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稀有的复古合成器
先锋音乐家与经典模拟合成器和鼓声库
一位真正的先锋人物,也是开创性乐队The Human League和Heaven 17的创始成员,从他珍贵的电子乐收藏中,创作并制作了一系列独特的经典模拟合成器和鼓声。
合成器包括
- Roland System 100
- Jupiter 8
- Korg 700
并由屡获殊荣的作曲家和制作人制作的变形版本。
概述
这个音库包含超过270种诱人的预设,有些预设包含多达5种完全不同且可混合的信号路径。这是一个广泛的合成器和鼓声选择,记录了英国电子音乐和合成器流行音乐的起源,这些音乐深深影响了70年代末和80年代初纽约嘻哈场景中以Afrika Bambaataa为代表的兴起的“电音”子集。拥有大量的垫声、主音、流行音、鼓声、效果、惊人的同步锁定序列和手工设计的奇特音效,由Martyn亲自设计,外加屡获殊荣的作曲家和制作人的大量变形版本。所有这些都以“超级单声道”呈现,给您提供通过复古A级模拟外置设备处理的频道选择。
背景
自70年代末以来,Martyn Ware一直是电音流行音乐的重要和热心的贡献者,并且部分参与了《Being Boiled》和《Temptation》等热门唱片的制作。作为British Electric Foundation、The Human League和Heaven 17的创始成员之一,Martyn与包括Tina Turner、Chaka Khan、Erasure、Marc Almond、Mavis Staples和Terence Trent D’Arby在内的众多才华横溢的艺人合作。作为唱片制作人和艺术家,Martyn参与的录音总销量超过5000万张。2001年,Martyn与Vince Clarke联合创办了Illustrious Company,并继续结合他们独特的三维音响技术,与各种艺术家、企业客户和表演艺术行业的客户合作。虽然Martyn自豪地来自谢菲尔德,但他现在生活和工作在伦敦,当他不在Tileyard的工作室工作时,他还是伦敦大学玛丽皇后学院的客座教授。
合成器和序列
Roland System 100通常被认为是最后一台拥有优秀振荡器的伟大合成器。手工制作,只有少量售出,因此非常难得。这台设备是Vince Clarke在制作Erasure专辑时赠予Martyn的报酬。它展示了Martyn惊人的编程才能,让我们能够重新体验那些伟大的The Human League和Heaven 17的声音。除了合成器、主音、流行音和贝斯外,还有一些极好的序列,值得一试!
经典定制声音
在这里,我们可以欣赏到Martyn的技术如何随着后期版本Roland键盘功能集的扩展而演变。一本由大师制作的经典定制声音选集!
鼓声和奇趣音效
Martyn还从他的老朋友Korg 700中提取了一些出色的鼓声和奇趣音效。Korg 700拥有独特的声音,带我们回到英国流行音乐的新纪元。
Spitfire变形部门
除了这些来自Martyn的精彩“原声”之外,屡获殊荣的Spitfire团队再次出击,将这些声音变形和扭曲,创造出受Martyn作品启发的令人难以忘怀、激烈和庞大的新作品,为您提供真正鼓舞人心且全面的合成器工具集。
特点
N.I.C.内采样的所有合成器均为单声道。但我们费心复制了这一单声道信号,并通过一系列有趣的信号链使用A级复古外置设备进行处理。
- M – 麦克风 – 直接从System 100扬声器近距离录音。
- A – 放大 – 通过一个优质的Marshall放大器,使其“坐稳”。
- Ch – 合唱 – 我们特地从日本运来了一台Roland Dimension D!我们认为这是给模拟合成器制造立体声的最佳方式!
- Sp – 弹簧 – 从复古Telefunken弹簧单元返回的混响。
- DI – 直接注入 – 通过最好的NEVE线路放大器直接从键盘输出录音。每种乐器加载时,都会首先激活这个功能。
A true pioneer and founding member of trailblazing acts The Human League and Heaven 17 creates and produces an exclusive selection of classic analogue synth and drum sounds from his collection of rarefied electronic delights.
Synths include Roland System 100, Jupiter 8 and Korg 700 with warped versions produced by award winning composers and producers.
Overview
With over 270 delectable presets, some with up to 5 distinctly different mixable signal paths this library is broad selection of synth and drums sounds that chart the very beginnings of UK electronica and synthesizer pop which were to influence heavily the burgeoning “electro” subset of the NY hip hop scene led by the likes of Afrika Bambaataa in the late seventies and early eighties. With a huge selection of pads, leads, pops, drums, fx, amazing tempo locked sequences and curios designed by hand, by the man himself plus a comprehensive selection of warped versions, sound designed by top award winning composers and producers. All presented in “super mono” to give you a selection of channels processed via vintage class-a analogue outboard processing.
