- 产品视频
与媒体作曲家兼编曲家 Joachim Horsley 合作制作的 Joachim’s Piano 是对他精心修复的 1890 年代 Steinway B 的独特采样,包括自然钢琴、预设、打击乐和效果音。
花费超过 35 小时的录音时间,记录了在“Via Havana”和 Joachim 的 YouTube 视频系列中使用的确切钢琴、空间和麦克风设置。专注于节奏的可演奏性,乐器经过半音阶采样,并且最多有 4 个循环采样。所有音色都录制了完全踩下延音踏板和未踩踏板的样本。
一台历史悠久的钢琴 采样的乐器是 1890 年代制造的 85 键 Steinway B 型,最近经过(漂亮的)修复。其复古音色和响应完美契合 Joachim 的表演风格,但它的采样方式使其能够适应从现场爵士乐到媒体作曲的多种用途。
预设的乐器组合 作为表演者,Joachim 除了使用钢琴本身的自然音外,还使用一系列精心控制的钢琴预设以产生独特的音色。钢琴本身也经常被用作打击乐器,用各种槌子、刷子甚至手来演奏。从哲学上讲,他的目标是用钢琴本身重现整个乐队的声音,从立式低音到康加鼓。
35 小时的录音时间 采样在 Joachim 自己的工作室完成,使用他视频中展示的相同麦克风、乐器、设置和信号链。一对传奇的 Microtech Gefell CMV 563,配有著名的 M7 胶囊,提供了钢琴的主体音色,而远处的一对麦克风则在需要时提供空间感。超过 35 小时的录音时间捕捉了钢琴的复杂细节!
节奏细节 整个乐器的音域都进行了半音阶采样,每个音符最多有四个循环采样,并且在多种不同的发声层级上有最多五个动态层。这提供了一个在快速段落中演奏非常节奏感的乐器。此外,整个乐器允许使用延音踏板,并有真实的延音踏板样本。
Joachim 还包括了各种额外的效果音和一整套用钢琴和各种槌子/击打器制作的打击音。
为舞台或工作室准备 听爵士钢琴家 Caili O’Doherty 现场演奏 Joachim’s Piano,只需一个简单的笔记本电脑设置。MIDI 表演被现场捕捉,以便在后期与原声元素混合,这在配备 M7 胶囊的 CMV 563 的经典音色下变得毫不费力。
与典型舞台钢琴内置的声音相比,这款 18 GB 的半音阶采样钢琴具有真实的踏板声音和 4 个循环采样,提供了更真实、自然的音色。键盘手可以探索一系列预设和打击效果,甚至可以探索不同的调音系统。
普通钢琴
- 发声 – 普通钢琴
- 发声 – 硬音钢琴
- 发声 – 软音钢琴
- 发声 – 更软音钢琴
预设钢琴
- 发声 – 谐波钢琴
- 发声 – 谐波钢琴 +24
- 发声 – 静音钢琴
- 发声 – 静音钢琴 +24
- 发声 – 静音低音钢琴
打击乐和效果
- 其他 – 打击乐钢琴
- 其他 – 额外效果
额外功能
- 72 个手工制作的快照
- 特殊的“Jo’s”混音,访问 Jo 首选的信号链
- 新的“VISAGE”引擎:
- 改进的混音器
- 增强的混响控制
- 易于访问的效果
- 24 种内置调音/音准
- 逼真的阻尼器
需要 NI Kontakt v5.8.1 或更高版本的完整版!
Created with media composer and arranger Joachim Horsley, Joachim’s Piano is a one-of-a-kind sampling of his lovingly-restored 1890’s Steinway B including the natural piano, preparations, percussion, and effects.
Over 35 hours of studio time went into recording the exact piano, space, and mic setups used in “Via Havana” and Joachim’s series of YouTube videos. A focus on rhythmic playability, the instrument is chromatically sampled with up to 4 Round Robins. Both full sustain pedal and non-pedaled samples were recorded on all patches.
An Historic Piano
The instrument sampled was an 85-key Steinway Model B, build in the 1890’s and recently (beautifully) restored. The vintage tone and responsiveness perfectly match Joachim’s style of performance, yet it has been sampled in such a way to allow it to fit numerous uses from live jazz to media composition.
An Ensemble of Preparations
As a performer, in addition to the natural sounds of the piano itself, Joachim uses an array of careful, controlled preparations of the piano in order to generate unique timbres. The piano itself also is frequently used as a percussion instrument, played with a wide range of mallets, brushes, and even hands. Philosophically, his goal is to recreate the sound of an entire band, from upright bass to conga, using only the piano itself.
35 Hours of Studio Time
Sampling was done in Joachim’s own studio, using the same exact mics, instrument, setup, and signal chain shown in his videos. A pair of legendary Microtech Gefell CMV 563’s with famed M7 capsules provides the main body of the piano, while a far pair of mics provides room to add to the sound when desired. Over 35 hours of recording time went into capturing the piano in such intricate detail!
Rhythmic Detail
The entire range of the instrument was sampled chromatically with up to four round robins and at up to five dynamic layers across a number of different articulations. This provides a very rhythmically satisfying instrument to play, especially in fast passages. Additionally, the entire instrument allows for sus pedal usage with real sus pedal samples.
Joachim also included various bonus fx sounds and a full set of percussive sounds created using the piano and various mallets/beaters.Ready for Stage or Studio
Hear jazz pianist Caili O’Doherty play Joachim’s Piano live in concert, run off a simple laptop setup. The MIDI performance was captured live to allow mixing in post with acoustic elements, which is an effortless process with the classic sound of the M7 capsule-equipped CMV 563.
Compared to the sounds built into typical stage pianos, the 18 GB chromatically sampled piano with true pedal sounds and 4 round robins provides a more realistic, natural sound. Keyboardists seeking more unique sounds can explore the array of preparations and percussive effects and even explore different tuning systems.
Normal Piano
Articulations – Piano Normal
Articulations – Piano Hard
Articulations – Piano Soft
Articulations – Piano SofterPrepared PianoArticulations – Harmonic Piano
Articulations – Harmonic Piano +24
Articulations – Muted Piano
Articulations – Muted Piano +24
Articulations – Muted Bass PianoPercussive & FXOther – Percussive Piano
Other – Bonus FXBonus Features72 Handcrafted Snapshots
Special “Jo’s” Mix accesses Jo’s own signal chain of choice
New ‘VISAGE’ Engine:
– Improved Mixer
– Enhanced Reverb Controls
– Easily Accessible FX
– 24 Built-In Temperaments/Intonations
– Realistic damper
Requires the FULL version of NI Kontakt v5.8.1 or higher!