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COLOSSAL HYBRID SYNTH.
巨大的混合合成器。

A once in a lifetime collection of electronic sounds derived, warped and re-birthed from Spitfire’s enormous and highly valued collection of orchestral sample recordings…
这是一个一生一次的电子声音收集,从喷火的巨大和高度价值的管弦乐样本录音的收集,扭曲和再生…

the first phase in our e.D.N.A. (ELECTRONIC DNA) project, creating the next generation of sound-ware for the next generation of electronic sound-smiths.
这是我们电子DNA项目的第一阶段,为下一代的电子声音工匠创造下一代的声音设备。

Phase #1 ‘EARTH’ is a collection of 1900+ basic instruments mangled into 1001 custom patches by our award winning team of composers, sound-smiths, producers and engineers into a collection of play-out-of-the-box “cartridges”.
Phase #1“EARTH”是由我们获奖的作曲家、音效师、制作人和工程师组成的团队,将1900多件基本乐器组合成1001个定制补丁,并将它们组合成一个“盒装游戏”的集合。

Load up eDNA, with an award winning interface, slam in a cartridge and play play play.
加载eDNA,与获奖界面,slam在墨盒和发挥发挥。

Such is the depth of content here that if you were to play each sound for 30 seconds, it would take you exactly 24 hours to listen to every instrument and patch…
这里的内容深度是这样的,如果你要播放每个声音30秒,那么你需要整整24小时来听每一种乐器和补丁……

And that’s without fag and loo breaks.
而且还不包括抽烟和上厕所。

We’re not ambulance chasing here, this is not about the music of now, of yesterday, this is a new chapter, a new sonic arsenal.
我们不是在追救护车,这不是关于现在和昨天的音乐,这是一个新的篇章,一个新的音波军火库。

► BACKGROUND
►背景

Included with the EARTH pack are 1900+ and 1001 custom patches that spring out of the box and bite.
地球包包括1900+和1001个自定义补丁,跳出盒子和咬。

STEP 1 – ORE
第一步:矿石

We have been recording the finest orchestral players for seven years now.
我们给最好的管弦乐演奏者录音已经有七年了。

We have been practising our craft in the creation of the finest strings, brass, woodwinds and percussion libraries.
我们一直在练习我们的工艺在创造最好的弦,铜管,木管和打击乐器库。

But throughout this period, we have also been harbouring a darker ambition.
但在此期间,我们也一直怀有更阴暗的野心。

As many of us here at Spitfire come from the first wave of UK EDM in the 90’s we have hungered to get our hands on these awesome sounds for our own ill gotten gains.
在Spitfire,我们中的许多人都是90年代英国EDM的第一批人,我们渴望得到这些美妙的声音,为我们自己的不义之财。

For the last seven years there has been a secret hard drive, a depository of the best of these orchestral recordings saved to create the ultimate raw material, the ultimate ore, a set of polished diamonds waiting to be roughed up all over again.
在过去的七年里,有一个秘密的硬盘驱动器,一个存放这些最好的管弦乐唱片的仓库用来制造终极原料,终极矿石,一套打磨过的钻石等着被重新打磨。

STEP 2 – WARP STAGE
第2步-扭曲阶段

For the last 5 years we have been experimenting with orchestral warping and many of these early attempts have been enjoyed by a large group of users using the beautiful and sometimes downright dirty “Stephenson’s Steam Band” sections of our Albion range.
在过去的5年里,我们一直在尝试管弦乐的扭曲,许多早期的尝试都得到了大量用户的喜爱,他们使用了我们Albion系列中漂亮的,有时甚至是肮脏的“Stephenson’s Steam Band”部分。

In these early years we set about finding the most rarefied analogue outboard equipment, synths, filters, gates, verbs, and also commissioned and created a rare set of bespoke digital signal paths.
在早期的几年里,我们开始寻找最稀有的模拟外置设备、合成器、滤波器、门、动词,并委托并创建了一套罕见的定制数字信号路径。

