- 产品视频
美妙而大胆的木管乐
这是一个为Kontakt设计的木管乐器采样库,包括长笛、双簧管、单簧管、上低音萨克斯和巴松管,它完美地补充了我们成功的独奏弦乐和独奏铜管的Untamed系列。
突破你对木管乐器声音的认知极限,你会开始希望这些乐器成为你音乐中的亮点,而不仅仅是掩埋在整个乐队中的一层。无论是优雅美丽还是狂暴汹涌,这些乐器都能胜任。
即兴演奏是每种乐器的灵魂所在。这些不是短语,而是带有真实人类能量和动感的演奏音符。
长笛
- 即兴演奏A
- 即兴演奏B
- 即兴演奏C
- 即兴演奏D
- 风暴
- 长音
- 柔和的空气
- 涨潮 – 柔和
- 涨潮 – 响亮
- 颤音 – 缓慢
- 颤音 – 快速
- 打音
- 三度
- 五度
- 八度
- 音色颤音
- 弯音
- 短音
- 涨潮 – 长音
- 爆音
双簧管
- 即兴演奏A
- 即兴演奏B
- 即兴演奏C
- 即兴演奏D
- 风暴
- 长音
- 柔和的空气
- 涨潮 – 柔和
- 涨潮 – 响亮
- 打音
- 三度
- 五度
- 八度
- 短音
- 短音 – 闭止
- 涨潮 – 长音
单簧管
- 即兴演奏A
- 即兴演奏B
- 即兴演奏C
- 即兴演奏D
- 风暴
- 长音
- 柔和的空气
- 涨潮 – 柔和
- 涨潮 – 响亮
- 颤音 – 缓慢
- 颤音 – 快速
- 半音飞跃 – 柔和
- 半音飞跃 – 响亮
- 三度
- 五度
- 八度
- 短音
- 短音 – 闭止
- 涨潮 – 短音
- 涨潮 – 长音
上低音萨克斯
- 即兴演奏A
- 即兴演奏B
- 即兴演奏C
- 即兴演奏D
- 风暴
- 极限即兴演奏A
- 极限即兴演奏B
- 长音
- 柔和的空气
- 涨潮 – 柔和
- 涨潮 – 响亮
- 三度
- 五度
- 八度
- 咆哮 – 缓慢
- 咆哮 – 快速
- 谐波
- 短音
- 涨潮 – 短音
- 涨潮 – 长音
- 打击音
巴松管
- 即兴演奏A
- 即兴演奏B
- 即兴演奏C
- 即兴演奏D
- 风暴
- 长音
- 柔和的空气
- 涨潮 – 柔和
- 涨潮 – 响亮
- 颤音 – 缓慢
- 打音
- 三度
- 五度
- 八度
- 变指法
- 断奏
- 爆奏
- 短音
- 涨潮 – 短音
- 涨潮 – 长音
这些麦克风位置适用于除Wanderlust以外的所有乐器:
Spot
- 单声道位置,超级干燥、超级强调、超级细致。
Close
- 这个立体声对非常亲密但充满生气,允许声音呼吸得恰到好处。
Room
- 典型的树状位置,有足够的真实房间氛围和良好的平衡。
Gallery
- 在The Nave天花板上录制的一个弥散和通透的位置。将其加入混音中以获得自然的深度和空间。
Multis
- 有30个多重组合,从多个乐器加载到一个Kontakt实例中。分为5类,它们被创建以立即满足,并且非常适合快速记录你的想法。它们还将展示一些你未曾想到的组合和声音,激发你的创作灵感。
Spot
- 单声道位置,超级干燥、超级强调、超级细致。
Close
- 这个立体声对非常亲密但充满生气,允许声音呼吸得恰到好处。
Room
- 典型的树状位置,有足够的真实房间氛围和良好的平衡。
Gallery
- 在The Nave天花板上录制的一个弥散和通透的位置。将其加入混音中以获得自然的深度和空间。
在The Nave录制,这是英国最优秀的录音室之一;一个改建的教堂,拥有最美妙的现场房间声音。工程师Tom Orrell使用了一套经典的麦克风和复古外部设备,为木管乐器量身打造了完美的声音。
对于Spot位置,单个Brauner VMA Valve麦克风和RE20麦克风能够很好地提供非常细致、干燥和强调的声音。Neumann KM184s捕捉了一个亲密的立体声视角;充满活力但仍然亲密。对于Room位置,我们使用了一对AKG C414s,创建了一个更典型的树状位置,能给你一个良好平衡和开放的声音。最后,在Gallery高处放置了一对全指向性的Oktava MK-12s。作为工程师们的秘密武器,这些麦克风以其出色的细节著称,它们将为你提供完整的自然录音室声音,并让你听到The Nave的美妙衰减。
我们收集了这种非常广泛的视角供你混合,以准确获得你需要的声音。一切都通过Neve和API前置放大器、AMEK Rembrandt调音台录制,并使用世界级的Apogee AD16X模拟到数字转换器捕获。
需要NI Kontakt v5.6.8或更高版本的完整版。
Beautifully bold woodwinds
A woodwind sample library for Kontakt including Flute, Oboe, Clarinet, Baritone Saxophone and Bassoon which perfectly compliments our successful Solo Strings and Solo Brass Untamed.
