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优美、可立即演奏的交响弦乐纹理

作曲家们总是被要求创作出有意义的音乐,既能在对话中轻松自如,又不会转移对场景的注意力。我们的 Evo Grid 技术以易于使用的演化引擎为基础,可让您从最简单的编曲中创作并演奏出引人入胜、复杂而富有情感的音乐。Spitfire Symphonic Strings Evolutions 将这一概念与在传奇的 Air Studios 录制的交响乐规模的弦乐声部的庄严结合在一起。

作为一款分层工具,它能以优雅、现代和前卫的管弦乐技巧为静态编曲注入活力,还能解决媒体创作中的一个难点:从一种状态到另一种状态的有效渐进过渡。动手操作的网格和无穷无尽的纹理层,让这款灵感迸发、灵活多变、触感极佳的弦乐库成为你的必备之选。

Evo Grid 与交响弦乐的结合

通过 Evo Grid 1 和 Evo Grid 2,我们向世界展示了一种全新的长弦乐衔接方式。通过在整个键盘音域录制一些随时间变化或变异的超长音符,并允许将不同的演化(或 Evos)分配到不同的音域,Spitfire 创造了一种全新的方式,让一流的作曲家可以创造出深远的最终效果;这是一种可玩性极高的乐器,可以在演奏时动态地塑造,是您在面对几乎不可能完成的任务时的完美工具。

通过引入 “骰子功能”,对声音进行分类,使不同的 Evos 可以在键盘上随机排列,Spitfire 还发现了一种方法,可以在任何单一实例中提供几乎无限的排列组合。从波光粼粼的起伏之美,到渐进而无情的紧张气氛,通过掷骰子,你会发现一种与以往完全不同的乐器。此外,还可在参数范围内进行随机调整,使其更偏向于 “优美 ”或 “恐怖 ”等。

震撼的弦乐音效

当你想让你的采样听起来像真的一样时,你会怎么做?去真正录制乐谱的地方,使用相同的演奏者和人员。

这首歌曲是在《喷火交响弦乐》的同一次录音过程中录制的,由 60 位明星演奏家演奏:16 把第一小提琴、14 把第二小提琴、12 把中提琴、10 把大提琴和 8 把低音提琴;他们都是从伦敦最好的管弦乐队中精挑细选出来的。本曲库演奏由当代著名音乐会作曲家本-福斯凯特(Ben Foskett)配器的 48 首《埃沃斯》(Evos),曲目丰富,既有优美动听的交响乐弦乐部分,也有紧张刺激的交响乐弦乐部分;所有乐曲均在现场演奏,如同在乐谱会议上演奏一样。由于每首 Evos 都可在多个音域演奏,因此几乎有无限多的交响弦乐组合和纹理层次可供创作。

在 Air Studios 的大厅中,使用与主要乐谱相同的设备进行录音,其效果充满情感和音乐性。通过 2 英寸 Studer 磁带机以 96kHz 的频率进行数字录音,并使用无价的阀门式和带状话筒、Neve Montserrat 前置放大器和 Neve 88R 录音台;在此不惜工本。

埃沃流程

1. 编排一系列 Evo(随时间变化的超长音符)
2. 将这些音符从低音区录制到高音区
3. 重复不同的 Evos
4. 每个 Evo 放在 Evo 网格的一列,每行代表一个音高范围(即 x = Evo,y = 音高范围) 5.
5. 通过激活 Evo 网格上的 “挂钩”,选择哪个 Evo 位于哪个音域(当演奏或编程一个音符时,会触发挂钩在该音域的 Evo) 6.
6. 您不必自己选择音栓,可使用骰子功能随机选择,该功能可提供多个标准供您选择
7. 请务必保存,因为可能的组合几乎无穷无尽
埃沃网格

