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欧洲联合弦乐团

欧洲联合弦乐团是一支总部位于伦敦的乐团，由来自欧盟和瑞士的年轻专业音乐家组成，旨在促进最高水平的音乐和文化合作。

第二小提琴 – 超过14GB的内容

  • 七种麦克风位置再现电影配乐的设置，因此您可以根据个人口味打造自己的声音。独立的话筒可以用于模拟分奏。
  • 在世界知名的卡多根音乐厅录制。
  • 超过22,000个样本。
  • 多种真实连奏集，包括普通连奏和滑音连奏，在不同的动态下（可以用MIDI CC1交叉渐变）。
  • 7次循环的断奏、拨弦和跳弓/弹弓，乘以多个动态层。
  • 颤音、泛音和颤音音阶。

为什么我需要第一小提琴和第二小提琴？

这是一个非常好且有效的问题，很多人都这样问过！

经过几个世纪的完善，乐团的完美平衡和广受追捧的声音已经形成。为了用样本捕捉这种声美，每个部分必须被精心捕捉……多个演奏者，每个都有不同的乐器，略微不同的音色，微妙的调音差异，颤音差异，以及在立体声/声音场中的不同位置。

将USE的第一小提琴和第二小提琴结合到您的调色板中，可以获得这种美丽、丰富的乐器协同效果……这是通过层叠多轨的第一小提琴无法实现的，至少会导致相位问题，更重要的是，会使您的音乐无法达到其全部潜力和深度。

对于欧洲联合弦乐团来说，第二小提琴尤为重要，因为——忠实于USE的演奏方式（以及很多配乐音乐的录制方式）——第二小提琴实际上坐在指挥的右侧，而第一小提琴在左侧。这种方式录制很多配乐是很常见的，并且有一个好处，就是低音提琴坐在中间靠后的位置（您希望曲中的低音在中间！）

除此之外——从纯粹的音乐/表演角度来看——第二小提琴的每一个音符都是不同于第一小提琴的新表演……每一个音符都有略微不同的意图、情感和音乐性。结合和编排两个部分的音乐将大大提高您的音乐深度。

The

United Strings of Europe

is a London-based ensemble made up of young professionals from across the European Union and Switzerland with the goal of promoting musical and cultural cooperation at the highest level.

SECOND VIOLINS – Over 14GB of content

SEVEN microphone positions replicating a film scoring setup, so you can craft your own sound to taste. Separate desk spot mics can be used to simulate divisi.

Recorded at the world-renowned Cadogan Hall

Over 22,000 samples+

Multiple TRUE LEGATO sets including normal and portamento, at different dynamics (cross-fade-able with MIDI CC1)

7RR Staccato, Pizzicato and Sautille/Spiccato multiplied by multiple dynamic layers

Tremolo, Harmonics and Trills

Why do I need the First and Second Violins?

This is a very good and valid question, rightly asked by many of you!

The perfect balance and hugely sought after sound of the orchestra has been refined over centuries. In order to capture this sonic beauty with samples, each section must be meticulously captured… multiple players, each with different instruments, slightly different timbre, subtle differences in tuning, vibrato and seated in different positions in the stereo/sonic field.

Combining the USE first and second violins in your palette allows access to this beautiful, lush synergy of instruments… something not possible by layering multiple tracks of first violins, which at the very least, can cause phase problems, but more importantly, withhold your music from its full potential and depth.

With the United Strings of Europe, the second violins are particularly important, as – faithful to how the USE play (and similar to how a lot of score music is recorded) – the second violins actually sit to the right of the conductor, with first violins opposite on the left. It’s common for many scores to be recorded this way, and has the benefit of basses sitting in the middle at the back (you want the bass in your track in the middle!)

On top of all this, – from a plainly musical/performance perspective – every single note in the second violins is a different and new performance to the first violins… Every note has slightly different intention, emotion and musicality. Combining and orchestrating with both sections will raise the depth of your music several-fold.

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