Spitfire Audio Orchestral Grand Piano v2.1 [KONTAKT]

At last, a grand piano that actually sounds like it’s in the same room as your orchestra.
终于有了一架三角钢琴，听起来就像和你的乐队在同一个房间里。

Recorded in the world famous Hall at AIR Studios where we recorded our Symphonic and Chamber ranges, this exquisite Steinway Model D concert grand piano is designed to fit perfectly with our symphonic and chamber ranges.
这架精致的施坦威D型音乐会三角钢琴被设计成完美地适合我们的交响乐和室内乐范围。

A classic, versatile instrument ideal as a concerto style lead, while also perfect for adding texture to your scores.
一个经典的，多才多艺的乐器理想作为协奏曲风格的领导，同时也完美地添加纹理到你的分数。

EXPAND YOUR SYMPHONIC PALETTE
扩展你的交响乐调色板

Orchestral Grand Piano gives you a realistic contextual piano, designed specifically to fit within your full orchestral arrangements.
管弦乐大钢琴给你一个现实的背景钢琴，专门设计适合你的完整的管弦乐安排。

The piano has been expertly recorded in The Hall at AIR Studios, one of the greatest studios in the world, and the same space as our Symphonic and Chamber libraries.
这架钢琴在AIR录音室的大厅里被熟练地录制，AIR录音室是世界上最伟大的录音室之一，与我们的交响乐和室内乐图书馆相同的空间。

When blended it will sound like it is among the orchestra, impossible to recreate by taking a close mic’d piano and adding reverb.
当混音时，它听起来就像在管弦乐队中，不可能通过靠近麦克风的钢琴加上混响来重现。

Pianos tend to be recorded in a very scientific manner which is why, for larger orchestral mockups and realisations, they can often be very difficult to blend in and mix.
钢琴倾向于以一种非常科学的方式录制，这就是为什么，对于更大的管弦乐模型和实现，他们往往很难融入和混合。

To overcome this hurdle, we simply recorded the piano as we have the rest of our modules, with mics placed as they would be for any orchestral session.
为了克服这个障碍，我们简单地录制了钢琴，就像我们的其他模块一样，麦克风被放置在任何管弦乐会议。

The end result is a piano sounding as it would for any of the great film scores recorded at AIR Studios.
最终的结果是一个钢琴的声音，就像它将为任何伟大的电影乐谱录制在AIR工作室。

FEATURES
特性

Every note was recorded by AIR Studios’ expert resident engineer Jake Jackson using an array of priceless vintage microphones via Neve “Montserrat” pre-amps and a beautifully serviced Studer 2” tape machine, then into digital at 96k via the best Prism AD converters.
每一个音符都是由AIR工作室的驻场工程师Jake Jackson用一系列无价的古董麦克风通过Neve“Montserrat”前置放大器和一个保养得很好的Studer 2”磁带机录制的，然后通过最好的Prism AD转换器转换成96000的数字。

The library is presented with four microphone positions which you can not only mix and blend to fit the application you’re working on, but also automate for dramatic shifts in focus and depth.
该库提供了四个麦克风位置，您不仅可以混合和混合，以适应您正在工作的应用程序，但也自动戏剧性的焦点和深度的转换。

They’re also fully output assignable for surround and 5.1 use.
它们也完全输出可分配环绕和5.1使用。

The library was recorded both to Tape and Digital at the same time, so you have the option to switch between the rounder, fuller tone of the Tape source, or the slightly brighter, more brittle sound of the Digital source.
库是同时录制到Tape和Digital的，所以你可以选择在更圆润、更饱满的Tape源音和稍亮、更脆的Digital源音之间切换。

SPECIFICATIONS:
规格:

4 Round Robins, 1 Dynamic Layer!.
4轮知更鸟，1动态层!

Size: 3.29 GB ncw, 7.29GB WAV.
尺寸:3.29 GB ncw, 7.29GB WAV。

REQUIRES A FULL COPY OF KONTAKT 4 OR 5 TO RUN.
需要一个完整的kontakt 4或5的副本来运行。

v2.1 (June 2019)
v2 .(2019年6月)

– FIXED: [PB-250] – Tape Sample Starts Timing
固定:[PB-250] -磁带样品开始计时

– FIXED: [PB-473] – Controllers Inactive
-修正:[PB-473] -控制器无效

v2.0 (March 2014)
v2.0(2014年3月)

– ADDED: New Mic Mixer presets functionality.
新增:新的麦克风混音器预设功能。

Copy/Paste mic settings between open patches or save them as NKA presets.
复制/粘贴麦克风设置之间打开补丁或保存他们为NKA预设。

– ADDED: Velocity response option to the mixer menu (switch between linear, shelf, exponential and logarithmic).
-增加:速度响应选项的混合器菜单(切换之间的线性，货架，指数和对数)。

– ADDED: New articulation switcher system from the latest BML codebase.
-增加:从最新的BML代码库新的铰接切换系统。

– ADDED: Ability to select and layer multiple instruments at once by holding SHIFT when clicking the instrument icon.
-增加:能力选择和层多个仪器一次按住SHIFT点击仪器图标。

– ADDED: COG is now part of the main patches
-补充:COG现在是主补丁的一部分

– ADDED: Harp updated to use UACC v2 (see http://spitfire-webassets.s3.amazonaws.com/pdfs/UACCv2spec.pdf for details)
新增:竖琴升级到使用UACCv2(详见http://spitfire-webassets.s3.amazonaws.com/pdfs/UACCv2spec.pdf)

– ADDED: When in UACC mode, the UACC CC# is shown for reference
-添加:当在UACC模式，UACC CC#显示供参考

– ADDED: UACC KS functionality added to switch articulations via velocity
-增加:UACC KS功能添加到切换关节通过速度

– UPDATE: Keyswitches moved to the bottom of the keyboard and made consistent in each section
-更新:按键开关移动到键盘的底部，并使每个部分一致

– UPDATE: Performance improvements under the hood.
-更新:引擎盖下的性能改进。

– UPDATE: Completely reprogrammed dynamics and release logic
更新:完全重新编程的动态和释放逻辑

– FIX: Changing MIDI channel reinitialises CC sliders so that release samples do not disappear
修正:改变MIDI通道重新初始化CC滑块，以便释放样本不消失

– FIX: Loading a patch on MIDI channel ‘Omni’ correctly initialises CC sliders
修正:加载MIDI通道’Omni’的补丁正确初始化CC滑块