainsArcs Long (p>m>p)
Arcs Short (p>m>p)
Sforzando
Crescendo
Decrescendo
Bend Half Tone Up (m, f)
Bend Half Tone Down (m, f)
Bend Whole Tone Up (m, f)
Bend Whole Tone Down (m, f)
Marcato
Tuning Sustains
Free Dynamics Sustains
Detuning Sustains
ShortsPizzicato (p, m, f) CC1 or Velocity, RR3
Bartok Pizzicato (f) CC1 or Velocity, RR3
Spiccato (p, m, f) CC1 or Velocity, RR3
Saltando (p, m, f) CC1 or Velocity, RR3
Col Legno (m) CC1 or Velocity, RR3
Legato (slow and fast Portamento)Sustain (p, m, f)
Con Sordino (p, m, f)
Flautando (m)
Sul Tasto (p, f)
Marcato
Sul Ponticello (p, f)
Tremolo
Tremolo Sul Ponticello
MiscMajor Sweeps
Minor Sweeps
String Harmonics
Other SFX

Spots (Mono)

Spot 1
Spot 2
Spot 3
Spot 4
StereoMix (Production Ready)
Close
Mid
Far
Immersive (Ambisonics)180°, Half Surround
180° Presence, Half Surround
360°, Full Surround
360° Presence, Full Surround
Audience, Directional

Requires NI Kontakt FULL v6.2.1+!

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