Spitfire Audio The Grange [KONTAKT]

 
Historic Rock Drums.
具有历史意义的岩石鼓。

Spitfire creates rock history with three legendary drummers recorded at one legendary location.
喷火创造了摇滚的历史与三个传奇鼓手记录在一个传奇的地点。

A new benchmark in drum sampling, this is an anthology of playable kits and an exhaustive selection of searing loops all with sympathetic mixing options.
在鼓采样的一个新的基准，这是一个可玩的套件和一个完整的选择的灼热循环都与同情的混合选项。

Spitfire proudly presents three legendary drummers recorded in one legendary location… Headley Grange.
喷火自豪地提出三个传奇鼓手记录在一个传奇的地点…黑德利格兰奇。

Anyone with a modicum of historical rock music knowledge knows that this former Victorian workhouse, a private — some say haunted —
任何对历史摇滚音乐稍有了解的人都知道，这个前维多利亚时代的济贫院是一个私人的——有人说闹鬼——

residence nestled in the heart of England’s rural Hampshire, has played host to some of the most influential Sixties and Seventies recording artists that this country has produced, with fellow Brits Bad Company, Fleetwood Mac, and Genesis all spending some productive time there.
这座位于英格兰汉普郡乡村中心的住宅，曾是英国最具影响力的六七十年代录音艺术家的居所，英国同行Bad Company、Fleetwood Mac和Genesis都在这里度过了富有成果的时光。

This unassuming family home really made its mark on the rock music map with the timely arrival of the legendary Led Zeppelin, who made some remarkable recordings there when writing parts of their eponymous Led Zeppelin III and Led Zeppelin IV albums, as well as their Houses Of The Holy and Physical Graffiti fifth and sixth album followups,
这谦逊的家里真的受到了摇滚音乐地图的及时到达传奇齐柏林飞艇,谁取得了一些显著的录音在写作部分的同名齐柏林飞艇三世和齐柏林飞艇IV专辑,以及他们的房子神圣的和物理的涂鸦第五和第六张专辑跟踪,

between 1970 and 1975.
从1970年到1975年。

Indeed, it was here in 1971 that producer Andy Johns and drummer John Bonham conspired to create what has come to be regarded as the definitive rock drum sound for Led Zeppelin IV closer ‘When The Levee Breaks’.
事实上，1971年，正是在这里，制作人安迪·约翰斯和鼓手约翰·博纳姆共同为齐柏林飞艇4的结尾处“当堤坝决堤”创造了被认为是最权威的摇滚鼓声。

Sampled (early on by British synthpop pioneers Depeche Mode and many more since) and long since imitated on a legion of rock recordings, Roger Taylor of Queen — no stranger to distinguished drumming himself — has described it thusly: “It was the benchmark — the sound that so many people strived for.
采样(由英国早期合成音乐先驱赶时髦和更多),早已模仿众多摇滚唱片,女王的罗杰泰勒-并不陌生,杰出的鼓点自己这么形容它:“这是基准——很多人奋斗的声音。

It just sounded like thunder.
听起来就像打雷。

We were like, ‘Wow!’”.
我们的反应是‘哇!’”

It has been 40 years since the house was used for such thunderous activity so it is with great honour that we, Spitfire Audio were invited in to make one last set of recordings.
自从这栋房子被用于这种雷鸣般的活动已经有40年了，所以我们，Spitfire Audio非常荣幸地被邀请进来做最后一套录音。

With such a historic burden resting on our shoulders we set about assembling the best cast and crew for such an endeavour.
肩负着这样一个历史重任，我们开始集结最优秀的演员和工作人员来完成这项工作。

The Grange is an exhaustively produced drum library that aims to pick up where those legendary bands left off.
《画眉山庄》是一个制作齐全的鼓库，旨在继承那些传奇乐队的遗志。

To see what other legendary drummers would make with the space and their searing talent and to see what new definitive and classic sounds could be made in this hallowed space.
看看其他传奇鼓手会用这个空间和他们炙热的才华做出什么来，看看在这个神圣的空间里能做出什么新的权威的和经典的声音。

We welcome Chad Smith of the Red Hot Chili Peppers, Roger Taylor Of Queen, and dance stalwart Andy Gangadeen whose numerous percussive adventures include work with Massive Attack, Chase & Status, Rudimental and Labrinth.
我们欢迎红辣椒乐队的查德·史密斯，皇后乐队的罗杰·泰勒，以及舞蹈巨星安迪·冈adeen，他的众多打击音乐冒险作品包括《Massive Attack》、《Chase & Status》、《Rudimental》和《Labrinth》。