Background
Martyn Ware has been an essential and avid contributor to electro-pop music since the late 1970’s, and is partly responsible for such hit records as ‘Being Boiled’ and ‘Temptation’. As well as being a founding member of British Electric Foundation, The Human League and Heaven 17. Martyn has worked with a myriad of talent including Tina Turner, Chaka Khan, Erasure, Marc Almond, Mavis Stapes and Terence Trent D’Arby. As a record producer and artist, Martyn has featured on recordings totalling over 50 million sales worldwide. In 2001, Martyn joined forces with Vince Clarke to found Illustrious Company, and together they continue to combine their unique three-dimensional sound technology to collaborate with an array of artists, corporate clients and clientele within the performing arts industry.Although a proud Sheffield native, Martyn now lives and works in London, and can be found acting as Visiting Professor for Queen Mary College at the University of London when not working away in his studio based, like us, at Tileyard.
Synths and sequences
The Roland System 100 is often said to be the last great synth with the last great pair of oscillators. Hand made only a few units were sold so they’re incredibly hard to come by. This particular unit was gifted to Martyn by Vince Clarke in return for services rendered producing an Erasure album. It plays host to Martyn’s staggering programming prowess and allows us to revisit all those great Human League and Heaven 17 sounds. Alongside, synths, leads, pops, and basses are some great sequences which are worth the price of admission alone!
Classic custom sounds
Here we enjoy hearing how Martyn’s techniques evolved alongside growing feature-sets of later incarnations of Roland keyboards. An anthology of classic custom sounds made by the master!
Drums and Curios
Martyn has also plumbed his old faithful for some great drum sounds and curiosities. The Korg 700 has a sound all of it’s very own and casts our mind back to the dawning of a new age for pop in the UK.
The Spitfire Morphing department
In addition to these wonderful “originals” from Martyn the award winning Spitfire team has been at it again morphing and mangling the sounds to create haunting, biting and enormous new creations inspired by Martyn’s work. Giving you a truly inspiring and comprehensive set of synthesizer tools.
Features
All the synthesizers sampled within N.I.C. are monophonic. But we have taken pains to duplicate this mono signal and send through a number of different interesting signal chains using Class-A vintage outboard processing.
– M – Mic – Direct and close from the System 100 speakers.
– A – Amped – Into a fine Marshall amplifier so it just “sits”.
– Ch – Chorus – We had a Roland Dimension D shipped from Japan just for this library! We feel it’s the best way to stereoficate an analogue synth!
– Sp – Spring – A Reverb return from a vintage Telefunken Spring unit.
– DI – Direct Inject – Recorded via the finest NEVE line amps direct from the output of the keyboard. Every instrument loads with this activated in the first instance.The Mercury Synth
This ingenious user interface features a range of organic sounds and specially curated warped sounds. All of the controls are assignable to your control surface, giving you the ability to instantly make our sounds your own.
Drums & weird
Antichrist storm
Boiled loop
Boiled rhythm
Boiled
Drums part1
Drums part2
Good machine
Mad sounds
Radio static
Resonant perc
Storm
Weird 2
White hit of space
Wind
Jupiter 8
B3ishlong
B3ishshort
Drillbell
Fanfare for the common mouse
Fathoming the opera
Fifth rise
Forling
Galacticus
Gentle transient
Glassing philip
Low 01
Low 02
Low res sweep 02
Low res sweep
Rising falling
Sciatic nervousness
Shimmering
Step into my lab
Terminate her bass
The shorter wayne
