上一集 下一集
正在播放

 

 

内在频率

独特的广袤超凡纹理,由高纯度石英水晶唱碗丰富而本能的振动创造而成,由获奖作曲家松宫飞鸟(代表作《家》、《杨之后》、《贝蒂》)策划。

这些超凡乐器传统上用于冥想和声音疗法,但我们将它们带入电影领域,在伦敦哈克尼圆形教堂的共鸣声学环境中捕捉了详细而多样的演奏风格。

在我们直观设计的插件中,混合并移动在广泛的纹理光谱之间,创造强烈的氛围音景——从打击乐般闪烁的短音到深沉持久的共鸣,以及一系列现代扭曲的预设。旨在为任何音乐流派注入新生命——从环境极简主义到空灵的电影配乐。

本能的振动 这个音库的核心是一组七个水晶唱碗的深沉共鸣音,以432Hz的治愈频率捕捉。由于声音接近原始正弦波,其合成般的特性可以轻松塑造成任何形状。

在日裔、马里布作曲家和多乐器演奏家松宫飞鸟的创新视野下,她在她的配乐和声音装置中广泛使用这些乐器,我们着手扩展乐器的语言,解锁丰富的新色调和纹理,呈现在一个直观且激发灵感的插件中,旨在创造持久的环境音景和丰富的电影氛围。

通过各种传统槌棒和现代鼓棒、刷子的组合,我们捕捉了既有打击乐般的、颤动的本能振动,也有持续闪烁的层次纹理,这些纹理在整个身体中歌唱、演变和共鸣。一系列现代扭曲进一步提供灵感,将这些共振转化为惊艳的、外星般的纹理。

主要特征:

  • 一套由高纯度石英制成的7件稀有水晶唱碗
  • 调至C、D、E、F、G、A和B,频率为432 Hz
  • 在伦敦哈克尼圆形教堂的广阔声学环境中录制,具有清晰而共鸣的混响
  • 以优雅、用户友好的界面呈现,配备直观的控制
  • 四个控制帮助塑造您的声音——起音、释放、偏移和混响(使用在圆形教堂捕捉的IR)
  • 5种水晶碗演奏风格
  • 混合使用六种传统和现代敲击工具——刷子、软槌、棒、橡胶槌、塑料槌、热棒
  • 两种音叉声音用于更高、更尖锐的音调
  • 一个由近场、房间、画廊位置混合而成的信号
  • 六种通过吉他效果器和粒子合成器处理的扭曲声音
  • 2.1 GB

这位日裔、马里布作曲家、艺术家和古典钢琴家以其跨越电影、电视、广告和音乐制作的跨界作品而闻名。她为哈莉·贝瑞的导演处女作《打破》配乐,并与A24和Kogonada合作制作《杨之后》,与作曲家坂本龙一合作。2022年,她为史蒂夫·布西密的《倾听者》配乐。她与无数品牌在广告领域合作,包括保时捷、香奈儿、爱马仕和普拉达,她的歌曲《我们中有许多人》是斯派克·琼斯电影《我在这里》的主题曲。

在电视方面,松宫为HBO的滑板系列剧《贝蒂》配乐,与长期合作者水晶·莫塞尔合作,还为她2015年获奖纪录片《狼群》配乐。松宫是A24的Apple TV纪录片系列《家》的作曲家之一,凭借该剧赢得了2023年日间艾美奖杰出音乐指导和作曲奖。她还为韩国流行组合Blackpink的2020年纪录片《点亮天空》配乐。

松宫将她对音乐的实验性方法追溯到她的青少年时期,那时她辍学去和朋克乐队巡演;“我在朋克中找到了自由,因为我没有意识到自己被古典音乐压抑了多少——尽管我喜欢古典音乐。”松宫目前正在创作一部钢琴装置和专辑,并为即将在2024年春季上映的备受好评的奇幻动作系列剧《斯派德威克编年史》配乐。

Intrinsic frequencies

A unique palette of expansive otherworldly textures, created from the rich, visceral vibrations of high-purity quartz crystal singing bowls, curated by award-winning composer Aska Matsumiya (Home, After Yang, Betty).

Traditionally known for their use in meditation practice and sound therapy, we’ve transported these otherworldly instruments into the cinematic realm by capturing a detailed and diverse range of performance styles in the resonant acoustics of the Hackney Round Chapel, London.

Mix and move between a wide spectrum of textures within our intuitively designed plugin to create intense atmospheric soundscapes – from percussive, shimmering shorts to deep, long-lasting resonances, as well as a range of contemporary warped presets. Designed to breathe new life into any genre of music – from ambient minimalism to ethereal cinematic scores.

Visceral vibrations

At the heart of this library lies the deep resonant tones of a set of seven crystal singing bowls, captured at the healing frequency of 432Hz. With the sound being close to a raw sine wave, its synth-like qualities can easily be moulded into any shape.

With the innovative vision of Japanese-born, Malibu-based composer and multi-instrumentalist Aska Matsumiya who has used these instruments widely in her scores and sound installations, we set out to expand the language of the instrument and unlock a rich new palette of otherworldly tones and textures, presented in an intuitive and inspiring plugin designed to conjure long-lasting ambient soundscapes and rich cinematic atmospheres.

Using various combinations of traditional mallets and contemporary drumsticks and brushes, we’ve captured both percussive, rattling visceral vibrations and sustained shimmering layered textures that sing, evolve and resonate through the whole body. A range of contemporary warps offers further inspiration, transforming these reverberations into stunning, alien-like textures.

Key features:– A 7-piece set of rare crystal singing bowls made from high-purity quartz

– Tuned to C, D, E, F, G, A, and B at a frequency of 432 Hz

– Recorded in the expansive acoustics of London’s Hackney Round Chapel, with a clear and resonant reverb

– Presented in an elegant, user-friendly interface equipped with intuitive controls

– Four controls to help shape your sound – Attack, Release, Offset and Reverb (using an IR captured in the Round Chapel)

– 5 Crystal Bowl playing styles

– Mix between a range of six traditional and contemporary beaters – Brushes, Soft Mallet, Sticks, Rubber Mallet, Plastic Mallet, Hot Rods

– Two tuning fork sounds for higher, sharper tones

– One signal created from a mix of Close, Room, Gallery positions

– Six warped sounds made by running the crystal bowls through guitar pedals and granular synths

– 2.1 GB

The Japanese, Malibu-based composer, artist and classical pianist is known for her genre-defying works spanning film, television, advertising and music production. She has scored Halle Berry’s directorial debut, Bruised, and partnered with A24 and Kogonada on After Yang, in collaboration with composer Ryuichi Sakamoto. In 2022, she scored Steve Buscemi’s The Listener. She has collaborated with countless brands in the advertising space, including Porsche, Chanel, Hermes & Prada, and her song There Are Many Of Us was the main title track for Spike Jonze’s film, I’m Here.

In television, Matsumiya scored HBO skateboarding series Betty with long-time collaborator Crystal Moselle, as well as her 2015 award-winning documentary The Wolfpack. Matsumiya was one of the composers for A24’s Apple TV docu-series, Home, winning the 2023 Daytime Emmy for Outstanding Music Direction and Composition. She also scored K-pop group Blackpink’s 2020 documentary Light Up the Sky.

Matsumiya traces her experimental approach to music to her teenage years, when she dropped out of art school to go touring with punk bands; “I found freedom in punk because I didn’t realise how much I felt suppressed by classical music – even though I love it.” Matsumiya is currently working on a piano installation and album, and has scored acclaimed fantasy action series, The Spiderwick Chronicles, coming out in Spring 2024.

发表回复

后才能评论