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Features
特性

HITS, LOOPS & MIXES
点击，循环和混合

To say The Grange is an embarrassment of riches is an understatement.
说《画眉山庄》是一件令人尴尬的财富是轻描淡写的。

Each drummer has kindly gifted us a deeply multi sampled kit with every note played by each legend.
每个鼓手都好心地送给我们一套深度多采样工具包，里面有每个传奇人物演奏的每个音符。

They have also provided us with an epic anthology of literally thousands of loops.
他们也为我们提供了一个史诗选集，字面上数以千计的循环。

From simple straight up grooves to ‘signature’ beats that only these guys could provide.
从简单的直接向上的凹槽到“签名”节拍，只有这些家伙可以提供。

It is Spitfire Audio’s mission to provide music makers with tools that offer an enhancement to our working lives.
Spitfire Audio的使命是为音乐制作者提供工具，以改善我们的工作生活。

So this award winning group of composers, producers, engineers and technicians didn’t set out to re-invent the wheel.
所以这个获奖的作曲家、制作人、工程师和技术人员并没有打算重新发明轮子。

But simply to make it work better.
只是为了让它更好地工作。

The goal was singular.
目标是单一的。

Make it spring out the box, make it sound like a Grammy winning, Brit garnering, Ivor Novello awarded recording.
让它跳出盒子，让它听起来像格莱美奖得主，英国人的收获，Ivor Novello获奖唱片。

Make it work without fiddling, and make it load up and play without having to turn the f***ing hi hats down.
让它工作，而不是小提琴，让它加载和演奏，而不必关掉他妈的帽子。

Nick Taylor our engineer who tracked these historic recordings from conception to completion has done us so proud.
我们的工程师尼克·泰勒跟踪记录了这些历史性的记录，从概念到完成，他让我们感到非常自豪。

The finest rarified selection of mics were enlisted to trustfully capture the magic.
最好的精选麦克风被招募来信任地捕捉魔术。

He used a bespoke selection of Neve and API pre-amps and, in what is a drum-sampling one-off, used the finest 2″ Studer tape machine in the UK today.
他使用了定制选择的Neve和API前置放大器，在鼓取样一次性，使用了最好的2“Studer磁带机在英国今天。

This matters.
这一点很重要。

If you’re using a drum library that isn’t recorded to tape, it won’t sound as good.
如果你使用的鼓库没有录制到磁带上，它听起来就不会那么好。

It is rare for us to state such a fact so arrogantly.
我们如此傲慢地陈述这样一个事实是很罕见的。

But after A-B-ing the two signals we have to agree with Roger Taylor;
但在对这两个信号进行了分析之后，我们不得不同意罗杰·泰勒的观点;

“It just sounds better”.
“只是听起来更好。”

There is a huge number of mix options on The Grange from Nick Taylor’s fabulous 3 mixes (Tight, Mid, Epic) which just spring out of the box.
在《The Grange》上有大量的混合选项，从尼克·泰勒的3个难以置信的混合(紧，中，史诗)中跳出来。

Our brief to him was “we want a natural sound, don’t give us something that sounds mastered, we want you to imagine that point in tracking an album where having got a great drum take down and you’re so happy with the sound you’re kind of dreading having to add guitars and vocals, give us something that you can’t wait to slam a compressor onto,
短暂是“我们想要一个自然的声音,不给我们听起来掌握的东西,我们想让你想象,在跟踪一个专辑,有了一个伟大的鼓记下,你很满意你的害怕不得不加入吉他和人声,给我们你等不及大满贯压缩机上,

something that people can work with”.
人们可以使用的东西”。

And he did us proud, not a single plug in was armed in providing these mixes, he instead enlisted the fine and pristinely maintained Cadac desk and awesome selection of vintage and modern outboard of Air-Edel studios, London.
他让我们感到骄傲，没有一个插头在提供这些混合，他取而代之的是精致和原始维护的Cadac书桌和令人惊叹的选择，复古和现代的Air-Edel工作室，伦敦。

Alongside his mixes are numerous different tweakable perspectives to give you the chance to “easy tweak” all the way to creating complex multi tracks of your own.
在他的混音中有许多不同的调整视角，让你有机会“简单调整”所有的方式来创建自己的复杂的多轨道。

Mixes and perspectives that are largely reflected in the loop library.
混合和透视图很大程度上反映在循环库中。

So grab one of Andy’s awesome hi hat grooves, then load his kit to work up the beat that you want.
拿一个安迪超赞的嗨帽槽，然后把他的装备装到你想要的节拍上。