Whaling singer
Wobbly bottom
Wobbly hi
Wobbly mid
Wow bass short
Wow bass
System 100 basses
Bass 01
Bass 02
Bass 03
Bass 04
Bass 05
Bass 06
Bass 07
Bass 08
Bass 09
Bass 10
Bass 11
Bass 12
Bass 13
Bass 14
Bass 15
Bass 16
Bass 17
Bass 18
Bass 19
Bass 20
System 100 FX
FX – Gunshot
FX – Noise
System 100 presets
Good vibes man
Timpani
Voice
Weow
Wow vocal
System 100 Sequences
Seq01 80BPM
Seq01 120BPM
Seq01 160BPM
Seq02 80BPM
Seq02 120BPM
Seq02 160BPM
Seq03 80BPM
Seq03 120BPM
Seq03 160BPM
Seq04 80BPM
Seq04 120BPM
Seq04 160BPM
Seq05 80BPM
Seq05 120BPM
Seq05 160BPM
Seq06 80BPM
Seq06 120BPM
Seq06 160BPM
Seq07 80BPM
Seq07 120BPM
Seq07 160BPM
Seq08 80BPM
Seq08 120BPM
Seq08 160BPM
Seq09 80BPM
Seq09 120BPM
Seq09 160BPM
Seq10 80BPM
Seq10 120BPM
Seq10 160BPM
Seq11 80BPM
Seq11 120BPM
Seq11 160BPM
Seq12 80BPM
Seq12 120BPM
Seq12 160BPM
Seq13 80BPM
Seq13 120BPM
Seq13 160BPM
System 100 Sustains
Alternate universe
East accord
Nail sizzles
Zuul
System 100 Synths
Carrier wave
Cold turkey
Drop scraper
Electracord
Filtered chops
Future chorale
Glassware
Insist
Manic minor 3rd
Perl diver
Pierced eardrums
Pop quack
Popglass
Popkorn
Popsoft
Popstacc
Poptubez
Questions
Rev chip tube
Saw you
Thick thruster
Wobulator
Warped content
80’s moody movies with mel gibson
A mind of its own
Acid rain
Amazing sub pad 1
Amazing sub pad 2
Baroque ostinato
Big ol’ filterdown 1
Big ol’ filterdown 2
Bright moments
Bright waves euro pad
Bronx electro pop 1
Bronx electro pop 2
Bronx electro pop 3
Bumblebass
Celestachord 1
Celestachord 2
Celestachord 3
Chorus
Clarion
Dalek dance
Dark distant alien call signal
Deep yah yeah lead
Delayed gratification
Detuned anthem slow chords
Distance pad
Distance
Distant reflections
Distant surf guitars
Early synth pop 1
Early synth pop 2
Early synth pop 3
Early synth pop 4
Early synth pop 5
End of days pad
Enormo chords
Enormodrone good bottom
Extraordinary dark pad
Fairy bubbles
Filling remover
Frozen tundra
Ghosts – single utterance 2
Ghosts – single utterance
Grand spread chords
Granulated shoulder
Harp interferance
Harpsichimes (mw=lpf)
Harpsicode
Harpsitrem
Hellfire
High string ostinato 2
High string ostinato 3
High string ostinato
Home made synth 1
Home made synth 2
Home made synth 3
Home made synth 4
Home made synth clavirimba 2
Home made synth clavirimba
Home made synth xylophone
Malfunction
Massive slide bass (mw=lpf)
Metallic harpsichord
Metallic screamer
Metallirysm
Minor triad staccato
Muted choir
Numan lead good with big 8ve jumps
Ostinato interferance
Passing moment 1
Passing moment 2
Pebbles in an ice canyon 2
Pebbles in an ice canyon
Pizzichord (mw=length)
Pizzicore 2 (mw=hpf)
Pizzicore
Pizzomnia (mw=length)
Powerdown
Primitive fuzz bass
Primitive harpsichord
Primitive pianochord
Pure triangle pad
Queasy muffler
Rain drops
Really sht guitar sound
Reflections pad
Reflective 80s clav
Resowaves
Revolutions pad
Rude celestachord
Scary harpsorgan
Scary wet pop
Shock pluckster
Slide dist bass (mw=lpf)
Sonar concerto
Sonar drops
Sonar pad high
Sonar pad low
Sonar symphony
Sophistipop
Squelch pop
Startup
Stomach pulser
Strident chords
Strident string chords 1
Strident string chords 2
Strings legato – staccato swap
Swept away
Synth chimes 1
Synth chimes 2
System overload
Tear drops
Tearful pad
Terraforming
The smurf pop
Triad staccato
Tunoid pop 1
Tunoid pop 2
Tunoid pop 3
Tunoid pop 4
Unpleasant pasture
Uplifting droplet pad
Vibrant waves
Waves of distant 80’s digital guitars
Warped basses
Big bass
Clown funk bass
Cute fuzz bass
Cute fuzz
Delayed reaction bass (mw=length)
Delayed reaction bass 2 (mw=length)
Demonic timpani bass
Full bandwidth bass
Junk bass
Junk subb bass
Metallic bender bass
Primitive fuzz bass
Punch bass (mw=lpf)
Saturated bender bass
Triangle punch bass 1
Triangle punch bass 2
Vowel bass
Kontakt Full 5.6.8 or higher required!