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A detailed, beautiful harp library performed by London’s leading harpist, Skaila Kanga.
一个详细,美丽的竖琴图书馆由伦敦的主要竖琴演奏家Skaila Kanga表演。

Recorded at London’s resonant Hall at Air Studios, it has been ingeniously scripted by Spitfire’s expert team of developers to be instantly playable.
这是在Air Studios伦敦的共鸣大厅录制的,它是由Spitfire的专家开发团队巧妙地编写的,以便即时可玩。

We teamed up with leading virtuoso harpist, Skaila Kanga, to create this beautiful and detailed harp library, recorded in the resonant Hall at Air Studios.
我们与一流的竖琴演奏家Skaila Kanga合作,创建了这个美丽而详细的竖琴库,在空气工作室的共振大厅录制。

Skaila is the first call harpist in London, having played on numerous film scores, such as Die Another Day, Cold Mountain, Batman Begins, The Da Vinci Code, Harry Potter, Chocolat and The Hours, as well as session work for The Beatles, Björk, Elton John and Joni Mitchell.

Coupled with Spitfire’s ability to produce and curate samples that sparkle with life, Spitfire Harp is instantly playable, making it a must have for any sophisticated media composer.

The library features multiple round robins and dynamic layers, presented in an easy to use GUI.

Harp pedalling is available to make it even easier to play your own sweeps and glisses right from the keyboard – you can now set the harp pedals graphically, and just play the white notes.

Alongside a stunning selection of single hit articulations, glisses are playable in every key, in the following scales: major, minor harmonic, minor melodic, pentatonic, diminished, whole tone.

We have recorded full sweeps up and down, fast and slow, split the harp into four registers, and then recorded a swirly gliss, up and down.

In addition, we give you an otherworldly set of ‘Harposphere’ patches – beautiful pads and textures created from our original organic recordings.

Detail & Beauty

We provide a series of detailed mixing options that allow you to dry the sound up or make it more ambient, whilst preserving the acoustic integrity and perspective of a consistent microphone set up and room configuration.

All instruments have the ability to mix and/or mute mic positions from the front panel: Close mics, Decca Tree and Ambient Outriggers.
所有的仪器都有能力从前面板混合和/或静音麦克风的位置:关闭麦克风,Decca树和Ambient Outriggers。

Route the spots into your centre channel, the Tree in L&R, and the Ambients in Ls & Rs, and you also have a perfect 5.0 percussion instrument.
路线到你的中心通道,树在L&R,和环境在Ls & r,你也有一个完美的5.0打击乐器。

Or simply keep in stereo and mix according to taste.

All controls can be fully automated.

The instruments are all sampled in great detail but designed to be instantly playable, with simple integration into larger arrangements and templates without risk of demanding too much from your system resources.

Spitfire’s Definitive Range aims to offer the world a one-stop shop for classic and esoteric instruments played by the greats.

As all these instruments are recorded in situ, in the same room, they’re designed to lock together sonically – recorded by Jake Jackson at Lyndhurst Hall, Air Studios, through an array of vintage microphones via Neve “Montserrat” pre-amps, to a beautifully serviced Studer 2” tape machine and then into digital at 96k via Prism AD converters.
所有这些工具都是记录在原地,在同一个房间里,他们设计的有声的锁在一起,记录下杰克杰克逊在美国大厅,空气工作室,通过一系列通过内弗蒙特塞拉特“前置的麦克风,一个漂亮的瑞士思德利公司服务2”磁带机,然后通过棱镜在96 k数字AD转换器。