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室内弦乐自适应
在洛杉矶一线乐团录制和演出的圣塔莫尼卡第一长老会教堂录制。
- 惊人的室内乐声音;惊人的可演奏性。
- 极其灵活的“合奏”音色。
- 对于“合奏”音色,每个声部可以包含任何短音或长音发音(跳弓、断奏、分弓、拨弦、木棒击弦、巴托克拨弦、持续音、震音、大三度颤音、小三度颤音)。
- 丝滑的连奏或弓奏。
- 灵活的连奏选择:复音、非复音、强烈、温和、弓奏。
- 即使在持续音上,颤音和动态也可以平滑地“追随”速度。
- 从有力的强奏到丝滑的连奏,无需键位切换或控制器。
- 两种不同的滑音风格。
- 广泛的建模以节省内存占用。
- 灵活的颤音控制。
- 增加了自动化页面,通过MIDI CC控制如发音、颤音、动态等。
完全整合的合奏音色
完全独立的个别音色
所有音色都具有相同的特性,因此加载不同音色时无需猜测。
室内乐:
- 6把小提琴
- 4把中提琴
- 4把大提琴
- 2把低音提琴
每个声部:
- 声部混音器
- 载入/清除
- 连奏开/关
- 通过力度或滑块控制的起音
- 声部高低音范围控制
- 短音选择
- 长音选择
- 滑音控制
- 短音力度敏感度
- 紧致/扩展短音
- 弓换样本开/关
- 小提琴和低音提琴的8va、8vb
- 颤音控制
- 独奏/静音
全局控制:
- “空间”预设 – 管弦乐队的房间风格
- “触感”预设 – 选择乐器响应您演奏风格的方式
- “速度”预设 – 选择响应起音
- “信息”屏幕显示当前键位切换图和颤音与动态的力度追随
- 释放时间
- 弱音器
- 指板奏法
- 混响
- 动态
- 自动化屏幕
- 连奏风格
- 通过力度或滑块控制的起音
- 短音选择
- 长音选择
- 紧致/扩展短音
- 弓换样本开/关
- 小提琴和低音提琴的8va、8vb
- 颤音控制
混音页面:
- 声部音符混音器 – 独立音符电平控制
- 短音和长音选择器
- 短音和长音音量
- 短音力度控制
- 释放样本开/关
- 三段参量均衡
- 动态滑块
- 动态力度敏感度
- 动态追随力度开/关
- 表情力度敏感度
- 混响和房间大小
- 释放样本音量
- 详细的颤音控制
- 麦克风混音器(近、中、远)
- 小提琴、中提琴、大提琴和低音提琴的声部混音器(电平、声像、清除)
核心功能:
- 循环随机化以确保不会听到“循环”效果
- 精心混合的教堂环境样本,带来非常自然的声音
可分配给控制器的功能:
- 乐器音量(4个)
- 每个声部的连奏开/关(4个)
- 每个声部或全局的力度起音开/关(5个)
- 每个声部或全局的力度起音敏感度(5个)
- 每个声部短音样本的力度敏感度(4个)
- 每个声部短音发音时长(4个)
- 每个声部弓换样本开/关(4个)
- 小提琴和低音提琴的8va、8vb(2个)
- 每个声部或全局的颤音量(5个)
- 每个声部的独奏/静音(8个)
- 短音样本的全局音量(1个)
- 长音样本的全局音量(1个)
- 释放样本开/关(1个)
- 每个声部的音符混音器重置(4个)
- 高频均衡器(1个)
- 中频均衡器(1个)
- 低频均衡器(1个)
- 高频均衡增益(1个)
- 中频均衡增益(1个)
- 低频均衡增益(1个)
- 力度敏感度(1个)
- 动态力度追随(1个)
- 表情敏感度
- 增加混响
- 混响大小
- 房间大小
- 释放样本音量
- 通过控制器或力度开关的每个声部或全局的颤音控制(5个)
- 近、中、远麦克风电平(3个)
- 每个声部的声像(4个)
- 每个声部的短音变化(4个)
- 动态(1个)
- 每个声部的长音变化(4个)
- 滑音风格(1个)
要求: NI Kontakt FULL v6.6.1或更新版本。
Recorded at the First Presbyterian Church, Santa Monica where A-list Los Angeles-based orchestras record and perform.