At regular points over the last few years we have taken our secret drive out of it’s secret cupboard, pulled the sounds up and fed them through these multi stage signal paths.
在过去的几年里,我们经常把我们的秘密驱动器从它的秘密柜子里拿出来,把声音拉出来,通过这些多级信号通路把它们传输出去。

We often left it simmering overnight, creating the most delicious and sometimes just ‘wrong’ set of sounds.
我们经常让它在火上炖一夜,做出最美味的,有时只是“错误”的声音。

STEP 3 – SOUND SETS to SOUND BANKS
步骤3 -声音设置到声音银行

During the warp stage we created well over a terabyte of data.
在翘曲阶段,我们创造了超过1tb的数据。

Needing to cut this down to a reasonable size, the Spitfire team of multi award winning composers, producers, techs and engineers set about pairing this down to the very best of the best.
为了将其缩减到一个合理的规模,《Spitfire》团队开始将其组合成最优秀的作品,该团队由多名获奖作曲家、制作人、技术人员和工程师组成。

From this we created a set of multi-sampled Sound-Sets.
由此,我们创建了一组多采样的声音集。

The very building blocks of ‘Earth’ itself.
“地球”本身的基石。

These were then organised by sound-type into manageable Sound-Banks.
然后将这些资产按健全类型组织成可管理的健全银行。

STEP 4 – THE e.D.N.A. ENGINE
步骤4 -脱氧核糖核酸引擎

Over the last seven years Spitfire – in partnership with Blake Robinson – have been creating intuitive and ingenious scripts, simple to use GUIs and attractive front ends.
在过去的七年里,Spitfire与Blake Robinson合作,创造了直观而巧妙的脚本,简单易用的gui和有吸引力的前端。

A year ago, we wiped the script clean and set about creating a monster of a new script engine.
一年前,我们清理了脚本,并开始创建一个新的脚本引擎。

This we call eDNA.
我们称之为eDNA。

With more details to follow, we will show how the sound sets and banks of ‘Earth’ can be used in conjunction with the eDNA engine to quickly, dramatically and awesomely customise sounds beyond recognition.
随着更多的细节跟随,我们将展示如何声音集和银行的“地球”可以使用结合eDNA引擎快速,戏剧性和令人惊叹的定制声音超越识别。

STEP 5 – SADISTIC SOUNDSMITHS
第五步:虐待成性的音响师

Once the sound banks were implanted into eDNA, we distributed ‘Earth – Beta’ around our state-of-the-art complex in Central London, UK.
一旦声音银行被植入到eDNA中,我们将“地球-贝塔”分布在我们位于英国伦敦市中心的最先进的综合体周围。

Spitfire is a team of award winning composers, producers, track makers, and engineers.
Spitfire是一个由屡获殊荣的作曲家、制作人、音轨制作者和工程师组成的团队。

Using this pedigree, we have created a jaw dropping number of the original, haunting, beautiful, epic, angry, fat and down-right unpleasant sounds.
使用这个谱系,我们已经创造了一个原始的,令人难忘的,美丽的,史诗的,愤怒的,肥胖的和完全不愉快的声音令人瞠目。

We ignored the zeitgeist, we ignored what’s been before and just set about creating something new.
我们忽略了时代精神,我们忽略了以前的东西,只是开始创造一些新的东西。

With eDNA’s delightful GUI, this uncharted territory of new sonic experimentation is one knob or slider away from making it your own.
有了eDNA令人愉快的GUI,这个未知的领域的新声音实验是一个旋钮或滑块远离使它自己。

Or simply start from the “vanilla” sound-banks, roll your sleeves up and give eDNA a tickle.
或者简单地从“香草”音库开始,卷起你的袖子,给eDNA挠痒痒。

► FEATURES
►特性

1900+ Factory instruments and 1001 custom patches designed by our award winning team.
1900+工厂仪器和1001个定制补丁由我们获奖团队设计。

Organised into virtual cartridges, slam one in and play play play!
组织成虚拟卡带,slam one in and play play!

