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《PACIFIC – Classical Symphonic Orchestra》的独奏弦乐
Pacific – Solo Strings 由一把独奏小提琴和一把独奏大提琴组成,包含核心演奏法,并以标准的首席(1st-chair)位置录制。该库作为 Pacific – Ensemble Strings 的补充制作,因此在与整个 Pacific 管弦项目相同的空间中录制,能够自然融入其他声部。本次还新增了一个新的麦克风位置:section 麦克风,位置介于 far/AB 与 close 之间,但更偏向 close。

此库中包含一些熟悉的演奏法,例如以与 Pacific – Ensemble Strings 相同方式采样的 marcato,以及按惯例进行重复采样(rep-sample)的短音。此外还有一个新演奏法——motion tremolos——概念源自 Voyage 录音。它在技术上是有节奏的(measured),但演奏上较为随性且非常快速,能够更好地支持中快速度的来回线条演奏,几乎有点类似音程式的效果,但并非专门的连奏音色。它具备(有限的)RR 功能。

规格

• 乐器
Solo Violin(独奏小提琴)
Solo Cello(独奏大提琴)

• 演奏法

Solo Violin(独奏小提琴)

  • 连奏(单音)持续音——单一力度(表现性 F–FF)
    ▪ 三种连奏方式(slur 连奏、换弓 bowchange、以及换弓滑音 bowchange-portamento[用于向上纯四度至八度的音程])
    ▪ 同音重复*,带 RR
  • Marcatos——多力度(录制两种力度,无外部建模)
  • Harmonics(泛音)——多力度,由三种录制力度进行外部建模
  • Motion Tremolos——多力度,由两种录制力度进行外部建模
  • Staccatos——多力度,由三种录制力度进行外部建模
  • Spiccatos——多力度,由三种录制力度进行外部建模
  • Pizzicatos——多力度,由三种录制力度进行外部建模

Solo Cello(独奏大提琴)

  • 连奏(单音)持续音——单一力度(表现性 F–FF)
    ▪ 一种连奏方式(带滑音倾向,尤其在高音区)
    ▪ 同音重复,带 RR
  • Marcatos——多力度(录制两种力度,无外部建模)
  • Harmonics(泛音)——多力度,由五种录制力度进行外部建模
  • Motion Tremolos——多力度,由两种录制力度进行外部建模
  • Staccatos——多力度,由三种录制力度进行外部建模
  • Spiccatos——多力度,由三种录制力度进行外部建模
  • Pizzicatos——多力度,由三种录制力度进行外部建模

• 在带环境的大厅录制,提供 close、section、AB(主/远)麦克风
• 48kHz / 24bit
• NCW 压缩,总计约 6.26 GB
• 适用于 Kontakt 6.8.0 及以上版本——需完整版零售 Kontakt
• 通过 Continuata 下载

The solo strings from ‘PACIFIC – Classical Symphonic Orchestra‘
Pacific – Solo Strings consists of a solo violin and solo cello with core articulations recorded in standard 1st-chair positions. The library was created as an addendum to Pacific – Ensemble Strings and thus recorded in the same space as the rest of the Pacific orchestral project, allowing blending with the rest of the sections. There was also the addition of a new mic position on this release: the section mic which is somewhere between the far/AB and close but strongly biasing towards close.

There are some familiar articulations in this library like the marcatos which were sampled in the same way as the marcatos on Pacific – Ensemble Strings. As well as the shorts which were rep-sampled as usual. There’s also a new articulation – motion tremolos – which was conceptualized on Voyage sessions. It’s technically measured but loosely played and super fast and it allows a bit more in the way of back and forth medium-to-fast lines, almost interval-esque without being a legato patch specifically. It has (limited) RR functionality.

 

• Instruments

Solo Violin
Solo Cello

• Articulations

Solo Violin

– Legato (monophonic) sustains – one dynamic (espressivo F-FF)

▪ Three types of legato (slur, bowchange and bowchange-portamento [on upward P4 through P8 intervals])

▪ Same-note repetitions* with RR

– Marcatos – multi-dyn (two recorded dynamics, no external modeling)

– Harmonics – multi-dyn externally modeled from three recorded dynamics

– Motion Tremolos – multi-dyn externally modeled from two recorded dynamics

– Staccatos – multi-dyn externally modeled from three recorded dynamics

– Spiccatos – multi-dyn externally modeled from three recorded dynamics

– Pizzicatos – multi-dyn externally modeled from three recorded dynamics

Solo Cello
– Legato (monophonic) sustains – one dynamic (espressivo F-FF)

▪ One type of legato (with a bias towards portamento esp. on the higher register)

▪ Same-note repetitions with RR

– Marcatos – multi-dyn (two recorded dynamics, no external modeling)

– Harmonics – multi-dyn externally modeled from five recorded dynamics

– Motion Tremolos – multi-dyn externally modeled from two recorded dynamics

– Staccatos – multi-dyn externally modeled from three recorded dynamics

– Spiccatos – multi-dyn externally modeled from three recorded dynamics

– Pizzicatos – multi-dyn externally modeled from three recorded dynamics

• Recorded in an ambient hall with close, section, and AB (main/far) mics

• 48kHz / 24bit

• NCW-compressed, ~6.26 GB total

• Built for Kontakt 6.8.0 and above – full, retail version of Kontakt required

• Download via Continuata

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