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具有丰富谐波的真空管光学限幅器用于音轨和组的平滑光学压缩
Mixland 的 Vac Attack 是一款模拟建模的光学限幅器插件,用于控制单个音轨和组的动态效果。真空管饱和电路可为人声、鼓声、贝司和立体声母线带来和声丰富的温暖感和特性。
基于停产的硬件设备
Vac Attack 基于一款令人垂涎的硬件设备,该设备已于 2020 年停产,但后来身价暴涨。该插件由格莱美获奖混音师 Jesse Ray Ernster 和编码忍者 Eddie Lucciola 共同开发。
关注特性变化,而非响度变化
Vac Attack 提供的增益链接功能可将缩减旋钮的值与增益旋钮的值链接起来。增加应用的增益降低量会导致化妆增益的增加。因此,你可以进行电平匹配的 A/B 比较,并专注于这款光学限制器插件所提供的美妙特性。
听起来自然的非线性增益降低
Vac Attack 采用光学设计,其核心是对光源和光敏电阻的数字模拟。随着插件输入电平的增加,光源会变亮,并使电阻器产生压缩。使用插件的 “膝”(Knee)控制,你可以微调压缩比的应用速度,从而实现有机的非线性增益降低。
高低搁架均衡器,轻松塑造音色
双段推式均衡器具有 J 和 E 两种模式,可让你在应用压缩后塑造音轨的音色。无论你想为低音增添温暖,还是为高音增添光彩,这些均衡器模式都能为你提供所需的灵活性。在 52 Hz (J) 和 230 Hz (E) 之间切换低频推动滤波器的中心频率。此外,还可在 4.4 kHz (J) 和 10 kHz (E) 之间切换高频推动滤波器的中心频率。
利用内置侧链均衡器避免泵效应
Vac Attack 包含一个侧链均衡器,可过滤通过其侧链电路的信号。通过使用高通、钟声和低通滤波器,可以对侧链信号产生各种影响。通过过滤掉那些会在不恰当的时间触发限制器插件的音频材料,就能拨出紧凑、受控的限制信号,而不会产生不必要的抽水效应。
控制电子管饱和度和谐波含量
Vac Attack 的总谐波失真 (THD) 功能可为音频添加一层丰富的谐波,使其具有模拟硬件中的饱满音效。该功能非常适合为无声的数字录音增添特色。巧妙地使用它,可获得轻微的饱和度,或将其调高,可获得更具侵略性的失真音效。
通道链接/取消链接,实现详细的立体声控制
默认情况下,”Vac Attack “会对左右声道施加相同的增益衰减,以保持平衡的立体声图像。如果你正在处理双单声道音频或平衡混音,则可以保持通道链接,以便进行统一处理。在处理左右声道信息差异巨大的立体声文件时,取消声道链接可避免泵效应。
功能特点
平滑的光学压缩
提供温暖、粗犷和特性的真空管
有机非线性增益降低
可影响攻击和释放时间的 Knee
自动补偿增益
两种推动均衡模式: J 和 E
三段侧链均衡器
总谐波失真
左右通道链接/解链
高达 16 倍的超采样
艺术家和用户预置库
可扩展的用户界面
Mixland’s Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
Based on a discontinued hardware unit
Vac Attack is based on a coveted hardware unit that was discontinued in 2020 and has since skyrocketed in value. The plugin was developed by Grammy-award-winning mixer Jesse Ray Ernster and coding ninja Eddie Lucciola.
Focus on changes in character, not changes in loudness
The Gain Link feature provided by Vac Attack links the value of the Reduction knob to the value of the Gain knob. Increasing the amount of gain reduction applied leads to an increase in makeup gain. As a result, you’re able to make level-matched A/B comparisons and focus on the beautiful character provided by this optical limiter plugin.
Non-linear gain reduction that sounds natural
Vac Attack uses an optical design that centers around a digital emulation of a light source and a light-dependent resistor. As the plugin’s input level increases, the light source brightens and causes the resistor to apply compression. Using the plugin’s Knee control, you can fine-tune the rate at which the compression ratio is applied, leading to organic non-linear gain reduction.
High and low shelving EQ for easy tone shaping
A two-band push EQ with two modes, J and E, allows you to shape the tone of your tracks after compression has been applied. Whether you’re looking to add warmth to your lows or sparkle to your highs, these EQ modes provide the flexibility you need. Toggle the center frequency of the LF push filter between 52 Hz (J) and 230 Hz (E). Additionally, toggle the center frequency of the HF push filter between 4.4 kHz (J) and 10 kHz (E).
Avoid pumping effects with a built-in sidechain EQ
Vac Attack includes a sidechain EQ that filters the signal running through its sidechain circuit. Using a high-pass, bell, and low-pass filter, you can affect the sidechain signal in various ways. By filtering out audio material that would otherwise trigger the limiter plugin at inappropriate times, it’s possible to dial in tight and controlled limiting, free of unwanted pumping effects.
Control tube saturation and harmonic content
Vac Attack’s Total Harmonic Distortion (THD) feature adds a layer of harmonic richness to your audio, giving it a fuller sound that’s present within analog hardware. This feature is perfect for adding character to sterile digital recordings. Use it subtly for a touch of saturation, or crank it up for a more aggressive, distorted sound.
Channel linking/unlinking for detailed stereo control
By default, Vac Attack applies equal gain reduction to the left and right channels to maintain a balanced stereo image. If you’re working with dual-mono audio or a balanced mix, channel linking can remain engaged for uniform processing. Unlinking the channels helps you avoid pumping effects when processing stereo files with vastly different left and right channel information.
Features
Smooth optical compression
Vacuum tubes that deliver warmth, grit, and character
Organic non-linear gain reduction
A Knee that affects attack and release times
Automatic makeup gain
Two push EQ modes: J and E
Three-band sidechain EQ
Total harmonic distortion
Left-right channel linking/unlinking
Up to 16x oversampling
Artist and user preset libraries
Scalable user interface