群青包含 5 个插件,可重现上世纪五六十年代真正传奇的录音室设备的声音。这些设备非常稀有和昂贵,即使是现代的再版设备也价格不菲。我们的插件套件包含您所需的一切,通过我们对原始硬件的精心取样,让您的制作拥有伟大经典的不朽音效。

A70 中侧/立体声压缩器

这款压缩器以所有动态处理器中最具代表性的产品为基础。它在 20 世纪 50 年代被誉为 “电平控制的公认标准”,至今仍是最受推崇的录音室处理器之一。无论是在母带制作室还是在电台广播设施中,它都具有广泛的用途,其原版设备在二手市场上的价格高达 20,000 美元或更高。

这种令人印象深刻的设备的音效由其较短的攻击时间和较长的释放时间所决定,这让您可以在控制瞬态的同时为音轨的主体进行音效 “按摩”。但是,由于仅生产和销售了约 1000 台,要找到一台运行状况良好的产品变得越来越困难。

多年来,人们制作了多种硬件和软件克隆和模拟版本,试图捕捉这款巨型压缩器/限幅器的独特个性;然而,没有任何数字版本能够与这款了不起的工程杰作相媲美。

直到现在。为了制作我们的插件,我们直接对原始硬件设备进行了采样。我们相信其效果不言而喻。

A-27 – 可变电子管均衡器

这款有源均衡器始建于 20 世纪 60 年代,具有独特的电路和与同时期其他经典均衡器完全不同的电子实现方式。

寻找原装硬件似乎是一项不可能完成的任务,但我们并没有失去希望。最终,我们找到了所有必要的元件,并逐一进行了组装!

最终,这款专用均衡器甚至超出了我们的最高期望。它的声音非常流畅,是一台真正独一无二的机器。群青 4 A-27 均衡器与我们试听过的其他均衡器有着天壤之别,我们保证您也会像我们一样爱上它。

A-64 美国复古 2 波段无源程序均衡器

不要被它的尺寸所迷惑!

这款无源均衡器直接来自 20 世纪 60 年代早期生产的型号,只有 2 个修正带、一个低搁架滤波器和一个高峰值型滤波器。

低频滤波器的固定截止频率为 80Hz,而高频滤波器则提供 4-15 kHz 的 4 个峰值设置。原始型号的输入信号衰减为 17dB,这意味着被动均衡器几乎总是与前置放大器或压缩器耦合,以帮助恢复部分损失的电平。

许多音频专业人士至今仍认为它是有史以来最具音乐性的均衡器之一。我们 Acustic Audio 很幸运地找到了一台完好无损的设备,并抓住机会对其进行了试听。

您可以亲自试用一下,我们相信您一定会同意,它的效果绝对令人惊叹。

A-58 混响单元

A-58 混响装置是与高品质电子机械混响装置相对应的虚拟装置,也是美国传奇制造商制造的最佳复古混响装置之一。这款精品是真正的收藏品!它采用 6 条电动机械延迟线,每条延迟线的调谐方式都不同,可产生极其平滑、温暖的自然混响效果(即使是打击乐声音)。

女巫说、

曲库已完全解密、解压,删除了与 DRM 相关的臃肿内容,并建立了干净的曲库。

对于小公司来说,维护 100 多款软件应该非常困难。即使是大公司也不会维护这么多软件。要实现这一点,必须牺牲一些东西。

Ultramarine includes 5 plugins that recreate the sound of truly legendary studio equipment from the 1950s and the 60s. These models are so rare and costly that even modern reissues fetch high prices. Our plugin suite includes everything you need to give your productions the immortal sound of the great classics, thanks to our careful sampling of the original hardware.

A70 Mid-Side/Stereo Compressor

This compressor is based on what is arguably the most iconic of all dynamics processors. Described as the “universally-accepted standard for level control’ in the 1950s, it remains one of the most revered studio processors ever invented. Equally versatile in mastering studios as in radio broadcast facilities, the original machines go for $20,000 or more on the second-hand market.

The sound of this impressive device is defined by its short attack and long release times, which lets you keep transients under control while giving the body of the track a sonic “massage.” But because only about 1000 units were ever built and sold, it’s becoming more and more difficult to find one in excellent operating condition.

Over the years, multiple clones and emulations – both hardware and software – have been created in an attempt to capture the unmistakable character of this behemoth compressor/limiter; however, no digital version has been able to match the elegance of this marvelous piece of engineering.

That is, until now. In order to create our plugin, we directly sampled the original hardware unit. We believe that the results speak for themselves.

A-27 – Variable Tube Equalizer

Originally built in the 1960s, this active EQ featured unique circuitry and a completely different electronic implementation compared to other classic EQs from the same era.

The search for an original hardware unit seemed like an impossible mission, but we didn’t lose hope. In the end, we tracked down all the necessary components, one by one, and we assembled it ourselves!

In the end, this specialized equalizer surpassed even our highest expectations. Wonderfully smooth in sound, it’s a beast of a machine, and is truly unique. The Ultramarine 4 A-27 EQ is a world apart from any other EQ we’ve sampled, and we guarantee that you’ll fall in love with it the same way we did.

A-64 American Vintage 2-Band Passive Program EQ

Don’t let its size fool you!

This passive EQ comes straight from a model made in the early 1960s, with only 2 correction bands, a low shelving filter, and a high peak-type filter.

While the low-frequency filter has a fixed cut-off 80Hz, the high-frequency filter offers 4 peak settings ranging from 4-15 kHz. The original model had an input signal attenuation of 17dB, which meant that the passive EQ unit was almost always coupled to a preamplifier or a compressor to help recover part of the lost level.

It’s still considered by many audio professionals to be one of the most musical equalizers ever created. We at Acustic Audio were lucky enough to find a unit in perfect condition, and we jumped at the opportunity to sample it.

Try it out for yourself – we’re sure you’ll agree that the results are simply stunning.

A-58 Reverb Unit

The A-58 reverb is the virtual counterpart of a high-quality, electro-mechanical reverberation device, and one of the best vintage reverbs ever created by a legendary American manufacturer. This gem is a real collector’s item! It employs 6 electro-mechanical delay lines, each tuned differently to produce a natural reverb effect that is extremely smooth and warm (even on percussive sounds).

 

A witch says,

Library is completely decrypted, decompressed, DRM related bloat removed, and built to the clean one.

It should be very hard to maintain more than 100 software for small company. Even the big companies do not maintain such number of the software. Something is being sacrificed to realize that.

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