Evo Grid 以 EMS VCS3 合成器为基础,这个非凡而独特的界面允许即时满足和自定义。只需点击一两下,你就能获得完全独一无二的灵感。滚动 Evo 网格,发现并激活不可见的 Evo。平移和调整每个 Evo,实现完美融合。打入或打出 3 种有用的调制器和效果。通过前面板混合话筒位置。

概览面板

这是旋律乐器的主界面。其默认视图显示所有可用的演奏技巧,有一个简单的麦克风混音器,并包括主要功能控制器。

Beautiful, instantly playable symphonic string textures

Composers are forever being asked to make meaningful music that sits easily under dialogue without diverting attention away from the scene. Our Evo Grid technology, based on an easy-to-use evolution engine, allows you to create and perform engaging, sophisticated and emotional music from the most simplistic of arrangements. Spitfire Symphonic Strings Evolutions marries this concept with the majesty of a symphony-sized string section recorded at the legendary Air Studios.

As a layering tool it can bring static arrangements to life with elegant, modern and progressive orchestral techniques, plus solve one of the harder aspects of media composition: effective gradual transitions from one state to another. The hands-on grid and access to endless amount of textural layers make this inspirational, flexible and tactile string library a must-have.

Evo Grid meets Symphonic Strings

With Evo Grid 1 and Evo Grid 2, we unleashed on the world a totally new way of working with long strings articulations. By recording a number of very long notes that change or mutate over time across the entire range of the keyboard and by allowing different evolutions (or Evos) to be assigned to different registers, Spitfire created a whole new way that A-list composers could create profound end results; a highly playable instrument that can be shaped dynamically as you play, this is the perfect tool for when you’re pushed hard up against those almost impossible deadlines we all face.

By introducing a ‘dice function’ with sounds categorised so that different Evos could be randomised across the keyboard, Spitfire also discovered a way of offering up an almost infinite number of permutations within any single instance. From shimmering and undulating beauty to gradual and relentless building tension, be inspired by rolling the dice to discover a completely different instrument than before. Also, there’s the option to randomise within parameters to lean more towards ‘beauty’, ‘horror’ etc.

Blockbuster sounding strings

What do you do when you want your samples to sound like the real deal? Go to the place where they actually record the scores and use the same players and people.

Recorded during the same session as for Spitfire Symphonic Strings, this features 60 star players: 16 1st violins, 14 2nd violins, 12 violas, 10 cellos & 8 basses; all handpicked from the best orchestras in London. Performing 48 Evos orchestrated by established contemporary concert composer Ben Foskett, this library is rich with both beautiful and tense symphonic string parts; all performed in situ as they would be in a score session. With each of the Evos playable across multiple ranges, an almost infinite amount of symphonic string combinations and textural layers are available for composition.

Captured in the revered acoustic of The Hall at Air Studios, using the same equipment used for the major scores, the result is emotive and musical. Digitally recorded at 96kHz via a 2” Studer tape machine, with priceless valve and ribbon mics, Neve Montserrat pre-amps into a Neve 88R desk; no expense has been spared here.

The Evo process

1. Orchestrate a series of Evos (very long notes that change over time)
2. Record these from low in the register to high up
3. Repeat this for the different Evos
4. Each Evo is placed in one column of the Evo Grid, with each row representing a pitch range (i.e. x = Evo, y = Pitch Range)
5. Select which Evo sits in which range by activating ‘pegs’ on the Evo Grid (when a note is performed or programmed, it triggers the Evos pegged into that range)
6. You needn’t select pegs yourself – randomise with the dice function that gives you several criteria to play with
7. Make sure you save as there are a near infinite number of possible combinations

The Evo Grid

Based on the EMS VCS3 synth, this extraordinary and unique interface allows for instant gratification and customisation. With 1 or 2 clicks, you will be armed with something totally unique and inspiring. Scroll the Evo Grid to discover and activate Evos that are not visible. Pan and tweak each Evo for perfect blending. Punch in or out 3 useful modulators and effects. Mix your mic positions, all from the front panel.

The overview panel

This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.

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