固定滤波器组的目的是增强合成器的主信号,增加特定频率的谐波或去除其他频率的谐波。有些人希望获得全新的、前所未闻的音效,将自己和听众带入音乐体验的新世界。另一些人则希望创造出更传统、更熟悉的声音,同时还能突破界限,利用传统 “非插电式 “乐器所不具备的新电压控制、功能和特性。有些人则希望两者兼得。

这就是全新设计的 P915 MEDUSA 固定滤波器组。该滤波器可为信号添加微妙或不太微妙的共振,或完全去除频段。当这一过程与未经改变的 “干 “信号混合时,可以模仿传统乐器的实际表现。它还可以单独作为一种独特的、创造性的声音塑造源,而其他滤波器结构则不具备这种可能性。

915 的一些硬件克隆主要基于有源滤波器的设计结构。915 的原始结构使用简单的电感器、电容器和电阻器作为滤波器单元,在无菌的半导体世界中失去了微妙的相互作用。然而,基于原始结构的设计亟待开发。我们找到了电感器的来源,仔细研究了原理图,剔除了复制原理图时出现的错误,设计了电路板,最终得到了极其精确和忠实的原始响应,正如穆格公司在其原始用户手册中公布的那样。

有了可靠的硬件版本,就可以开始制作软件模型了。通过对硬件进行仔细的特性分析和测量,并在软件模型中保留穆格 FFB 独特的两级设计结构,最终得到了一个忠实于原版的软件模型。此外,P915 还增加了一些额外的功能,例如可以将每个单元的输出导向左声道或右声道,从而为滤波器的魅力、实用性和特性增添了更多可能性。

P915 的设计、实现和质量控制都是与 Analogue Realities 的 David Ingebretsen 合作完成的。简而言之,P915 MEDUSA 是 Inductor 915 固定滤波器组的精心设计和完美实现,在功能性、实用性和性能方面更上一层楼。

特点
具有 14 个复古风格的固定频率电感器滤波器。

有一个 LP 和一个 HP 架式滤波器

12 个带通滤波器的间隔为半个倍频程,频率范围从 125 Hz 到 5.8kHz。

左声道可选择分成两个六频段滤波器(175Hz、350Hz、700Hz、1.4kHz、2.8khz 和 5.6 kHz 加上低通),右声道可选择分成另外六个频段(125Hz、250Hz、500Hz、1kHz、2kHz、4kHz 加上高通)。这是一种极富音乐性的分割,因为它可以作为两个独立的固定滤波器组来使用,滤波器之间的间隔为八度,右声道与左声道之间的偏移为半个八度。

干湿交叉推子可在处理过的信号与干信号或外部信号之间进行混音,同时还可在各组之间进行手动和电压控制平移。

零延迟

macOS:AU、AAX 和 VST3 格式。

Windows VST3 和 AAX 格式。

女巫说、

这是真正的密钥源,与 ProTools AAX 兼容:)

The intent of the Fixed Filter Bank was to enhance the primary signal of the synthesizer, adding harmonics at specific frequencies or removing them at others. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both.

Enter the new reimagined P915 MEDUSA Fixed Filter Bank. A filter which adds subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures.

Several hardware clones of the 915 were being introduced primarily based on active filter design structures. The original structure of the 915 used simple inductors, capacitors, and resistors for the filter cells, which delivered a subtle interactions were lost in the sterile world of semiconductors. However, a design based on The original structure was begging to be pursued. A source for inductors was found, the schematics were scrutinized, errors in the schematics from copying were weeded out, circuit boards were designed, and the result was an extremely accurate and faithful copy of the original response as published by Moog in their original owner’s manual.

With a solid hardware version in hand, a software model could begin. Careful characterization and measurement of the hardware, along with a software model keeping the unique structure of the Moog FFB with its two stage design, has resulted in a software model that faithfully matches and follows that of the original. Adding some extra features, such as being able to direct the output of each cell to either the left or right channel, opens up additional possibilities that add to the charm, utility, and character of the filter.

The P915 design, implementation and quality control was in collaboration with David Ingebretsen of Analogue Realities The P915 MEDUSA is simply put, a meticulous, spot-on implementation of the Inductor 915 Fixed Filter Bank but taken to the next level in functionality, usability and performance.

Features

Features fourteen vintage style fixed frequency, inductor based filters.

There is a LP and a HP shelf filter

Twelve Band Pass filters are set at half octave interval spacings, which range from 125 Hz through to 5.8kHz.

Option to split into two six band filters (175Hz, 350Hz, 700Hz, 1.4kHz, 2.8Khz and 5.6 kHz plus Low Pass) for the Left Channel, and the alternate six bands (125 Hz, 250 Hz, 500 Hz, 1kHz, 2 kHz, 4kHz plus High Pass) for the Right channel. This is a very musical split, as it can perform as two separate Fixed Filter Banks with Octave spacing between filters, and the Right channel is offset against the Left channel by a half octave.

Wet-Dry cross fader mixes between the treated signal and the dry or external signal , again with manual and Voltage Controlled panning between banks.

Zero latency

macOS: AU, AAX and VST3 formats.

Windows: VST3 and AAX formats.

A witch says,

Here is a true keygen with legit ProTools AAX compatibility :)

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