想象一下,你只需使用一个简单而强大的工具,就能将稀有的、标志性的、天文数字般昂贵的立体声和多轨磁带机的音质特征嵌入你的创作流程。Taupe 插件包括 21 台模拟和数字磁带机、40 个程序、3 个控制台、2 个压缩器、1 个专用混音控制、真实动态压缩、真实谐波饱和度等。
磁带插件的过去、现在和未来
我们精心挑选了从 20 世纪 50 年代末到 90 年代初的录音机样本,所有这些录音机都得到了很好的维护和校准。除此以外,我们还加入了 3 台 20 世纪 70 年代和 80 年代美国标志性调音台的均衡器部分,以及 2 台可切换压缩器。(所有这些都可以作为独立模块提供。)Taupe 从头开始开发,旨在为您提供最逼真的磁带插头模拟。
混音控制=梦幻控制
Taupe 上的混合旋钮与大多数插件上的普通干/湿旋钮无关。相反,它允许你调整所需的 “磁带色彩 “量–从 SOURCE(无磁带信号,仅前置放大器输入信号)到 TAPE(全磁带信号)–通过混合机器电路的音调特性,有或没有磁带成分。这种革命性的控制是 Acustic Audio 的首创,也是专业音频领域的首创:以前从未在任何其他插件中实现过。
真正的动态压缩、谐波饱和及即时限制
我们知道:你迫不及待地想乘坐输入列车进入饱和镇。
只需重击磁带,就能获得由原始设备提供的原始压缩和谐波失真效果。产生的效果可以是 0.5 分贝的轻微压缩,也可以是高达 6 分贝的瞬间限制。瞬态将被轻柔地圆润、加强,几乎被拉伸,只有高品质的机器才能做到这一点。至少在此之前是这样!
不需要压缩效果?经济 “功能可关闭磁带的压缩组件,从而节省 CPU 资源,用于在混音中添加效果。
陶比均衡器
Taupe EQ 包括 3 种不同的均衡器模式,让你可以进一步塑造乐器的音效。
A 型均衡器包含在 1976 年制造的美国调音台的均衡器部分。这是有史以来最灵活的调音台之一,也是第一个引入自动 VCA 渐变器系统的调音台。
B 型是 1979 年制造的直列式调音台的均衡器部分。
C 型源自一家著名瑞士公司 1982 年生产的高端调音台。
灰褐色压缩器/限幅器
Taupe 的动态模块源自 1982 年生产的瑞士顶级模拟调音台,非常适合低音、鼓、钢琴甚至口语录音。
模数就绪
Taupe 还可作为 Modula 的通道条插件使用。
女巫说、
程序库已完全解密、解压,删除了 DRM 相关的臃肿内容,并以干净的格式构建。
开发者坚称,他们正在关心用户体验,正在减少臃肿。
然而,我们知道,臃肿在 2014 年就已经存在了。他们有足够的时间来消除臃肿,但他们却没有听取用户的反馈,而是把越来越多的精力放在了保护上。
其他开发者都没有这么多保护措施。我们怎么知道?因为我们已经反转了数千款软件:)
Imagine you can embed the sonic signature of rare, iconic, astronomically expensive stereo and multitrack tape machines into your creative workflow with one simple yet powerful tool. Taupe plugin includes 21 analog and digital tape machines, 40 programs, 3 consoles, 2 compressors, a dedicated mix control, authentic dynamic compression, real harmonic saturation, and more.
The Past, Present, and Future of Tape Plugins
We meticulously sampled machines from the late 1950s up through the early 90s, all of which were wonderfully maintained and calibrated. On top of this, we also included the EQ section of 3 iconic American consoles from the 1970s and 80s, plus 2 switchable compressors. (All available as standalone modules, too.) Taupe has been developed from the ground up using to give you the most realistic tape plug emulation possible.
Mix Control = Dream Control
The Mix knob on Taupe has nothing to do with the regular dry/wet knob found on most plugins. Instead, it allows you to adjust the desired amount of “tape coloration” – from SOURCE (no tape signal, preamp input signal only) to TAPE (all tape signal) – by blending the tonal characteristics of the machine’s circuitry with or without the tape component. This revolutionary type of control is a first for Acustic Audio, and it’s also a first for the pro audio world: it has never been implemented in any other plugin before. now..
Real Dynamic Compression, Harmonic Saturation, and Instant Limiting
We get it: you’re itching to ride the input train into Saturation Town.
Just hit the tape hard, and you’ll get the original compression and harmonic distortion as delivered by the original machines. The resulting effect can be as subtle as 0.5dB of gentle compression, or you can reach up to 6dB of instant limiting. Transients will be gently rounded-out, beefed up, almost stretched, as only high-quality machines can do. At least, until now!
Don’t need the compression effect? The “econo” function disables the compression component of the tape, saving your CPU resources for the effects that you choose to add to your mix.
Taupe EQ
Taupe EQ includes 3 different equalizer models, so you can further shape the sound of your instruments.
Model A was included in the EQ section of a robust American console that was built in 1976. This was one of the most flexible mixing desks ever manufactured, and the first to introduce the automated VCA fader system.
Model B is the EQ section of an in-line console made in 1979.
Model C was derived from a high-end console manufactured in 1982 by a famous Swiss Company.
Taupe Compressor/Limiter
Derived from a top-quality Swiss analog console manufactured in 1982, Taupe’s dynamics module is great for bass, drums, pianos, and even spoken word recording.
Modula-Ready
Taupe is also available as a channel strip plug-in for Modula.
A witch says,
Library is completely decrypted, decompressed, DRM related bloat removed, and built to the clean one
The developer is insisting they are caring the user experience and they are reducing the bloat.
However, we know that bloating was already there in 2014. There were plenty of time to remove it, but they put more and more effort on the protection instead of hearing the users’ feedback.
No other developers put such amount of the protection. How do we know? Because we have reversed thousands software :)