大键琴是 16 世纪至 18 世纪中叶轰动一时的键盘乐器,曾一度统治欧洲音乐。这种多才多艺的乐器是文艺复兴时期和巴洛克时期作品中的明星,无论是作为伴奏还是独奏,都熠熠生辉。我们捕捉到了钢琴和高音区、滑音、滑板、打击乐、弹拨乐、刮奏乐和敲击乐。
大键琴是 16 世纪至 18 世纪中叶轰动一时的键盘乐器,曾一度统治欧洲音乐。这种多才多艺的乐器是文艺复兴时期和巴洛克时期作品中的明星,无论是作为伴奏还是独奏,都熠熠生辉。大键琴设计独特,通常有两组或多组琴弦,每组琴弦都能发出独特的音调。声音由琴弦下方的音板放大,通过琴桥传递振动。琴弦是用鹅毛笔拨动的,而不是用琴槌敲击,因此一个琴键只能发出一种音速。竖琴在欧洲各地蓬勃发展,生产中心遍布意大利、佛兰德斯、法国、德国和英国。这些乐器的构造各不相同,具有不同的键盘设置、脚踏板和手挡板。它们的琴盒通常都是精美的艺术品,饰有镶嵌物、绘画和复杂的表面装饰。大键琴的拨弦乐器音色丰富、清晰,丰富了巴洛克音乐的复杂旋律。几乎所有巴洛克作曲家都为大键琴创作过作品,无论是独奏还是连奏。
我们试听了一台著名的 18 世纪意大利比兹大键琴,它属于克劳迪娅-费雷罗(Claudia Ferrero),她是欧洲著名的教师和文艺复兴时期的演奏家。为了保留乐器和房间的独特音质,我们对乐器进行了精心录制。温暖的录音室位于意大利圣拉斐尔-西梅纳的美丽乡村。
我们通过两个立体声麦克风位置,忠实地采样了这把琴的每一个有趣音色: 琴桥和音板。我们捕捉了钢琴和高音区、滑音、滑板、撞击、弹拨、刮擦和敲击的声音。我们还提供了大量自定义特效预置,以及大量我们标志性的音效设计环境内容,这些都是根据原始音源制作的,让您可以完全自由地进行创作。
内容
Kontakt 界面包含一整套可自动化的声音塑造控制,为您提供完全的创作灵活性。您可以控制膨胀、攻击、释放、偏移、颤音、滤波器、音高(粗调和细调)、衔接切换、交叉淡入淡出和分层等。
该音色库配有一个可调整的 LFO 系统,可选择 LFO 形状、调制目标参数、速度、强度、节奏同步和淡入时间。您还可以应用 12 种低通滤波器、高通滤波器和 FX 滤波器,并可分配调制目标,如速度、调制轮、表情、触后、按键位置和步进序列表控制。我们的可定制琶音器提供速度表,并可控制琶音方向、定时、摆动、随机化和持续时间。我们还加入了音键和音阶锁定系统,可将音符限制在常用音阶和音键上,方便旋律创作和现场演奏。
我们的模块化效果器机架面板为界面锦上添花,其中包含 27 种不同的 DSP 效果模块,您可以将它们按任意顺序分配到 8 个可用插槽中的任意一个。你会发现经典的相位器、镶边、延时、失真、放大器和音箱模拟器、压缩器、均衡器、旋转器等等。混响效果包括我们最喜欢的卷积混响脉冲响应,包括 99 种不同的房间、大厅、腔室和室外环境,以及另外 40 种自定义 FX 脉冲,可从根本上改变声音,为音乐开辟全新的可能性世界。我们还添加了一组出色的特效机架链工厂预置,让您轻松上手!
产品规格
– 两个麦克风位置上的钢琴和 Forte 音区、滑音、打击乐、SFX: 桥、音板
– 根据源内容创建的 20 个环境垫和不断变化的无人声
– 22 种强大的 Kontakt .nki 乐器预置
– 24 位 / 48 kHz 未压缩 PCM wav 采样
– 20 种自定义音效和环境预置
– 3,448 个立体声采样
– 安装容量 5.37 GB
– 灵活直观的多层用户界面控制,包括 LFO、滤波器、滑行和琶音器
– 带有卷积混响的完整 FX 架,可自定义房间、大厅、密室和 FX 环境
需要 Kontakt 6.2.2 及以上版本
The Harpsichord, a keyboard sensation from the 16th to mid 18th century, once ruled European music. This versatile instrument was a star in both Renaissance and Baroque compositions, shining both as an accompanist and a soloist. We captured the piano and forte registers, glisses, slides, percussive impacts, plucks, scrapes and taps.
The Harpsichord, a keyboard sensation from the 16th to mid 18th century, once ruled European music. This versatile instrument was a star in both Renaissance and Baroque compositions, shining both as an accompanist and a soloist. Distinctive in design, harpsichords typically boasted two or more sets of strings, each producing unique tones. The sound was amplified by a soundboard beneath the strings, which transmitted vibrations through a bridge. The strings were plucked with quills rather than struck with hammers, so a key could only produce one velocity. Harpsichords flourished across Europe, with production centers in Italy, Flanders, France, Germany, and England. These instruments varied in configuration, featuring different keyboard setups, foot pedals, and hand stops. Their cases were often exquisite works of art, adorned with inlays, paintings, and intricate surface decorations. The harpsichord’s plucked strings offered a rich, clear sound that enriched the complex melodies of Baroque music. Nearly every Baroque composer wrote for the harpsichord, whether as a soloist or in continuo.
We sampled a prestigious 18th Century Italian Bizzi Harpsichord belonging to Claudia Ferrero, an acclaimed teacher and renaissance performer in Europe. The instrument has been carefully recorded in order to preserve the unique sound characteristics of both of the instrument and the room. The warm studio is based in the beautiful countryside of San Raffaele Cimena, Italy.
We’ve faithfully sampled every interesting sound we could get out of this instrument, with two stereo mic positions: Bridge and Soundboard. We captured the piano and forte registers, glisses, slides, percussive impacts, plucks, scrapes and taps. We’ve also included a wide selection of custom FX presets and plenty of our signature sound-designed ambient content, crafted from the raw acoustic source to give you complete creative freedom.
CONTENTS
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.
This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.
The interface is rounded-out by our modular FX rack panel, with 27 different DSP effect modules that you can assign in any of 8 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We’ve added a great bank of FX rack chain factory presets to get you started!
Product Specs
– Piano & Forte registers, Glisses, Percussion, SFX in two mic positions: Bridge, Soundboard
– 20 ambient pads and evolving drones created from the source content
– 22 Powerful Kontakt .nki instrument presets
– 24 bit / 48 kHz uncompressed PCM wav samples
– 20 Custom Sound-Designed FX and Ambient presets
– 3,448 stereo samples
– 5.37 GB Installed
– Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
– Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments
Kontakt 6.2.2+ Required