VSL Studio Bosendorfer Upright Stereo for Synchron Pianos

立式设计，三角钢琴般的声音

Bösendorfer Grand Upright 130 融合了近两百年的三角钢琴制造经验。虽然在外形上它是一台立式钢琴，但却能呈现出细腻入微的音色变化与强劲有力的低频，同时保持纯净、清澈的钢琴音色，而不带大型音乐会三角钢琴箱体所常见的那种更为宽广、浓厚的音色染色。

• 现代经典之作
• 每一个音符都拥有出色的清晰度
• 宽广的动态范围
• 音色饱满，低频强劲
• 通过八个麦克风位置实现高度多样化的音色与音质变化
• 于维也纳 Synchron Stage 的 B 录音厅录制
• 先进的释放采样技术（Advanced Release Sample Technology）
• 预先配置的主预设：Concert、Intimate、Player、Pop、Ambience、Vintage

传奇般纯净而丰润的 Bösendorfer 音色，源自维也纳钢琴制造传统以及其复杂而精密的结构设计。Bösendorfer 在钢琴制造中使用超过 80% 的天然风干共鸣云杉木，这一比例高于任何其他制造商。当一个音符被弹奏时，琴体内部整合的云杉木部件会参与振动发声，形成一个在原理上类似小提琴的完整共鸣体。其精准的机械结构可在最大可控性的前提下，实现最理想的能量传递。经过精心手工缠绕的低音琴弦——以钢芯为基础，并包覆一层或两层铜丝——同样为其温暖而浑厚的音色作出了重要贡献。

麦克风位置

为了在维也纳 Synchron Stage 的 B 录音厅中完整捕捉这台非凡的钢琴，录音工程团队使用了多组高端麦克风阵列，为你塑造专属音色提供了极为丰富的选择。

Standard Library（标准版）：
• Close 1 – 电容麦（Schoeps 2 MK4，ORTF）
• Main/Room Mic – Decca Tree 立体声（Neumann KM 133）
• Mid 2（Schoeps KFM6，位于钢琴上方）
• Main/Room Mic – Decca Tree 单声道（Neumann KM 133）

Full Library（完整版）：
• Close 1 – 电容麦（Schoeps 2 MK4，ORTF）
• Close 2 – 铝带麦（Royer SF24，Blumlein）
• Close 3 – 大振膜电容麦（Neumann 2 TLM 170，心形指向）
• Mid 1（Sennheiser MKH 40，ORTF，位于钢琴后方）
• Mid 2（Schoeps KFM6，位于钢琴上方）
• Main/Room Mic – Decca Tree 立体声（Neumann KM 133）
• Main/Room Mic – Decca Tree 单声道（Neumann KM 133）
• Main Surround – 立体声（Neumann KM 184）

即使你并未使用环绕声系统，只要在立体声混音中加入房间麦克风与环绕麦克风的信号，完整版也能带来更多环境变化与更强的空间深度。

Standard = 立体声
Full = 立体声 + 额外通道

Upright Design, Grand Sound
The Bösendorfer Grand Upright 130 incorporates the experience of almost two centuries of grand piano making. Although physically an upright piano, the instrument surprises with subtle nuances and a powerful bass, and yet with a pure and pristine piano sound, without the broader tonal colors usually added by the large body of a concert grand.

• A modern classic
• Stellar clarity in each note
• Wide dynamic range
• Rich tone with a powerful bass
• Versatility in sound and timbre with eight microphone positions
• Recorded at Stage B of Synchron Stage Vienna
• Advanced Release Sample Technology
• Pre-configured Main Presets: Concert, Intimate, Player, Pop, Ambience, Vintage

The legendary pure and rich Bösendorfer sound is based on the Viennese tradition of piano making with its complex construction. Bösendorfer uses more than 80% naturally dried resonant spruce wood to build an instrument – more than any other manufacturer. When a note is played, the integrated spruce components become acoustically active, forming a complete resonating body similar in principle to a violin. Its precise mechanics offer optimum power transmission with maximum controllability. The carefully hand-spun bass strings – steel core strings with one or two layers of copper – also contribute to its warm and sonorous sound.

Microphone Positions
In order to capture this marvelous instrument in Stage B of Synchron Stage Vienna, the team of recording engineers used multiple high-end microphone arrays, affording an abundance of options for creating your individual sound.

Standard Library:
• Close 1 – Condenser (Schoeps 2 MK4 ORTF)
• Main/Room Mic – Decca Tree Stereo (Neumann KM 133)
• Mid 2 (Schoeps KFM6 over the piano)
• Main/Room Mic – Decca Tree Mono (Neumann KM 133)
Full Library:
• Close 1 – Condenser (Schoeps 2 MK4 ORTF)
• Close 2 – Ribbon (Royer SF24 Blumlein)
• Close 3 – Condenser Large Diaphragm (Neumann 2 TLM 170 Cardioids)
• Mid 1 (Sennheiser MKH 40 ORTF behind the piano)
• Mid 2 (Schoeps KFM6 over the piano)
• Main/Room Mic – Decca Tree Stereo (Neumann KM 133)
• Main/Room Mic – Decca Tree Mono (Neumann KM 133)
• Main Surround – Stereo (Neumann KM 184)
Even if you’re not using a surround setup, you get more ambience variations and spatial depth out of the Full Library by adding the room and surround microphones’ signals to your stereo mix.