This KONTAKT Instrument delivers an unrivalled reproduction of one of the most sought-after electric pianos.

The character of the SCARBEE A-200 ranges from soft and sweet to a more biting, overdriven sound when played harder.
SCARBEE a -200的特点从柔和和甜到更咬人,过度驱动的声音,当播放更努力。

The distinctive sound of the original A-200 was much loved by pop and rock bands in the 1960s and 70s and has recently found favor with a whole new wave of pop, indie and jazz and electronic artists.
a -200独特的声音在20世纪60、70年代深受流行和摇滚乐队的喜爱,最近又受到流行、独立、爵士和电子艺术家的青睐。


Instead of offering a ‘grab bag’ of many instruments which have been sampled to an ‘acceptable’ level, Thomas Skarbye focuses on a single instrument rendered to a level of detail previously unavailable to sample users.
Thomas Skarbye并没有提供许多被采样到“可接受的”水平的仪器的“抓取包”,而是专注于单个仪器渲染到以前采样用户无法获得的细节水平。

Through careful study and thorough restoration/setup he aims to capture the “soul” of the instrument and balances sound, playability and post-editing for a perfect match at the forefront of sampling technology.

The SCARBEE A-200 was derived from Scarbee’s legendary “Edgy Electric Piano”.
SCARBEE A-200源自SCARBEE的传奇“尖端电子钢琴”。


The team at Scarbee recorded over 2,000 samples in 24-bit resolution with each of the 64 keys sampled at 16 different velocities.

No extra EQ, tube saturation or compression was used during recording in order to provide an ultra-realistic sound and feel.

With adjustable original instrument noise as well as the inclusion of Horizontal Release Technology*, this KONTAKT Instrument preserves the spirit of the original – including its charming flaws and idiosyncrasies.

The flexible KONTAKT interface also contains a built in FX unit to further enhance its versatility and usability, and includes classic effects such as reverb, chorus, phaser, amp simulation, distortion auto-wah, pan, compression, delay and tremolo.
灵活的KONTAKT界面还包含一个内置的FX单元,进一步增强其通用性和可用性,并包括经典的效果,如混响,合唱,相位器,放大器模拟,失真自动wah, pan,压缩,延迟和颤音。

*’Horizontal Release Technology’ – release samples are chosen from a wave pool depending on how long a key has been held – allowing a note played staccato to create a release tone different from a note which is sustained for a longer period.