Pushing the boundaries of what you believe woodwinds can sound like, you’ll begin to want these instruments as the highlight of your music and not just a layer buried in the rest of the orchestra. Both elegant and beautiful or furious and turbulent.
The Improvisations are the life and soul behind each instrument. Not phrases, but performed notes with real human energy and movement.
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Vibrato – Slow
Vibrato – Fast
Flutter Tonguing
Thirds
Fifths
Octaves
Timbral Trills
Bends
Short
Swells – Long
Pops
Oboe
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Flutter Tonguing
Thirds
Fifths
Octaves
Short
Short – Stopped
Swells – Long
Clarinet
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Vibrato – Slow
Vibrato – Fast
Semitone Flicks – Soft
Semitone Flicks – Loud
Thirds
Fifths
Octaves
Short
Short – Stopped
Swells – Short
Swells – Long
Baritone Sax
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Improv Extreme A
Improv Extreme B
Long
Soft Air
Surges – Soft
Surges – Loud
Thirds
Fifths
Octaves
Growling – Slow
Growling – Fast
Harmonics
Short
Swells – Short
Swells – Long
Slap Tongue
Bassoon
Improvisations A
Improvisations B
Improvisations C
Improvisations D
Storms
Long
Soft Air
Surges – Soft
Surges – Loud
Vibrato – Slow
Flutter Tonguing
Thirds
Fifths
Octaves
Alt Fingering
Stutters
Splutters
Short
Swells – Short
Swells – Long
These mic positions are available on ALL instruments except for Wanderlust.
Spot
A mono position that’s super dry, super hyped and super detailed.
Close
This stereo pair is intimate but lively, allowing the sound to breathe just enough.
Room
A typical tree-style position, plenty of real room ambience and nicely balanced.
Gallery
A diffuse and airy position recorded in the ceiling of The Nave. Add this to the mix for natural depth and space.
Multis
There are 30 Multis created from multiple instruments loaded into one Kontakt instance. Grouped into 5 categories they’ve been created for immediate gratification and perfect for quickly getting your ideas down. There’ll also show you some combinations and sounds you won’t have thought of and spark off an idea.
Spot
A mono position that’s super dry, super hyped and super detailed.
Close
This stereo pair is intimate but lively, allowing the sound to breathe just enough.
Room
A typical tree-style position, plenty of real room ambience and nicely balanced.
Gallery
A diffuse and airy position recorded in the ceiling of The Nave. Add this to the mix for natural depth and space.
Recorded at The Nave, one England’s finest recording studios; a converted church with the most beautiful sounding live room. Engineer Tom Orrell used a set of classic microphones and vintage outboard to tailor the perfect sound for the winds.
For the spot position, a single Brauner VMA Valve mic and RE20 mic does a great job of providing a very detailed, dry and hyped sound. Neumann KM184s capture a close stereo perspective; lively but still intimate. For the room position, we used a pair of AKG C414s, creating a more typical tree-style position and will give you a well balanced and open sound. Lastly, high up in the gallery were a pair of omnidirectional Oktava MK-12s. The secret weapon among engineers for their excellent detail, these will give you the full natural studio sound and allow you to hear the beautiful decay of The Nave.
We collected this really wide range of perspectives for you to mix exactly the sound you need. Everything was recorded through through Neve and API preamps, an AMEK Rembrandt desk and captured using world-class Apogee AD16X analogue to digital convertors.
Requires the FULL version of NI Kontakt v5.6.8 or above required!