– Stunning chamber sound; amazing playability.
– Incredibly flexible “ensemble’ patches.
– For “ensemble” patches, each section can contain ANY short or long articulation (spiccato, staccato, detache, pizzicato, col legno, Bartok pizzicato, sustain, tremolo, major trill, minor trill).
– Silky smooth slurred or bowed legato.
– Flexible legato choices: Polyphonic, non-polyphonic, intense, mild, bowed.
– Vibrato and dynamics can “chase” velocity smoothly EVEN on held notes.
– Go from punchy and aggressive marcatos to silky smooth legatos with no keyswitching or controllers.
– Two different portamento styles.
– Extensive modeling to conserve the memory footprint.
– Flexible vibrato control.
– Added automation page for controlling such things as articulations, vibrato, dynamics and more via MIDI CC.
Fully Integrated Ensemble Patches
Fully Separated Individual Patches
All have the same features, so there is no guesswork when loading different patches
Chamber:– 6 Violins
– 4 Violas
– 4 Cellos
– 2 BassesFor Each Section:– Section Mixer
– Purge/Load
– Legato on/off
– Attack control whether via velocity or slider
– Section high and low note range control
– Short articulation selection
– Long articulation selection
– Portamento control.
– Short articulation velocity sensitivity
– Tighten/Broaden Short articulation
– Bow-change samples on/off
– 8va, 8vb for violins and basses
– Vibrato control
– Solo/muteGlobal Control ():– “Space” presets – The room style of the orchestra
– “Touch” presets – Choose how you want the instrument to respond to your playing style
– “Speed” presets – Choose the response attack
– “Info” screen showing current keyswitch map and velocity-chasing for vibrato and dynamics
– Release time
– Sordini
– Sul Tasto
– Reverb
– Dynamics
– Automation screen
– Legato style
– Attack control whether via velocity or slider
– Short articulation selection
– Long articulation selection
– Tighten/Broaden Short articulation
– Bow-change samples on/off
– 8va, 8vb for violins and basses
– Vibrato controlMixer Page:– Section note mixer – independent note level control.
– Short and Long Articulation Choosers
– Short and Long Articulation Volume
– Velocity control for short articulations.
– Release samples on/off.
– 3-Band Parametric EQ
– Dynamics slider.
– Dynamics velocity sensitivity
– Dynamics chase velocity on/off
– Expression velocity sensitivity
– Reverb and Room Size
– Release samples volume.
– Detailed vibrato controls
– Microphone Mixer (Near, Mid, Far)
– Section Mixer for Violins, Violas, Cellos and Basses (Level, Pan, Purge)Under the Hood:– Round Robin is randomized so that you never hear a “loop” effect
– Samples of the church ambience are carefully mixed in for a very natural soundFeatures that can be assigned to a controller:– Instrument volumes (4)
– Legato on/off for each section (4)
– Velocity attack on/off for each section or globally (5)
– Velocity attack sensitivity for each section or globally (5)
– Velocity sensitivity for each section’s short samples (4)
– Short articulation duration for each section (4)
– Bow change samples on/off for each section (4)
– 8va, 8vb for violins and basses (2)
– Vibrato amount for each section or globally (5)
– Solo/Mute for each section (8)
– Short samples global volume (1)
– Long samples global volume (1)
– Release sample on/off (1)
– Reset note mixer for each section (4)
– EQ high frequency (1)
– EQ mid frequency (1)
– EQ low frequency (1)
– EQ high frequency gain (1)
– EQ mid frequency gain (1)
– EQ low frequency gain (1)
– Velocity Sensitivity (1)
– Dynamics velocity chasing (1)
– Expression Sensitivity
– Added Reverb
– Reverb Size
– Room Size
– Release samples volume
– Vibrato control via controller or velocity switch for each section or globally (5)
– Close, mid and far mic levels (3)
– Panning for each section (4)
– Short Articulation changes for each section (4)
– Dynamics (1)
– Long Articulation changes for each section (4)
– Portamento style (1)
Requirements: NI Kontakt FULL v6.6.1 or newer!