Imagine the eDNA engine as a set of two turntables and a massively complex DJ mixer.
把eDNA引擎想象成一套由两个唱机转盘和一个非常复杂的DJ混音器组成的组合。

It contains two sound bays with individual and independent modulators, control of trim, bend, glide, cloning, tuning, ADSR and lpfs and hpfs and wobbles that modulate pitch, volume and filters.
它包含两个独立和独立调制器的声音海湾,控制修剪,弯曲,滑翔,克隆,调谐,ADSR和lpfs和hpfs和抖动调制音调,音量和滤波器。

There is an onboard gate sequencer that allows independent gating between these two bays and unified control of amount, and shape, speed and length of sequence.
有一个板载门程序,允许独立的门之间的这两个海湾和统一的控制数量,形状,速度和序列长度。

These two signals are then at last unified with a DJ style x-fader.
这两个信号最后统一为DJ风格的x-fader。

Move between the sounds with the mouse or the factory-default assigned modulation wheel.
用鼠标或工厂默认分配的调制轮在声音之间移动。

But it doesn’t stop there.
但它还不止于此。

We’ve designed a custom script that oscillates the x-fader automatically with control over speed and phase.
我们已经设计了一个自定义脚本,x-fader自动振荡控制速度和相位。

Last but not least is eDNA’s five stage FX path with 34 custom plugins (including a bunch of bespoke IRs) pre-loaded.
最后但并非最不重要的是eDNA的五个阶段的FX路径,预先加载了34个定制插件(包括一些定制的IRs)。

There are two “layer fx” stages that effect sound A or B. A “motorised” FX stage that can either effect A, B or both.
有两个“图层特效”阶段可以产生声音A或B的效果。一个“机动化”的特效阶段可以同时产生声音A或B的效果。

A master FX stage that effects the entire output.
一个主FX舞台,影响整个输出。

Finally an auxilliary FX stage that can be sent via the layers or master FX stage.
最后一个辅助FX阶段,可以通过图层或主FX阶段发送。

Any parameter of these can be assigned for automation or assignment to your controller.
这些参数中的任何一个都可以分配给自动化或分配给控制器。

See this diagram to understand eDNA’s signal patch more fully:
看这张图可以更全面地理解eDNA的信号补丁:

WELCOME TO THE WONDERFUL WORLD OF THE eDNA ‘CARTRIDGE’
欢迎来到eDNA“墨盒”的奇妙世界

“Earth” is an anthology of 1900+ vanilla instruments and 1001 custom patches in our ‘artist’ collections.
“地球”是我们的“艺术家”收藏中1900+香草乐器和1001个定制补丁的选集。

If you were to spend no more than 30 second listening to every sound on Earth (excuse pun) it would take you 24 hours of solid listening, without fag or loo breaks.
如果你花不超过30秒的时间去听地球上的每一种声音(借口双关语),那么你就得花上24小时的时间去认真听,而不需要抽烟或上厕所。

To make sense of this awesome arsenal of sonic weaponry we’ve organise everything into cartridges.
为了弄清楚这些令人敬畏的音波武器,我们把所有东西都组织成弹壳。

With the artists we have briefed them on a sonic “style” with our factory cartridges we have largely organised by type of sound and have released our first “best of” compiled by Christian Henson the chief curator on the Earth project.
与艺术家们一起,我们向他们简要介绍了我们的工厂墨盒的声音“风格”,我们很大程度上按照声音的类型进行了组织,并发布了由地球项目首席策展人克里斯蒂安·汉森(Christian Henson)汇编的第一份“最佳作品”。

v1.1
v1.1

ADDED: Faster options for the oscillator
增加:更快的振荡器选项

ADDED: Ability to scale oscillator directions using the smaller sliders to its left/right
添加:能力缩放振荡器方向使用较小的滑块到它的左/右

ADDED: Users can now pick the oscillator envelope shape
用户现在可以选择振荡器的外壳形状

ADDED: New Wheelspin cartridge available
新增:新的轮旋弹药可用

UPDATE: Star rating system added to allow users to rate sounds 1-5
更新:增加了星级评级系统,允许用户对声音评级1-5

FIXED: IR browser now selected IRs correctl
修正:IR浏览器现在选择IRs correctl

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