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终极电影风琴

在《星际穿越》、《2001：太空漫游》和《创战纪》等大片的配乐中实现震撼人心的电影音效。拉格比学校小礼拜堂管风琴–一个拥有 3,721 根管子、大教堂般规模的巨大管风琴被安置在一个私密的小礼拜堂中–创造出前所未有的史诗般的震撼音效。

为了捕捉其独特的深度、力量和美感，我们与作曲家、制作人和管风琴专家安迪-理查兹（Andy Richards）合作。

他的作品令人印象深刻，包括《贫民窟的百万富翁》（Slumdog Millionaire）等大型电影配乐，以及格蕾丝-琼斯（Grace Jones）和乔治-迈克尔（George Michael）等著名艺术家的唱片。每个音高都使用多个麦克风位置进行录制，以获得极致的真实感和控制力，并通过我们的 eDNA 引擎提供 50 种令人匪夷所思的扭曲预置。

终极管风琴

管风琴是一种用途极为广泛的乐器，如今已被广泛应用于教堂或恐怖电影场景之外，是为管弦乐配乐和作品增添深度、力量和美感的完美选择。除了圣桑（Saint-Saens）的管风琴交响曲等知名交响乐作品外，管风琴还为无数不同类型的大片配乐奠定了基础，包括《科亚尼斯卡茨》（菲利普-格拉斯）、《迷魂记》（伯纳德-赫尔曼）、《星际穿越》（汉斯-齐默）、《2001 太空漫游》（选自理查德-施特劳斯 1896 年的作品《查拉图斯特拉》）和《创战纪》（温迪-卡洛斯）。没有任何管弦乐器能比它的音调更低，它能让你感受到雷鸣般的低音深度，而不是听觉。

当喷火战机的创始人兼作曲家保罗-汤姆森（Paul Thomson）听到拉格比学校教堂管风琴的声音时，他就知道喷火战机必须对其进行采样。

在蒂姆-伯顿（Tim Burton）的《特警陶德》（Sweeney Todd）的开场片段中，我们听到了这架大教堂般大小的管风琴–4 个手动（键盘）、71 个音位（其中 55 个为发言音位）和 3,721 根管子–与教堂内私密的声学环境形成鲜明对比，创造出一种史诗般的音效，产生出一种独特的强度和直接性。经过专业的录制和呈现，这个权威的管风琴库与我们的交响乐系列完美结合，使您能够创作出音色丰富的乐谱。

概览面板

这是旋律乐器的主界面。其默认视图显示所有可用的演奏技巧，配有一个简单的麦克风混音器，并包括主要功能控制器。

eDNA 引擎

该界面包含我们自己的采样合成器引擎。你可以用它来组合两个音色，并通过每个音色的包络线、滤波器和摇摆来在它们之间进行调制，还可以使用门音序器和一系列可供选择的特效。

The ultimate cinematic organ

Achieve that awe-inspiring cinematic sound made famous in blockbuster scores such as Interstellar, 2001: A Space Odyssey and Tron. Presenting the Rugby School Chapel organ – a monstrous, 3,721-pipe, cathedral-sized organ housed in an intimate chapel – creating an epic but immediate sound like no other.

To capture its unique depth, power and beauty, we teamed up with composer, producer and organ expert Andy Richards, who has curated stop combinations for instant playability, enabling you to get the best out of this beautifully-voiced instrument.

His impressive discography includes work on huge film scores, including Slumdog Millionaire, and records by iconic artists from Grace Jones to George Michael. Every pitch has been recorded with multiple mic positions for ultimate realism and control, accompanied by 50 mind-bending warped presets presented in our eDNA engine.

The ultimate organ

A hugely versatile instrument now widely used beyond its original church or horror film setting, the organ is perfect for adding depth, power and beauty to orchestral scores and compositions. As well as in renowned symphonic works such as Saint-Saens’ Organ Symphony, the organ provides the foundations for countless blockbuster film scores of various genres, including Koyaanisqatsi (Philip Glass), Vertigo (Bernard Herrmann), Interstellar (Hans Zimmer), 2001: A Space Odyssey (from Richard Strauss’ 1896 work Also Sprach Zarathustra) and Tron (Wendy Carlos). There is no orchestral instrument that can go lower in pitch, giving you thunderous sub-bass like depth that you feel rather than hear.

As soon as Spitfire founder and composer Paul Thomson heard the Rugby School Chapel Organ, he knew Spitfire had to sample it.

Heard in the opening sequence to Tim Burton’s Sweeney Todd, the contrast of this cathedral-sized organ – four manuals (keyboards), 71 stops (of which 55 are speaking stops) and 3,721 pipes – with its intimate chapel acoustic setting, creates an epic sound, producing a unique intensity and immediacy. Expertly recorded and presented, this definitive organ library has been designed to fit perfectly with our Symphonic range, enabling you to create rich sounding scores.

The overview panel

This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.

eDNA Engine

This interface houses our own sample-synthesiser engine. You can use it to combine two sounds and modulate between them with envelopes, filters and wobbles per sound, as well as a gate sequencer and a selection of go-to FX.

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